Twee broertjes zijn getuige van een gruwelijke daad. Door toeval is de oudste van de twee broertjes, Mark, op de hoogte van een dodelijk geheim. Hij wordt achterna gezeten door de FBI en de maffia. Mark besluit om hulp te zoeken bij een advocaat. Hij vindt advocaat Reggie Love die ervan overtuigd is dat Mark iets achter houdt.
Nee, helaas is The Client nog niet beschikbaar op Netflix in Nederland.
| Writing | Akiva Goldsman | Screenplay |
| Directing | Joel Schumacher | Director |
| Production | Arnon Milchan | Producer |
| Production | Steven Reuther | Producer |
| Writing | Robert Getchell | Screenplay |
| Camera | Tony Pierce-Roberts | Director of Photography |
| Sound | Angie Luckey | Assistant Sound Editor |
| Directing | Yudi Bennett | First Assistant Director |
| Camera | Bob Gorelick | Steadicam Operator |
| Sound | Jerry Edemann | Assistant Sound Editor |
| Sound | Christina Tucker | ADR Mixer |
| Sound | Petur Hliddal | Sound Mixer |
| Costume & Make-Up | David Forrest | Key Makeup Artist |
| Sound | Ellen Segal | Music Editor |
| Costume & Make-Up | Lydia Milars | Makeup Artist |
| Camera | John Janusek | Key Grip |
| Art | Stephanie Waldron | Greensman |
| Sound | Chuck Neely | Sound Editor |
| Editing | Pattye Rogers | Assistant Editor |
| Art | Steven Curtis Husch | Leadman |
| Sound | Andrea Horta | ADR Editor |
| Sound | John Roesch | Foley |
| Crew | Tim Monich | Dialect Coach |
| Production | Mary McLaglen | Unit Production Manager |
| Art | James C. Feng | Assistant Art Director |
| Art | Marco Rubeo | Set Designer |
| Production | Emily Schweber | Casting Associate |
| Production | Nicole Furia | Production Accountant |
| Sound | Gary Mundheim | Sound Editor |
| Lighting | Richard Smock | Rigging Gaffer |
| Directing | Daniel Silverberg | Second Assistant Director |
| Art | Julia G. Hickman | Art Department Coordinator |
| Art | Kevin Cross | Set Designer |
| Sound | John Richards | Scoring Mixer |
| Crew | Leroy Reed | Transportation Captain |
| Art | Richard Blankenship | Construction Coordinator |
| Crew | Larry Kaplan | Unit Publicist |
| Costume & Make-Up | Rita Parillo | Hairstylist |
| Sound | Hilda Hodges | Foley Artist |
| Art | Chris Ubick | Assistant Property Master |
| Costume & Make-Up | Marie-Ange Ripka | Key Hair Stylist |
| Camera | Demmie Todd | Still Photographer |
| Sound | Carl Fischer | Boom Operator |
| Sound | Mary Jo Lang | Foley Mixer |
| Costume & Make-Up | Rhona Meyers | Assistant Costume Designer |
| Editing | Bob Kaiser | Color Timer |
| Sound | Larry Singer | ADR Supervisor |
| Directing | Nancy Hopton | Script Supervisor |
| Crew | Larry Fioritto | Special Effects Coordinator |
| Production | Scott Elias | Location Manager |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Art | P. Michael Johnston | Art Direction |
| Art | Bruno Rubeo | Production Design |
| Art | Anne D. McCulley | Set Decoration |
| Production | Mary McLaglen | Co-Producer |
| Production | Mali Finn | Casting |
| Sound | Howard Shore | Original Music Composer |
| Production | Guy Ferland | Associate Producer |
| Costume & Make-Up | Ingrid Ferrin | Costume Design |
| Art | James F. Truesdale | Art Direction |
| Writing | John Grisham | Novel |
| Crew | Mark De Alessandro | Stunts |
| Crew | Rick Barker | Stunt Coordinator |
| Sound | Charles L. Campbell | Supervising Sound Editor |
| Editing | Robert Brown | Editor |
| Sound | Larry Carow | Sound Editor |
| Sound | Mark Smith | Sound Re-Recording Mixer |
| Sound | Louis L. Edemann | Sound Editor |
| Sound | Leonard T. Geschke | Sound Editor |
| Sound | Adam Jenkins | Sound Re-Recording Mixer |
| Sound | Donald J. Malouf | Supervising Sound Editor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Crew | Glory Fioramonti | Stunt Coordinator |
| Sound | Nils C. Jensen | Sound Editor |
| Crew | Lori Lynn Ross | Stunts |
| Crew | Henry Kingi | Stunts |
