Een gynaecoloog pleegt zelfmoord als hij beschuldigd wordt van aanranding van zijn patiënten. Zijn hoogzwangere vrouw verliest door deze situatie haar baby. Ze zint op wraak en gaat bij Claire, die de dokter had aangeklaagd, onder de naam Peyton als babysitter aan het werk.
Nee, helaas is The Hand that Rocks the Cradle nog niet beschikbaar op Netflix in Nederland.
Camera | Robert Elswit | Director of Photography |
Production | David Madden | Producer |
Sound | Graeme Revell | Original Music Composer |
Editing | John F. Link | Editor |
Writing | Amanda Silver | Screenplay |
Directing | Curtis Hanson | Director |
Art | Edward Pisoni | Production Design |
Production | Ira Halberstadt | Co-Producer |
Production | Robert W. Cort | Executive Producer |
Art | Sandy Reynolds-Wasco | Set Decoration |
Art | Mark Zuelzke | Art Direction |
Costume & Make-Up | Jennifer von Mayrhauser | Costume Design |
Production | Junie Lowry-Johnson | Casting |
Art | Melissa Matthies | Leadman |
Production | Ted Field | Executive Producer |
Crew | John Moio | Stunt Coordinator |
Crew | Cris Thomas-Palomino | Stunts |
Crew | Daniel W. Barringer | Stunts |
Crew | Lynn Salvatori | Stunts |
Crew | David Boushey | Stunts |
Crew | Jamie Bunch Elliott | Stunts |
Crew | Barbara Anne Klein | Stunts |
Production | Ira Halberstadt | Unit Production Manager |
Directing | Michael Daves | First Assistant Director |
Directing | Ray Greenfield | First Assistant Director |
Directing | Brenda Kalosh | Second Assistant Director |
Costume & Make-Up | Heidi Shulman | Assistant Costume Designer |
Costume & Make-Up | Kathy Kiatta | Costume Supervisor |
Costume & Make-Up | Wendy M. Craig | Costumer |
Costume & Make-Up | Nina Paskowitz | Key Hair Stylist |
Camera | Stefan Tarzan | Second Assistant Camera |
Directing | Candy Bennici | Script Supervisor |
Sound | James Pilcher | Production Sound Mixer |
Sound | Dane A. Davis | Supervising Sound Editor |
Sound | Dick Bernstein | Music Editor |
Lighting | Colleen Kingdon | Electrician |
Camera | Mark Shane Davis | Key Grip |
Art | Blanche Sindelar | Property Master |
Art | Kim Larsen-Santini | Assistant Property Master |
Crew | Bob Riggs | Special Effects Coordinator |
Production | Sheila A. Warner | Production Coordinator |
Art | Gilbert Wong | Set Designer |
Art | Alun Vick | Construction Coordinator |
Art | Michael McCombe | Greensman |
Crew | A. Welch Lambeth | Transportation Coordinator |
Crew | Russell Davis | Transportation Coordinator |
Crew | Robert T. Chestnut | Transportation Captain |
Production | Ron Surma | Casting Associate |
Production | Amy Caton-Ford | Extras Casting |
Editing | Mark Stevens | First Assistant Editor |
Sound | Kini Kay | Sound Effects Editor |
Sound | Todd Toon | Sound Effects Editor |
Sound | Kurt Nicholas Forshager | Foley Editor |
Sound | Tom Hammond | Foley Editor |
Sound | Chuck Michael | Foley Editor |
Sound | Randy Vandegrift | ADR Supervisor |
Sound | Kimberly Lowe Voigt | Dialogue Editor |
Sound | Martin J. Bram | Dialogue Editor |
Sound | Maciek Malish | Dialogue Editor |
Sound | Peter Brancaccio | Assistant Sound Editor |
Sound | Joan Rowe | Foley Artist |
Sound | Gregg Barbanell | Foley Artist |
Sound | Dennis S. Sands | Scoring Mixer |
Sound | Richard Portman | Sound Re-Recording Mixer |
Sound | Dan Wallin | Sound Re-Recording Mixer |
Sound | Anna Behlmer | Sound Re-Recording Mixer |
Editing | Theresa Repola Mohammed | Negative Cutter |
Editing | Bob Kaiser | Color Timer |