Marty McFly reist terug naar 1955 met een tot tijdmachine omgebouwde DeLorean van Doc Emmett Brown. Hij zorgt er per ongeluk voor dat zijn moeder verliefd op hem wordt in plaats van op zijn vader.
Nee, helaas is Back to the Future nog niet beschikbaar op Netflix in Nederland.
| Production | Bob Gale | Producer |
| Art | Lawrence G. Paull | Production Design |
| Production | Neil Canton | Producer |
| Camera | Dean Cundey | Director of Photography |
| Sound | Alan Silvestri | Original Music Composer |
| Production | Judy Taylor | Casting |
| Editing | Harry Keramidas | Editor |
| Production | Jane Feinberg | Casting |
| Production | Mike Fenton | Casting |
| Directing | Robert Zemeckis | Director |
| Editing | Arthur Schmidt | Editor |
| Writing | Bob Gale | Writer |
| Writing | Robert Zemeckis | Writer |
| Production | Kathleen Kennedy | Executive Producer |
| Art | Hal Gausman | Set Decoration |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Costume & Make-Up | Deborah Lynn Scott | Costume Design |
| Production | Frank Marshall | Executive Producer |
| Art | Todd Hallowell | Art Direction |
| Production | Steven Spielberg | Executive Producer |
| Sound | John A. Larsen | Sound Editor |
| Camera | Raymond Stella | Camera Operator |
| Sound | Bones Howe | Music Supervisor |
| Sound | Charles L. Campbell | Supervising Sound Editor |
| Sound | Robert R. Rutledge | Supervising Sound Editor |
| Editing | Barbara Palmer Dixon | Assistant Editor |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Camera | Clyde E. Bryan | First Assistant Camera |
| Production | Dennis E. Jones | Unit Production Manager |
| Crew | Walter Scott | Stunt Coordinator |
| Costume & Make-Up | Elizabeth Rabe | Hairstylist |
| Crew | Arthur F. Repola | Post Production Supervisor |
| Production | Jack Grossberg | Unit Production Manager |
| Costume & Make-Up | Robert Iannaccone | Costume Supervisor |
| Costume & Make-Up | Julie Starr Dresner | Set Costumer |
| Costume & Make-Up | Brian Callahan | Costume Supervisor |
| Art | Drew Struzan | Other |
| Sound | Alan L. Nineberg | ADR Editor |
| Crew | Bonne Radford | Production Controller |
| Sound | Kenneth Karman | Music Editor |
| Art | Cameron Birnie | Set Designer |
| Art | Ernest Depew | Construction Coordinator |
| Camera | Dic Alexander | Grip |
| Production | Leanne Moore | Production Accountant |
| Production | Laurie Vermont | Production Coordinator |
| Sound | Earl Sampson | Boom Operator |
| Crew | Al Gaynor | Scenic Artist |
| Directing | David McGiffert | First Assistant Director |
| Art | Dick Lasley | Production Illustrator |
| Crew | Brad Jeffries | Choreographer |
| Production | Paul Pav | Location Manager |
| Sound | Lawrence Jordan | Assistant Sound Editor |
| Visual Effects | Kevin Pike | Special Effects Supervisor |
| Art | Tim Stadler | Painter |
| Sound | William B. Kaplan | Production Sound Mixer |
| Crew | Marsha Robertson | Unit Publicist |
| Sound | Takeo Ogawa | Sound Designer |
| Sound | James B. Campbell | Orchestrator |
| Camera | Ronald Woodward | Key Grip |
| Crew | Ramon Pahoyo | Craft Service |
| Art | John Zemansky | Property Master |
| Crew | John Feinblatt | Transportation Coordinator |
| Lighting | Albert Hood | Electrician |
| Visual Effects | Charlie Mullen | Animation Supervisor |
| Crew | Gregory Dultz | Driver |
| Sound | John Roesch | Foley |
| Visual Effects | Ellen Lichtwardt Goodchild | Visual Effects |
| Editing | Terry Hager | Color Timer |
| Sound | Gary A. Hecker | Foley Artist |
| Camera | Dan Cooper | Best Boy Grip |
| Production | Warren Franklin | General Manager |
| Crew | Ted Moehnke | Pyrotechnician |
| Sound | Greg Orloff | Foley Mixer |
| Camera | Steve Tate | Second Assistant Camera |
| Editing | Michael Moore | Assistant Editor |
| Sound | Alan Silvestri | Conductor |
| Lighting | Thomas Marshall | Assistant Chief Lighting Technician |
| Lighting | Mark Walthour | Chief Lighting Technician |
| Crew | Alexander Xavier Ponce-Bonano | Scientific Consultant |
| Sound | Darcy Vebber | Utility Sound |
| Editing | Donah Bassett | Negative Cutter |
| Art | Joe Pfaltzgraf | Assistant Property Master |
| Art | Nina Saxon | Title Designer |
| Camera | Ray Gilberti | Assistant Camera |
| Visual Effects | Donna K. Baker | Rotoscoping Artist |
| Camera | Richard Babin | Dolly Grip |
| Crew | Eric Stoltz | Stunt Driver |
| Sound | Larry Singer | Supervising ADR Editor |
| Production | Rob Stevens | Assistant Production Coordinator |
| Directing | Frank Marshall | Second Unit Director |
| Crew | Steven Spielberg | Presenter |
| Costume & Make-Up | Haleen K. Holt | Costume Illustrator |
| Sound | Sonny Pettijohn | Apprentice Sound Editor |
| Costume & Make-Up | Julie Starr Dresner | Key Costumer |
| Crew | Charles Croughwell | Stunt Double |
| Production | Robert R. Draney | Assistant Accountant |
| Visual Effects | Wes Takahashi | Animation Supervisor |
| Crew | Phillip Norwood | Visual Effects Art Director |
| Crew | Bob Yerkes | Stunts |
| Crew | Per Welinder | Stunts |
| Crew | John-Clay Scott | Stunts |
| Crew | Robert Schmelzer | Stunts |
| Crew | Jimmy Corona Rooney | Stunts |
| Crew | Spiro Razatos | Stunts |
| Crew | Bernie Pock | Stunts |
| Crew | Max Kleven | Stunts |
| Crew | Loren Janes | Stunts |
| Crew | Richard E. Butler | Stunts |
| Sound | Huey Lewis | Songs |
