Na 57 jaar hyperslaap wordt Ripley toevallig opgepikt door een ruimteschip. Ze krijgt tijd om zich te ontspannen en hoopt dat de nachtmerrie met het levensgevaarlijke buitenaardse monster eindelijk voorbij is. Helaas heeft een kolonie terraformers op de planeet LV-426 het ruimteschip ontdekt waar de Alien vandaan kwam.
Nee, helaas is Aliens nog niet beschikbaar op Netflix in Nederland.
| Directing | James Cameron | Director |
| Production | Gale Anne Hurd | Producer |
| Sound | James Horner | Original Music Composer |
| Camera | Adrian Biddle | Director of Photography |
| Editing | Ray Lovejoy | Editor |
| Art | Peter Lamont | Production Design |
| Art | Ken Court | Art Direction |
| Art | Bert Davey | Art Direction |
| Art | Fred Hole | Art Direction |
| Art | Michael Lamont | Art Direction |
| Art | Crispian Sallis | Set Decoration |
| Costume & Make-Up | Emma Porteous | Costume Design |
| Sound | Michael Clifford | Music Editor |
| Crew | Norman Baillie | Special Effects |
| Crew | Paul Weston | Stunt Coordinator |
| Crew | Elanor Bertram | Stunts |
| Writing | James Cameron | Screenplay |
| Crew | Brian Johnson | Special Effects |
| Art | Terry Ackland-Snow | Supervising Art Director |
| Costume & Make-Up | Tiny Nicholls | Costume Supervisor |
| Production | Jane Feinberg | Casting |
| Production | Mike Fenton | Casting |
| Production | Mary Selway | Casting |
| Production | Judy Taylor | Casting |
| Camera | Shaun O'Dell | Camera Operator |
| Sound | Don Sharpe | Supervising Sound Editor |
| Visual Effects | Richard Hewitt | Visual Effects Supervisor |
| Visual Effects | Dennis Skotak | Visual Effects Supervisor |
| Visual Effects | Robert Skotak | Visual Effects Supervisor |
| Camera | David Worley | Camera Operator |
| Camera | Bob Penn | Still Photographer |
| Lighting | Jack Thetford | Gaffer |
| Crew | Chris Webb | Stunts |
| Sound | Robin Clarke | Music Editor |
| Writing | Ronald Shusett | Characters |
| Writing | Dan O'Bannon | Characters |
| Writing | David Giler | Story |
| Writing | Walter Hill | Story |
| Writing | James Cameron | Story |
| Production | Walter Hill | Executive Producer |
| Production | David Giler | Executive Producer |
| Production | Gordon Carroll | Executive Producer |
| Art | Vic Simpson | Construction Manager |
| Costume & Make-Up | Elaine Bowerbank | Key Hair Stylist |
| Production | Mo Coppitters | Unit Production Manager |
| Production | Hugh Harlow | Production Supervisor |
| Production | Gil Whelan | Unit Production Manager |
| Directing | Derek Cracknell | First Assistant Director |
| Directing | Melvin Lind | Second Assistant Director |
| Directing | Stan Winston | Second Unit Director |
| Art | Ron Cobb | Conceptual Design |
| Art | Syd Mead | Concept Artist |
| Sound | Rocky Phelan | Foley Editor |
| Crew | Simon Crane | Stunts |
| Crew | Sue Crosland | Stunts |
| Crew | Steve Dent | Stunts |
| Crew | Stuart Fell | Stunts |
| Crew | Louise Head | Stunt Double |
| Crew | Jazzer Jeyes | Stunts |
| Crew | Sean McCabe | Stunts |
| Crew | Eddie Powell | Stunts |
| Crew | Kiran Shah | Stunt Double |
| Crew | Stuart St. Paul | Stunts |
| Crew | Malcolm Weaver | Stunts |
| Crew | Bill Weston | Stunts |
| Crew | Jason White | Stunts |
| Crew | Clive Curtis | Stunt Double |
| Editing | Peter Boita | Associate Editor |
| Editing | Phil Sanderson | First Assistant Editor |
| Sound | Greig McRitchie | Orchestrator |
| Directing | Diana Dill | Script Supervisor |
| Crew | Geoff Freeman | Unit Publicist |
| Visual Effects | H. R. Giger | Creature Design |
| Crew | Paul Tucker | Production Controller |
| Production | Joyce Turner | Production Coordinator |
| Costume & Make-Up | Peter Robb-King | Makeup Supervisor |
| Crew | Peter Russell | Visual Effects Art Director |
| Editing | Simon Harris | Assistant Editor |
| Sound | Archie Ludski | Dialogue Editor |
| Sound | Roy Charman | Sound Recordist |
| Art | Bert Hearn | Property Master |
