Bill Blake reist voor een baan als boekhouder naar een negentiende-eeuws pioniersstadje om daar tot de ontdekking te komen dat hij ongewenst is. Als hij dezelfde dag in een schietgevecht per ongeluk de zoon van een machtige fabrikant doodt, is hij op slag een outlaw, achterna gezeten door een posse van premiejagers.
Nee, helaas is Dead Man nog niet beschikbaar op Netflix in Nederland.
| Directing | Jim Jarmusch | Director |
| Writing | Jim Jarmusch | Screenplay |
| Production | Demetra J. MacBride | Producer |
| Sound | Neil Young | Original Music Composer |
| Camera | Robby Müller | Director of Photography |
| Editing | Jay Rabinowitz | Editor |
| Production | Ellen Lewis | Casting |
| Production | Laura Rosenthal | Casting |
| Art | Bob Ziembicki | Production Design |
| Art | Ted Berner | Art Direction |
| Art | Dayna Lee | Set Decoration |
| Costume & Make-Up | Marit Allen | Costume Design |
| Sound | Robert Hein | Supervising Sound Editor |
| Sound | Magdaline Volaitis | Sound Effects Editor |
| Crew | Lou Carlucci | Special Effects Coordinator |
| Visual Effects | Randall Balsmeyer | Visual Effects Supervisor |
| Visual Effects | Jon Farhat | Visual Effects Supervisor |
| Crew | Al Jones | Stunt Coordinator |
| Crew | Erik Stabenau | Stunts |
| Production | Karen Koch | Co-Producer |
| Costume & Make-Up | Patty York | Makeup Artist |
| Sound | Eugene Gearty | Sound Effects Editor |
| Sound | Drew Kunin | Sound Mixer |
| Costume & Make-Up | Richard Alonzo | Prosthetic Makeup Artist |
| Costume & Make-Up | Clare M. Corsick | Hairstylist |
| Costume & Make-Up | David Dupuis | Prosthetics |
| Costume & Make-Up | Scott W. Farley | Key Hair Stylist |
| Costume & Make-Up | Tom Irvin | Special Effects Makeup Artist |
| Costume & Make-Up | Todd Kleitsch | Assistant Makeup Artist |
| Costume & Make-Up | Leon Laderach | Prosthetics |
| Costume & Make-Up | Neal Martz | Key Makeup Artist |
| Costume & Make-Up | Joel Harlow | Special Effects Makeup Artist |
| Costume & Make-Up | Christopher Allen Nelson | Special Effects Makeup Artist |
| Production | Beth DePatie | Production Manager |
| Directing | Jude Gorjanc | Second Assistant Director |
| Directing | Constance L. Hoy | Second Second Assistant Director |
| Directing | Todd Pfeiffer | First Assistant Director |
| Crew | Cheyenne Ali | Scenic Artist |
| Art | Arthur Allyn | Construction Foreman |
| Crew | Mark Balda | Carpenter |
| Art | Elizabeth A. Beckman | Art Department Coordinator |
| Art | Michael Bennett | Greensman |
| Crew | Michael Blair | Carpenter |
| Crew | Mark Borg | Carpenter |
| Art | Karen M. Clark | Swing |
| Art | Edie Douglass | Assistant Property Master |
| Crew | George A. Fleming | Scenic Artist |
| Art | John A. Foote | Swing |
| Art | Tony Gibson | Swing |
| Art | Bill Holmquist | Construction Coordinator |
| Costume & Make-Up | Kevin Hughes | On Set Dresser |
| Art | Terry Kempf | Head Carpenter |
| Art | Richard Lambert | Leadman |
| Art | Suzanne Lapick | Assistant Property Master |
| Crew | Walt Mikolwski | Carpenter |
| Crew | Craig Anthony Muzio | Scenic Artist |
| Crew | Jack Orlando | Carpenter |
| Art | John Pattison | Property Master |
| Art | Kenneth Stellar | Greensman |
| Crew | James Stephenson | Carpenter |
| Crew | Kenneth Sylvester | Scenic Artist |
| Art | Mae Brunken | Set Designer |
| Production | Shari Hilliard | Art Department Production Assistant |
| Art | Brick Mason | Storyboard Artist |
| Art | Stephen M. Vernarelli | Set Designer |
| Sound | Coll Anderson | Sound Recordist |
| Sound | Kam Chan | Foley Editor |
| Sound | Héctor Cordero | Sound Re-Recording Mixer |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Keith Culbertson | Sound Re-Recording Mixer |
| Sound | Dan Evans Farkas | Assistant Sound Editor |
| Sound | Mark Goodermote | Boom Operator |
| Sound | Hextro | Sound Re-Recording Mixer |
| Sound | Frank Kern | Foley Editor |
| Sound | Julie Lindner | Assistant Sound Editor |
| Sound | Kimberly R. McCord-Wilson | Apprentice Sound Editor |
| Sound | Sylvia Menno | Dialogue Editor |
| Sound | Bruce Pross | Foley Supervisor |
| Sound | Stacey Tanner | Sound Recordist |
| Sound | Mark DeSimone | ADR Mixer |
| Crew | John C. Carlucci | Special Effects Assistant |
| Crew | Joe Fordham | Special Effects Coordinator |
| Crew | Mark Habegger | Special Effects Manager |
| Costume & Make-Up | Nori Honda | Special Effects Makeup Artist |
| Visual Effects | Joe Garert | Compositing Artist |
| Visual Effects | Anne Putnam Kolbe | Visual Effects Coordinator |
| Visual Effects | Daniel Leung | Digital Compositor |
| Visual Effects | Steven T Puri | Visual Effects Producer |
| Visual Effects | Ken Smith | Compositing Artist |
| Visual Effects | Mimi Abers | Digital Compositor |
| Visual Effects | Marc Rubone | Rotoscoping Artist |
| Visual Effects | Marc Rubone | Animation |
| Crew | Tori Bridges | Stunts |
| Lighting | James Brisbin | Electrician |
| Camera | Eric Budlong | Grip |
| Camera | Kenny Davis | Dolly Grip |
| Camera | Robert K. Feldmann | Key Grip |
| Camera | Lisa K. Ferguson | Second Assistant Camera |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Camera | Bob Gorelick | Steadicam Operator |
| Lighting | Todd Heater | Electrician |
| Lighting | Jon Hokanson | Electrician |
| Camera | Chris Lombardi | Second Unit Director of Photography |
| Camera | David Luckenbach | Steadicam Operator |
| Camera | Jeff Mart | Steadicam Operator |
| Camera | Byron McCulloch | Best Boy Grip |
| Lighting | Michael Palmer | Best Boy Electric |
| Camera | Christine Parry | Still Photographer |
| Camera | Tony J. Pirri | Grip |
| Lighting | Christopher Porter | Gaffer |
| Camera | Bobby L. Smith | Grip |
| Camera | Pim Tjujerman | First Assistant Camera |
