George Malloy ziet op zijn verjaardag aan een bar een vreemd licht. De dagen die daarop volgen blijkt hij erg intelligent te zijn geworden. Hij gebruikt zijn intelligentie om goeie dingen in de buurt te doen. Wanneer dit doorgeroddeld wordt, raakt Malloy bekend als een freak en wil iedereen uitzoeken hoe dit kon gebeuren bij een simpele automonteur. Het gaat zelfs zo ver dat de regering hem wil gebruiken.
Nee, helaas is Phenomenon nog niet beschikbaar op Netflix in Nederland.
| Production | Jonathan D. Krane | Executive Producer |
| Writing | Gerald Di Pego | Screenplay |
| Production | Michael Taylor | Producer |
| Production | Charles Newirth | Executive Producer |
| Directing | Jon Turteltaub | Director |
| Camera | Phedon Papamichael | Director of Photography |
| Editing | Bruce Green | Editor |
| Production | Barbara Boyle | Producer |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Directing | Geoffrey Hansen | First Assistant Director |
| Production | Michele Juskowitz | Casting Associate |
| Sound | Julia Evershade | Sound Editor |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | Jeena M. Phelps | Assistant Sound Editor |
| Sound | Mark A. Mangini | Supervising Sound Editor |
| Costume & Make-Up | Kimberly Guenther Durkin | Costume Supervisor |
| Camera | Zade Rosenthal | Still Photographer |
| Sound | Michael Herbick | Sound Re-Recording Mixer |
| Art | Jay Hart | Set Decoration |
| Sound | Thomas Newman | Original Music Composer |
| Art | Bruce Alan Miller | Art Direction |
| Costume & Make-Up | Fríða Aradóttir | Key Hair Stylist |
| Editing | Tzarina V. Edillon | Assistant Editor |
| Lighting | Ian Kincaid | Gaffer |
| Production | Allegra Clegg | Production Supervisor |
| Costume & Make-Up | Betsy Cox | Costume Design |
| Art | Robin L. Miller | Property Master |
| Production | Charles Newirth | Unit Production Manager |
| Editing | Mark V. Phillips | Assistant Editor |
| Art | Garreth Stover | Production Design |
| Costume & Make-Up | Susan V. Kalinowski | Hairstylist |
| Costume & Make-Up | Michelle Bühler | Makeup Artist |
| Art | Gary Deaton | Construction Coordinator |
| Production | Renee Rousselot | Casting |
| Sound | Ron Judkins | Sound Mixer |
| Sound | Robert Jackson | Boom Operator |
| Sound | Howell Gibbens | Sound Editor |
| Costume & Make-Up | Hallie D'Amore | Key Makeup Artist |
| Editing | David Rennie | Associate Editor |
| Directing | Alicia Accardo | Script Supervisor |
| Sound | Matt Adler | ADR & Dubbing |
| Camera | Wally Pfister | Camera Operator |
| Directing | George Bamber | Second Assistant Director |
| Sound | Kathy Nelson | Music Supervisor |
| Crew | Jeff Cadiente | Stunt Coordinator |
| Art | Chris Cornwell | Assistant Art Director |
| Camera | Robert Gray | Key Grip |
| Production | Debra James | Production Coordinator |
| Crew | David Blitstein | Special Effects Coordinator |
| Crew | Rod M. Janusch | Special Effects |
| Production | Liz Matthews | Location Manager |
| Sound | Bill Bernstein | Music Editor |
| Visual Effects | Ken Ralston | Visual Effects Supervisor |
| Visual Effects | Aileen Timmers | Visual Effects Producer |
| Crew | Martin A. Kline | Visual Effects Art Director |
| Crew | Jody Rogers | Visual Effects Editor |
| Visual Effects | Mageara Cameron | Visual Effects Coordinator |
| Crew | Anita Hart | Stunts |
| Crew | Mark Riccardi | Stunts |
| Crew | David Cadiente | Stunts |
| Crew | Erik Stabenau | Stunts |
