Een jonge knaap, die duidelijk te diep in het glaasje heeft gekeken, rijdt 's avonds door het rustieke Amerikaanse stadje Middleton naar huis. Dan een harde klap - de auto wordt door iets geraakt. De klok op het dashboard wijst aan dat het 11:14 uur is. Tegelijkertijd gebeuren er in Middleton meer dingen op precies datzelfde moment. Vier dingen om precies te zijn, en ze kunnen geen van alle het daglicht verdragen.
Nee, helaas is 11:14 nog niet beschikbaar op Netflix in Nederland. Volg ons op Facebook om te zien wanneer 11:14 beschikbaar is om te kijken op Netflix in Nederland.
| Production | Hilary Swank | Executive Producer |
| Production | John Morrissey | Producer |
| Production | Mary Vernieu | Casting |
| Sound | Clint Mansell | Original Music Composer |
| Production | Mark Damon | Executive Producer |
| Production | Stewart Hall | Executive Producer |
| Production | Sammy Lee | Executive Producer |
| Costume & Make-Up | Dorothy J. Pearl | Key Makeup Artist |
| Production | Jeremy Alter | Location Manager |
| Production | Beau Flynn | Producer |
| Editing | Dan Lebental | Editor |
| Crew | Lou Carlucci | Special Effects Coordinator |
| Crew | Joel Kramer | Stunt Coordinator |
| Production | Tripp Vinson | Executive Producer |
| Costume & Make-Up | Christopher Lawrence | Costume Design |
| Editing | Richard Nord | Editor |
| Production | Bonnie Weis | Production Supervisor |
| Art | Devorah Herbert | Production Design |
| Directing | Greg Marcks | Director |
| Writing | Greg Marcks | Writer |
| Camera | Shane Hurlbut | Director of Photography |
| Production | Jeff Kwatinetz | Executive Producer |
| Art | Macie Vener | Art Direction |
| Production | Raju Patel | Executive Producer |
| Production | Felicia Fasano | Casting |
| Sound | Joshua Winget | Music Editor |
| Crew | Steven Lambert | Stunts |
| Camera | Lorey Sebastian | Still Photographer |
| Art | Morgan Blackledge | Assistant Art Director |
| Sound | Shawn Holden | Sound Mixer |
| Sound | John K. Adams | ADR Editor |
| Crew | Gary Price | Stunts |
| Sound | Robert Fitzgerald | Sound Effects Editor |
| Costume & Make-Up | Joy Zapata | Key Hair Stylist |
| Sound | Gregg Barbanell | Foley Artist |
| Camera | George Billinger III | Steadicam Operator |
| Camera | Gary Hatfield | "A" Camera Operator |
| Crew | Brad Arensman | Post Production Supervisor |
| Costume & Make-Up | Janet Ingram | Costume Supervisor |
| Directing | Scott Peterson | Script Supervisor |
| Art | Martha Ring | Set Decoration |
| Crew | A. Welch Lambeth | Transportation Coordinator |
| Sound | Mike Le Mare | Supervising Sound Editor |
| Sound | Chris Navarro | ADR Recordist |
| Camera | Darryl Wilson | Best Boy Grip |
| Crew | Scott Leva | Stunts |
| Crew | John C. Carlucci | Special Effects |
| Camera | Jim Sheldon | Still Photographer |
| Camera | Aiken Weiss | Steadicam Operator |
| Editing | Dennis McNeill | Color Timer |
| Production | David Scott Rubin | Executive Producer |
| Production | David Scott Rubin | Unit Production Manager |
| Costume & Make-Up | Petrice Bankhead | Makeup Department Head |
| Camera | David Knudson | Key Grip |
| Costume & Make-Up | Annie Laoparadonchai | Set Costumer |
| Art | Nancy Restuccia | Art Department Coordinator |
| Art | David Harris | Greensman |
| Sound | John Hays | Boom Operator |
| Art | Scott Bauer | Property Master |
| Sound | Jason Alexander | Music Supervisor |
| Sound | Eric Thompson | ADR Mixer |
| Production | Erin Rodman | Production Assistant |
| Crew | Barry McQueary | Special Effects |
| Crew | James Ochoa | Special Effects |
| Directing | Paul Domick | Second Second Assistant Director |
| Sound | Jason Piatt | Foley Recordist |
| Camera | Dietmar Wendelin | Dolly Grip |
| Crew | J.J. Geary | Craft Service |
| Production | Bob Weber | Production Accountant |
