Brooklyn, New York, 22 augustus 1972. Net voor de middagsluiting overvallen Sonny en Sal een bank. Langer dan tien minuten mocht de overval niet duren, maar er zit niet genoeg geld in de kluis en de politie staat sneller voor de deur dan voorzien zodat de gangsters met hun gijzelaars ingesloten zitten.
Nee, helaas is Dog Day Afternoon nog niet beschikbaar op Netflix in Nederland.
Production | Martin Bregman | Producer |
Production | Martin Elfand | Producer |
Production | Don Phillips | Casting |
Camera | Victor J. Kemper | Director of Photography |
Production | Michael Chinich | Casting |
Art | Douglas Higgins | Art Direction |
Editing | Dede Allen | Editor |
Art | Robert Drumheller | Set Decoration |
Art | Charles Bailey | Production Design |
Writing | Frank Pierson | Screenplay |
Costume & Make-Up | Anna Hill Johnstone | Costume Design |
Sound | James Sabat | Sound Mixer |
Writing | Leslie Waller | Book |
Production | Lois Kramer Hartwick | Production Coordinator |
Production | Martin Danzig | Location Manager |
Sound | Jack Fitzstephens | Sound Editor |
Directing | Alan Hopkins | Assistant Director |
Directing | B.J. Bjorkman | Script Supervisor |
Crew | Carlos Quiles | Carpenter |
Editing | Angelo Corrao | Assistant Editor |
Camera | Fred Schuler | Camera Operator |
Costume & Make-Up | Philip Leto | Hairstylist |
Directing | Burtt Harris | Assistant Director |
Sound | Dick Vorisek | Recording Supervision |
Directing | Sidney Lumet | Director |
Art | Joseph M. Caracciolo | Property Master |
Writing | P.F. Kluge | Book |
Writing | Thomas Moore | Book |
Production | Robert Greenhut | Associate Producer |
Costume & Make-Up | Clifford Capone | Wardrobe Supervisor |
Costume & Make-Up | Peggy Farrell | Wardrobe Supervisor |
Costume & Make-Up | Max Henriquez | Assistant Makeup Artist |
Costume & Make-Up | Reginald Tackley | Makeup Artist |
Sound | Richard P. Cirincione | Sound Editor |
Sound | Sanford Rackow | Sound Editor |
Sound | Stephen A. Rotter | Sound Editor |
Crew | A.J. Bakunas | Stunts |