Een jonge knaap, die duidelijk te diep in het glaasje heeft gekeken, rijdt 's avonds door het rustieke Amerikaanse stadje Middleton naar huis. Dan een harde klap - de auto wordt door iets geraakt. De klok op het dashboard wijst aan dat het 11:14 uur is. Tegelijkertijd gebeuren er in Middleton meer dingen op precies datzelfde moment. Vier dingen om precies te zijn, en ze kunnen geen van alle het daglicht verdragen.
Nee, helaas is 11:14 nog niet beschikbaar op Netflix in Nederland.
| Editing | Richard Nord | Editor |
| Production | Hilary Swank | Executive Producer |
| Production | Beau Flynn | Producer |
| Camera | Shane Hurlbut | Director of Photography |
| Directing | Greg Marcks | Director |
| Sound | Clint Mansell | Original Music Composer |
| Production | John Morrissey | Producer |
| Editing | Dan Lebental | Editor |
| Writing | Greg Marcks | Writer |
| Production | Sammy Lee | Executive Producer |
| Art | Devorah Herbert | Production Design |
| Production | Mark Damon | Executive Producer |
| Production | Felicia Fasano | Casting |
| Art | Macie Vener | Art Direction |
| Production | Mary Vernieu | Casting |
| Art | Martha Ring | Set Decoration |
| Production | Stewart Hall | Executive Producer |
| Production | Tripp Vinson | Executive Producer |
| Production | Raju Patel | Executive Producer |
| Production | Jeff Kwatinetz | Executive Producer |
| Production | David Scott Rubin | Executive Producer |
| Production | David Scott Rubin | Unit Production Manager |
| Crew | Joel Kramer | Stunt Coordinator |
| Crew | Scott Leva | Stunts |
| Costume & Make-Up | Petrice Bankhead | Makeup Department Head |
| Costume & Make-Up | Joy Zapata | Key Hair Stylist |
| Costume & Make-Up | Dorothy J. Pearl | Key Makeup Artist |
| Costume & Make-Up | Christopher Lawrence | Costume Design |
| Crew | Steven Lambert | Stunts |
| Crew | Gary Price | Stunts |
| Production | Bonnie Weis | Production Supervisor |
| Art | Morgan Blackledge | Assistant Art Director |
| Art | Nancy Restuccia | Art Department Coordinator |
| Art | Scott Bauer | Property Master |
| Costume & Make-Up | Janet Ingram | Costume Supervisor |
| Costume & Make-Up | Annie Laoparadonchai | Set Costumer |
| Camera | George Billinger III | Steadicam Operator |
| Camera | Aiken Weiss | Steadicam Operator |
| Camera | Gary Hatfield | "A" Camera Operator |
| Camera | David Knudson | Key Grip |
| Camera | Darryl Wilson | Best Boy Grip |
| Camera | Dietmar Wendelin | Dolly Grip |
| Directing | Scott Peterson | Script Supervisor |
| Sound | Shawn Holden | Sound Mixer |
| Sound | John Hays | Boom Operator |
| Art | David Harris | Greensman |
| Production | Jeremy Alter | Location Manager |
| Crew | Lou Carlucci | Special Effects Coordinator |
| Crew | John C. Carlucci | Special Effects |
| Crew | James Ochoa | Special Effects |
| Crew | Barry McQueary | Special Effects |
| Camera | Lorey Sebastian | Still Photographer |
| Camera | Jim Sheldon | Still Photographer |
| Crew | A. Welch Lambeth | Transportation Coordinator |
| Crew | J.J. Geary | Craft Service |
| Directing | Paul Domick | Second Second Assistant Director |
| Production | Erin Rodman | Production Assistant |
| Production | Bob Weber | Production Accountant |
| Crew | Brad Arensman | Post Production Supervisor |
| Sound | Mike Le Mare | Supervising Sound Editor |
| Sound | John K. Adams | ADR Editor |
| Sound | Robert Fitzgerald | Sound Effects Editor |
| Sound | Jason Piatt | Foley Recordist |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | Eric Thompson | ADR Mixer |
| Sound | Chris Navarro | ADR Recordist |
| Sound | Jason Alexander | Music Supervisor |
| Sound | Joshua Winget | Music Editor |
| Editing | Dennis McNeill | Color Timer |
