Na 57 jaar hyperslaap wordt Ripley toevallig opgepikt door een ruimteschip. Ze krijgt tijd om zich te ontspannen en hoopt dat de nachtmerrie met het levensgevaarlijke buitenaardse monster eindelijk voorbij is. Helaas heeft een kolonie terraformers op de planeet LV-426 het ruimteschip ontdekt waar de Alien vandaan kwam.
Nee, helaas is Aliens nog niet beschikbaar op Netflix in Nederland.
| Crew | Paul Weston | Stunt Coordinator |
| Art | Ken Court | Art Direction |
| Art | Fred Hole | Art Direction |
| Sound | Michael Clifford | Music Editor |
| Crew | Elanor Bertram | Stunts |
| Directing | James Cameron | Director |
| Editing | Ray Lovejoy | Editor |
| Crew | Norman Baillie | Special Effects |
| Sound | James Horner | Original Music Composer |
| Art | Peter Lamont | Production Design |
| Art | Michael Lamont | Art Direction |
| Costume & Make-Up | Emma Porteous | Costume Design |
| Production | Gale Anne Hurd | Producer |
| Art | Bert Davey | Art Direction |
| Camera | Adrian Biddle | Director of Photography |
| Art | Crispian Sallis | Set Decoration |
| Writing | James Cameron | Screenplay |
| Crew | Brian Johnson | Special Effects |
| Art | Terry Ackland-Snow | Supervising Art Director |
| Costume & Make-Up | Tiny Nicholls | Costume Supervisor |
| Production | Mike Fenton | Casting |
| Production | Judy Taylor | Casting |
| Production | Mary Selway | Casting |
| Production | Jane Feinberg | Casting |
| Camera | Shaun O'Dell | Camera Operator |
| Camera | David Worley | Camera Operator |
| Lighting | Jack Thetford | Gaffer |
| Sound | Don Sharpe | Supervising Sound Editor |
| Visual Effects | Robert Skotak | Visual Effects Supervisor |
| Visual Effects | Dennis Skotak | Visual Effects Supervisor |
| Visual Effects | Richard Hewitt | Visual Effects Supervisor |
| Camera | Bob Penn | Still Photographer |
| Crew | Chris Webb | Stunts |
| Sound | Robin Clarke | Music Editor |
| Writing | David Giler | Story |
| Production | Gordon Carroll | Executive Producer |
| Production | Walter Hill | Executive Producer |
| Writing | James Cameron | Story |
| Production | David Giler | Executive Producer |
| Writing | Dan O'Bannon | Characters |
| Writing | Ronald Shusett | Characters |
| Writing | Walter Hill | Story |
| Art | Vic Simpson | Construction Manager |
| Production | Gil Whelan | Unit Production Manager |
| Art | Ron Cobb | Conceptual Design |
| Crew | Stuart Fell | Stunts |
| Directing | Derek Cracknell | First Assistant Director |
| Directing | Melvin Lind | Second Assistant Director |
| Directing | Stan Winston | Second Unit Director |
| Crew | Louise Head | Stunt Double |
| Crew | Eddie Powell | Stunts |
| Costume & Make-Up | Elaine Bowerbank | Key Hair Stylist |
| Production | Hugh Harlow | Production Supervisor |
| Sound | Rocky Phelan | Foley Editor |
| Crew | Simon Crane | Stunts |
| Crew | Sue Crosland | Stunts |
| Crew | Steve Dent | Stunts |
| Crew | Jazzer Jeyes | Stunts |
| Production | Mo Coppitters | Unit Production Manager |
| Crew | Sean McCabe | Stunts |
| Art | Syd Mead | Concept Artist |
| Crew | Stuart St. Paul | Stunts |
| Crew | Jason White | Stunts |
| Sound | Greig McRitchie | Orchestrator |
| Crew | Paul Tucker | Production Controller |
| Directing | Diana Dill | Script Supervisor |
| Crew | Kiran Shah | Stunt Double |
| Production | Joyce Turner | Production Coordinator |
| Editing | Peter Boita | Associate Editor |
| Crew | Clive Curtis | Stunt Double |
| Editing | Phil Sanderson | First Assistant Editor |
| Visual Effects | H. R. Giger | Creature Design |
| Crew | Bill Weston | Stunts |
| Crew | Malcolm Weaver | Stunts |
| Crew | Geoff Freeman | Unit Publicist |
| Costume & Make-Up | Peter Robb-King | Makeup Supervisor |
| Crew | Peter Russell | Visual Effects Art Director |
| Editing | Simon Harris | Assistant Editor |
| Sound | Archie Ludski | Dialogue Editor |
| Sound | Roy Charman | Sound Recordist |
| Art | Bert Hearn | Property Master |
