De jaren 70 markeert nog een tijd waarin de narratieve vorm binnen de audiovisuele kunsten bepaald wordt door de censuur. De bezeten regisseur Kim wil het einde van zijn nieuwste film Cobweb opnieuw filmen. Hij heeft hiervoor slechts twee dagen tijd in wat een meesterwerk moet worden. Maar zowel de censuur als zijn cast- en crewleden willen niet bepaald meewerken.
Nee, helaas is 거미집 nog niet beschikbaar op Netflix in Nederland.
| Directing | 김지운 | Director |
| Writing | 김지운 | Adaptation |
| Writing | 신연식 | Writer |
| Camera | Kim Ji-yong | Director of Photography |
| Editing | 양진모 | Editor |
| Art | Jeong Yi-jin | Production Design |
| Sound | 최태영 | Sound |
| Costume & Make-Up | 김서영 | Makeup & Hair |
| Costume & Make-Up | Choi Eui-young | Costume Design |
| Production | Moon Yang-kwon | Executive Producer |
| Sound | 모그 | Music |
| Lighting | Pak Jun-u | Lighting Director |
| Art | Jeong In-cheol | Set Decoration |
| Costume & Make-Up | 곽태용 | Special Effects Makeup Artist |
| Costume & Make-Up | 황효균 | Special Effects Makeup Artist |
| Sound | Ahn Sung-il | Production Sound Mixer |
| Crew | 정윤헌 | Martial Arts Choreographer |
| Directing | Lee Beom-seok | Assistant Director |
| Editing | 박진영 | Digital Intermediate |
| Directing | Park Min-woo | Assistant Director |
| Visual Effects | Park Kyoung-soo | Special Effects Supervisor |
| Visual Effects | Kim Chang-seok | Special Effects Supervisor |
| Visual Effects | Park Seong-jin | Visual Effects |
| Production | Kim Gye-rim | Line Producer |
| Camera | Hye-jin Jeon | "B" Camera Operator |
| Camera | Hong Gi-tae | Grip |
| Camera | Cho Gi-hun | Key Grip |
| Art | Kim Min-hye | Art Direction |
| Production | An Eun-mi | Executive Producer |
| Production | Choi Jae-won | Producer |
| Production | Choi Jeong-hwa | Co-Producer |
| Production | Lee Dong-jin | Associate Producer |
| Production | Park Ji-sung | Associate Producer |
| Production | An Eun-mi | Co-Producer |
| Production | 신연식 | Co-Producer |
| Art | Eom Se-yong | Special Props |
