Bill Blake reist voor een baan als boekhouder naar een negentiende-eeuws pioniersstadje om daar tot de ontdekking te komen dat hij ongewenst is. Als hij dezelfde dag in een schietgevecht per ongeluk de zoon van een machtige fabrikant doodt, is hij op slag een outlaw, achterna gezeten door een posse van premiejagers.
Nee, helaas is Dead Man nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Marit Allen | Costume Design |
| Sound | Robert Hein | Supervising Sound Editor |
| Production | Laura Rosenthal | Casting |
| Directing | Jim Jarmusch | Director |
| Sound | Neil Young | Original Music Composer |
| Camera | Robby Müller | Director of Photography |
| Art | Bob Ziembicki | Production Design |
| Production | Demetra J. MacBride | Producer |
| Art | Ted Berner | Art Direction |
| Sound | Magdaline Volaitis | Sound Effects Editor |
| Editing | Jay Rabinowitz | Editor |
| Crew | Lou Carlucci | Special Effects Coordinator |
| Visual Effects | Jon Farhat | Visual Effects Supervisor |
| Production | Ellen Lewis | Casting |
| Writing | Jim Jarmusch | Screenplay |
| Crew | Al Jones | Stunt Coordinator |
| Crew | Erik Stabenau | Stunts |
| Art | Dayna Lee | Set Decoration |
| Visual Effects | Randall Balsmeyer | Visual Effects Supervisor |
| Costume & Make-Up | Neal Martz | Key Makeup Artist |
| Costume & Make-Up | Richard Alonzo | Prosthetic Makeup Artist |
| Art | Elizabeth A. Beckman | Art Department Coordinator |
| Costume & Make-Up | Tom Irvin | Special Effects Makeup Artist |
| Costume & Make-Up | Joel Harlow | Special Effects Makeup Artist |
| Directing | Jude Gorjanc | Second Assistant Director |
| Art | Karen M. Clark | Swing |
| Art | Terry Kempf | Head Carpenter |
| Crew | James Stephenson | Carpenter |
| Art | Kenneth Stellar | Greensman |
| Art | Michael Bennett | Greensman |
| Costume & Make-Up | Christopher Allen Nelson | Special Effects Makeup Artist |
| Crew | George A. Fleming | Scenic Artist |
| Art | Bill Holmquist | Construction Coordinator |
| Art | John Pattison | Property Master |
| Art | John A. Foote | Swing |
| Costume & Make-Up | David Dupuis | Prosthetics |
| Crew | Mark Balda | Carpenter |
| Costume & Make-Up | Scott W. Farley | Key Hair Stylist |
| Costume & Make-Up | Leon Laderach | Prosthetics |
| Art | Arthur Allyn | Construction Foreman |
| Costume & Make-Up | Todd Kleitsch | Assistant Makeup Artist |
| Directing | Constance L. Hoy | Second Second Assistant Director |
| Costume & Make-Up | Clare M. Corsick | Hairstylist |
| Directing | Todd Pfeiffer | First Assistant Director |
| Crew | Mark Borg | Carpenter |
| Art | Richard Lambert | Leadman |
| Art | Suzanne Lapick | Assistant Property Master |
| Art | Tony Gibson | Swing |
| Production | Beth DePatie | Production Manager |
| Crew | Michael Blair | Carpenter |
| Crew | Jack Orlando | Carpenter |
| Costume & Make-Up | Kevin Hughes | On Set Dresser |
| Art | Edie Douglass | Assistant Property Master |
| Crew | Walt Mikolwski | Carpenter |
| Crew | Craig Anthony Muzio | Scenic Artist |
| Sound | Héctor Cordero | Sound Re-Recording Mixer |
| Sound | Hextro | Sound Re-Recording Mixer |
| Visual Effects | Anne Putnam Kolbe | Visual Effects Coordinator |
| Visual Effects | Daniel Leung | Digital Compositor |
| Visual Effects | Steven T Puri | Visual Effects Producer |
| Production | Shari Hilliard | Art Department Production Assistant |
| Sound | Frank Kern | Foley Editor |
| Crew | John C. Carlucci | Special Effects Assistant |
| Visual Effects | Joe Garert | Compositing Artist |
| Visual Effects | Marc Rubone | Rotoscoping Artist |
| Visual Effects | Marc Rubone | Animation |
| Crew | Joe Fordham | Special Effects Coordinator |
| Art | Brick Mason | Storyboard Artist |
| Sound | Coll Anderson | Sound Recordist |
| Sound | Kam Chan | Foley Editor |
| Sound | Kimberly R. McCord-Wilson | Apprentice Sound Editor |
| Sound | Mark DeSimone | ADR Mixer |
| Costume & Make-Up | Nori Honda | Special Effects Makeup Artist |
| Art | Mae Brunken | Set Designer |
| Crew | Tori Bridges | Stunts |
| Sound | Sylvia Menno | Dialogue Editor |
| Lighting | James Brisbin | Electrician |
| Crew | Kenneth Sylvester | Scenic Artist |
| Sound | Julie Lindner | Assistant Sound Editor |
| Crew | Mark Habegger | Special Effects Manager |
| Visual Effects | Mimi Abers | Digital Compositor |
| Sound | Stacey Tanner | Sound Recordist |
| Art | Stephen M. Vernarelli | Set Designer |
| Sound | Keith Culbertson | Sound Re-Recording Mixer |
| Sound | Bruce Pross | Foley Supervisor |
| Sound | Marko Costanzo | Foley Artist |
| Visual Effects | Ken Smith | Compositing Artist |
| Sound | Mark Goodermote | Boom Operator |
| Sound | Dan Evans Farkas | Assistant Sound Editor |
| Camera | Lisa K. Ferguson | Second Assistant Camera |
| Camera | David Luckenbach | Steadicam Operator |
| Camera | Christine Parry | Still Photographer |
| Camera | Bob Gorelick | Steadicam Operator |
| Camera | Tony J. Pirri | Grip |
| Lighting | Christopher Porter | Gaffer |
| Camera | Byron McCulloch | Best Boy Grip |
| Lighting | Michael Palmer | Best Boy Electric |
| Lighting | Jon Hokanson | Electrician |
| Camera | Kenny Davis | Dolly Grip |
| Lighting | Todd Heater | Electrician |
| Camera | Bobby L. Smith | Grip |
| Camera | Eric Budlong | Grip |
| Camera | Robert K. Feldmann | Key Grip |
| Camera | Chris Lombardi | Second Unit Director of Photography |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Camera | Jeff Mart | Steadicam Operator |
| Camera | Pim Tjujerman | First Assistant Camera |
| Costume & Make-Up | Patty York | Makeup Artist |
| Sound | Eugene Gearty | Sound Effects Editor |
| Sound | Drew Kunin | Sound Mixer |
| Production | Karen Koch | Co-Producer |
| Crew | Philip Cheyenne Ali | Scenic Artist |
