In deze bewerking van 'Groundhog Day', wordt een vrouw onvrijwillig naar een blind date gestuurd met een aantrekkelijke man. Ze zal elke dag twaalf keer opnieuw meemaken, en moet dus twaalf keer op dezelfde date. Hoewel ze de man in eerste instantie geen kans geeft, komt ze langzamerhand tot de ontdekking dat hij charmanter is dan aanvankelijk gedacht.
Nee, helaas is 12 Dates of Christmas nog niet beschikbaar op Netflix in Nederland.
| Directing | James Hayman | Director |
| Sound | Danny Lux | Original Music Composer |
| Directing | Richard Black | Second Assistant Director |
| Production | Diane Kerbel | Location Casting |
| Art | Max MacDonald | First Assistant Art Direction |
| Art | Zachary Vero | Construction Coordinator |
| Camera | M. O'Connor | Key Grip |
| Art | Vic Rigler | Property Master |
| Costume & Make-Up | Catherine Ashton | Costume Designer |
| Production | Keith Large | Location Manager |
| Production | Susan R. Jones | Production Coordinator |
| Production | Kitty Spiropoulos | Production Accountant |
| Crew | Adam Lambert | Post Production Supervisor |
| Production | Joy Ealy | ADR Voice Casting |
| Sound | Lisa A. Arpino | Music Editor |
| Crew | Matthew Tishler | Additional Music |
| Directing | Felix Gray | First Assistant Director |
| Writing | Janet Brownell | Teleplay |
| Writing | Aaron Mendelsohn | Teleplay |
| Writing | Aaron Mendelsohn | Story |
| Writing | Blake Harris | Story |
| Production | Salli Newman | Producer |
| Production | Frank von Zerneck | Executive Producer |
| Production | Beth Miller | Executive Producer |
| Production | Blake Harris | Co-Producer |
| Camera | Derick V. Underschultz | Director of Photography |
| Production | Brett Greenstein | Casting |
| Editing | Scot J. Kelly | Editor |
| Production | Collin Daniel | Casting |
| Art | Karen Bromley | Production Design |
| Art | Kim McQuiston | Art Direction |
| Art | Jaro Dick | Set Decoration |
| Costume & Make-Up | Cathy Shibley | Hair Department Head |
| Costume & Make-Up | Sandra Wheatle | Makeup Department Head |
| Sound | Brian Harman | Sound Re-Recording Mixer |
| Sound | Mark Friedgen | Supervising Sound Editor |
| Sound | Tamara Johnson | Sound Re-Recording Mixer |
| Sound | Penny Harold | Sound Effects Editor |
| Sound | Kevin Valentine | Sound Re-Recording Mixer |
| Sound | Tim Terusa | Dialogue Editor |
| Sound | Kelly Wright | Sound Mixer |
| Visual Effects | Beau Parsons | Visual Effects Coordinator |
| Crew | Shelley Cook | Stunt Coordinator |
| Lighting | Michael Galbraith | Gaffer |
| Camera | John Medland | Still Photographer |
| Directing | Shane B. Scott | Script Supervisor |
| Sound | Alexandra Nickson | Music Supervisor |
| Production | Greg Copeland | Production Manager |
