Jodie Carpenter is de eigenaar van 'The Loft', de zeilmakerij van haar familie, die gelegen is aan Redmond's Bay Marina. Wanneer projectontwikkelaar Charles Prescott het jachthaventje koopt en compleet wil moderniseren, vreest Jodie dat haar bedrijf plaats zal moeten maken. Ze probeert Prescotts architect, Will Calvin, te overtuigen van het historische en sociale belang van de jachthaven, die ook het hart van de gemeenschap vormt.
Nee, helaas is Love Knots nog niet beschikbaar op Netflix in Nederland.
| Production | Tina McLaren | Producer |
| Production | Jean Bureau | Executive Producer |
| Sound | James Gelfand | Music |
| Production | Samantha Ellison | Producer |
| Production | Ian Whitehead | Executive Producer |
| Sound | Louise Tremblay | Music |
| Directing | Joshua Frizzell | Director |
| Production | Bridget Bourke | Producer |
| Camera | Renaud Maire | Director of Photography |
| Writing | John Banas | Writer |
| Production | Philly de Lacey | Executive Producer |
| Art | Sarah Cooper | Production Design |
| Editing | Glenn Berman | Editor |
| Costume & Make-Up | Tracey Sharman | Costume Designer |
| Art | Lee Foreman | Property Master |
| Costume & Make-Up | Olive Cairns-Morrison | Costume Supervisor |
| Production | Bronwyn Taylor | Production Accountant |
| Production | Desmond Kennedy | Production Accountant |
| Crew | Ben Ireland | Drone Operator |
| Crew | Jackson Pretscherer | Generator Operator |
| Lighting | Merv Mar | Lighting Technician |
| Editing | Melissa Paquet | Assistant Editor |
| Visual Effects | Julie Pagé | Visual Effects Coordinator |
| Production | Gary Evans | Associate Producer |
| Production | Sonia Cunliffe | Accountant |
| Art | Grace Mok | Set Dresser |
| Art | Luca Montagni | Assistant Set Decoration |
| Production | Evelina Gailer | Extras Casting Coordinator |
| Production | Erin Dance | First Assistant Accountant |
| Production | Jahmella McKay | Location Coordinator |
| Camera | Brendon Dixon | Drone Pilot |
| Directing | Quentin Whitwell | First Assistant Director |
| Art | Jo Schwartz | Art Direction |
| Art | Zoe Tollenaar | Graphic Designer |
| Directing | Louise Jones | Script Supervisor |
| Production | Jen Huang | Production Secretary |
| Costume & Make-Up | Jean Hewitt | Key Makeup Artist |
| Crew | Julien Tremblay | Post Production Supervisor |
| Sound | Alexis Pilon-Gladu | Sound Editor |
| Art | Sophie Janus | Standby Property Master |
| Art | Alex Whitfield | Art Department Assistant |
| Costume & Make-Up | Riley Chambers | Costume Assistant |
| Production | Karoline Morin | Assistant Accountant |
| Directing | Hayley Abbott | Script Supervisor |
| Production | Mélanie Dallaire | Assistant Accountant |
| Art | Sol Harre | Props |
| Camera | George Huhu | Best Boy Grip |
| Production | Melissa Merkle | Assistant Unit Manager |
| Sound | Michel B. Bordeleau | Supervising Sound Editor |
| Sound | Jo Caron | Foley Recording Engineer |
| Crew | Isabelle Clermont | Visual Effects Editor |
| Art | Donna Hanson | Set Decoration |
| Production | Joe Witkowski | Casting Assistant |
| Production | Claire Campbell | Production Manager |
| Directing | Chanelle Muirhead | Third Assistant Director |
| Camera | Luca Turner | Digital Imaging Technician |
| Sound | Michael Logie | ADR Recordist |
| Crew | Sylvain Thibodeau | Visual Effects Editor |
| Production | Simon Pattullo | Location Manager |
| Art | Ann Mahon | Art Department Coordinator |
| Art | Mike Harvey | Construction Manager |
| Production | Cory Tatton | Location Assistant |
| Sound | Kaveh Sharifian | Boom Operator |
| Sound | Hannah Quell | Boom Operator |
| Costume & Make-Up | Bridget Nulesi | Makeup Artist |
| Sound | Mireille Morin | Dialogue Editor |
| Sound | Oscar Burt-Shearer | ADR Supervisor |
| Sound | Maya Kuroki | Foley |
| Costume & Make-Up | Jean Hewitt | Hairdresser |
| Camera | Jonathan Bowes-Onions | Second Assistant "A" Camera |
| Lighting | Ben Montgomery | Best Boy Electric |
| Lighting | Eugene Loof | Lighting Technician |
| Editing | Veronique Choquette | Assistant Editor |
| Camera | Gavin Stroud | "B" Camera Operator |
| Sound | Natalie Fleurant | ADR Editor |
| Production | Aaron Thorpe | Unit Manager |
| Sound | Raymond Legault | Sound Effects Editor |
| Sound | Sebastien Gervais | ADR Editor |
| Editing | Marilène Clouâtre | Colorist |
| Sound | Stephanie Mercure | Sound Re-Recording Assistant |
| Editing | Martine Rousseau | Online Editor |
| Visual Effects | Cynthia Mourou | Visual Effects Producer |
| Crew | Mireille Houde | Unit Publicist |
| Lighting | Blair Teesdale | Gaffer |
| Crew | Angela DePalma | Post Production Supervisor |
| Sound | Luc Boudrias | Sound Re-Recording Mixer |
| Camera | Graham MacFarlane | First Assistant "A" Camera |
| Camera | Jai Frew | Still Photographer |
| Editing | Andreanne Cousineau | Assistant Editor |
| Sound | Delphine Measroch | Music Editor |
| Sound | Simon Meilleur | Foley Artist |
| Directing | Rick Cranford | Script Coordinator |
| Camera | Kirsten Green | First Assistant "B" Camera |
| Sound | Hayden Washington-Smith | Sound |
| Camera | Simon Jones | Key Grip |
| Camera | Zac Snushall | Grip |
| Visual Effects | Hugo Léveillé | Visual Effects Supervisor |
| Costume & Make-Up | Paula Taylor | Makeup Designer |
| Production | Greta Gregory | Casting |
