Michael Williams leidt een zwervend bestaan en komt terecht in het stadje Red Rock West. De plaatselijke herbergier Wayne Brown houdt hem per vergissing voor de huurmoordenaar die hij heeft ingehuurd om zijn jonge vrouw Suzanne te vermoorden. Michael heeft het geld dringend nodig en accepteert het aanbod, maar Suzanne biedt hem meer geld om de trekker niet over te halen. Hij vlucht met het geld, maar de situatie wordt pas echt gecompliceerd wanneer de echte huurmoordenaar, Lyle, verschijnt en het geld opeist.
Nee, helaas is Red Rock West nog niet beschikbaar op Netflix in Nederland.
| Writing | John Dahl | Screenplay |
| Production | Steve Golin | Producer |
| Production | Jane McGann | Executive Producer |
| Editing | Scott Chestnut | Editor |
| Writing | Rick Dahl | Screenplay |
| Directing | John Dahl | Director |
| Sound | William Olvis | Original Music Composer |
| Production | Sigurjón Sighvatsson | Producer |
| Camera | Marc Reshovsky | Director of Photography |
| Production | Michael Kuhn | Executive Producer |
| Crew | Keith Campbell | Stunts |
| Art | Don Diers | Art Direction |
| Art | Kate J. Sullivan | Set Decoration |
| Costume & Make-Up | John Carl Buechler | Special Effects Makeup Artist |
| Art | Robert Pearson | Production Design |
| Production | Aron Warner | Supervising Producer |
| Production | Carol Lewis | Casting |
| Costume & Make-Up | Terry Dresbach | Costume Design |
| Production | Tim Clawson | Executive In Charge Of Production |
| Production | Rick Dahl | Associate Producer |
| Production | Philip Rose | Production Manager |
| Production | Lynn Weimer | Associate Producer |
| Camera | Suzanne Tenner | Still Photographer |
| Lighting | Michael E. Gips | Electrician |
| Lighting | Robert Eyslee | Best Boy Electric |
| Camera | Karl Owens | First Assistant Camera |
| Lighting | Dana Arnold | Electrician |
| Sound | Mark Weingarten | Sound Mixer |
| Production | Beth DePatie | Production Coordinator |
| Lighting | Raymond Gonzales | Electrician |
| Production | Larry Shapiro | Production Coordinator |
| Lighting | Peter Pearce | Electrician |
| Lighting | Stephen Rocha | Gaffer |
| Camera | Rohn Schmidt | Additional Photography |
| Costume & Make-Up | Fríða Aradóttir | Hairstylist |
| Crew | Don Ruffin | Stunts |
| Crew | Vincent Landay | Post Production Supervisor |
| Sound | Yehuda Maayan | Boom Operator |
| Art | Dean Gates | Sculptor |
| Production | Jeff Caulfield | Assistant Production Coordinator |
| Lighting | Gary W. Shaw | Electrician |
| Crew | Frank Ceglia | Special Effects Coordinator |
| Crew | Scott Alan Cook | Stunts |
| Costume & Make-Up | Patty York | Makeup Artist |
| Costume & Make-Up | Lori Eskowitz | Costume Supervisor |
| Crew | Rick Barker | Stunts |
| Crew | John Carl Buechler | Makeup Effects |
| Camera | Jon Massey | Camera Loader |
| Lighting | Fred Gibson | Electrician |
| Camera | Mark Shane Davis | Key Grip |
| Crew | Charlie Carpenter | Stunts |
| Crew | Dale Gibson | Stunts |
| Directing | Mike Topoozian | First Assistant Director |
| Directing | Michael McCue | Second Assistant Director |
| Directing | Nancy Karlin | Script Supervisor |
| Camera | Levon Besnelian | Dolly Grip |
| Art | Jonathan R. Hodges | Property Master |
| Crew | Mark R. Byers | Special Effects |
| Crew | Dan Bradley | Stunt Coordinator |
