Hij was waar hij niet moest zijn en hij zag wat hij niet had mogen zien. En wie gelooft er nu een professionele dief en ex-gevangene? Wie vertrouwt Luther Whitney als hij zegt dat hij een vrouw vermoord zag worden en dat de man die voor haar dood verantwoordelijk is de President van de Verenigde Staten is?
Nee, helaas is Absolute Power nog niet beschikbaar op Netflix in Nederland.
| Directing | Clint Eastwood | Director |
| Production | Clint Eastwood | Producer |
| Writing | William Goldman | Screenplay |
| Writing | David Baldacci | Novel |
| Camera | Jack N. Green | Director of Photography |
| Art | Henry Bumstead | Production Design |
| Art | Jack G. Taylor Jr. | Art Direction |
| Sound | Doug Jackson | Sound Effects Editor |
| Sound | Donald Harris | Music Editor |
| Editing | Joel Cox | Editor |
| Sound | Lennie Niehaus | Original Music Composer |
| Production | Phyllis Huffman | Casting |
| Production | Karen S. Spiegel | Producer |
| Production | Tom Rooker | Executive Producer |
| Camera | Bill Coe | First Assistant Camera |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Crew | Jennifer Watson-Johnston | Stunts |
| Production | Michael Maurer | Associate Producer |
| Production | Michael Maurer | Production Manager |
| Directing | Robert Lorenz | First Assistant Director |
| Directing | Bill Bannerman | First Assistant Director |
| Directing | Dodi Lee Rubenstein | Second Assistant Director |
| Directing | Tom Rooker | Second Assistant Director |
| Directing | Robert Lorenz | Second Assistant Director |
| Art | Richard C. Goddard | Set Decoration |
| Art | Anne D. McCulley | Set Decoration |
| Editing | Michael Cipriano | Assistant Editor |
| Editing | Anthony Bozanich | Assistant Editor |
| Editing | Gary D. Roach | Assistant Editor |
| Directing | Cate Hardman | Script Supervisor |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Sound | Bub Asman | Supervising Sound Editor |
| Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
| Sound | Jessica Gallavan | ADR Supervisor |
| Sound | C. Darin Knight | Sound Mixer |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Camera | Stephen S. Campanelli | Camera Operator |
| Costume & Make-Up | Deborah Hopper | Costume Supervisor |
| Costume & Make-Up | Cheryl Scarano | Key Costumer |
| Costume & Make-Up | Darryl M. Athons | Set Costumer |
| Costume & Make-Up | Peggy Schnitzer | Set Costumer |
| Costume & Make-Up | Francisco X. Pérez | Key Makeup Artist |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Costume & Make-Up | Tania McComas | Key Makeup Artist |
| Costume & Make-Up | Tania McComas | Makeup Artist |
| Costume & Make-Up | Carol A. O'Connell | Key Hair Stylist |
| Costume & Make-Up | Vivian McAteer | Hairstylist |
| Crew | Steve Riley | Special Effects Coordinator |
| Crew | Jeff Denes | Special Effects |
| Crew | Joe Pancake | Special Effects |
| Crew | Francis Pennington | Special Effects |
| Directing | Alison C. Rosa | Second Second Assistant Director |
| Directing | Maura T. McKeown | Second Second Assistant Director |
| Sound | Gary Krivacek | Sound Effects Editor |
| Sound | Jayme S. Parker | Sound Effects Editor |
| Sound | Adam Johnston | Sound Effects Editor |
| Camera | Anastas N. Michos | Camera Operator |
| Crew | Shirley Kirkes | Choreographer |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Crew | Jill Brown | Stunt Double |
