Het verhaal volgt een befaamde Amerikaanse oorlogsveteraan, Calvin Barr genaamd. Na tientallen jaren gediend te hebben tijdens de Tweede Wereldoorlog en Hitler te hebben omgebracht, jaagt Calvin nu op de legendarische Bigfoot. Terwijl hij een vreedzaam leven leidt in New England, wordt hij gecontracteerd door de FBI en de Royal Canadian Mounted Police om leiding te geven aan een team met het doel Bigfoot op te jagen die zich schuilhoudt in de Canadese wildernis.
Nee, helaas is The Man Who Killed Hitler and Then the Bigfoot nog niet beschikbaar op Netflix in Nederland.
| Production | Shaked Berenson | Producer |
| Directing | Robert D. Krzykowski | Director |
| Production | John Sayles | Executive Producer |
| Camera | Alex Vendler | Director of Photography |
| Production | Kellie Roy | Casting |
| Editing | Zach Passero | Editor |
| Production | Lucky McKee | Producer |
| Production | Patrick Ewald | Producer |
| Art | Chantal Birdsong | Art Direction |
| Production | Catherine Dumonceaux | Executive Producer |
| Production | Robert D. Krzykowski | Producer |
| Production | Louise Lovegrove | Executive Producer |
| Production | Giles Daoust | Executive Producer |
| Art | Brett Hatcher | Production Design |
| Sound | Joe Kraemer | Original Music Composer |
| Costume & Make-Up | Michael Bevins | Costume Design |
| Costume & Make-Up | Carol Cutshall | Costume Design |
| Art | Maria Dirolf | Set Decoration |
| Production | Deborah Shriver | Executive Producer |
| Production | Jackie Krzykowski | Co-Producer |
| Production | Toby Holmes | Associate Producer |
| Camera | Todd Antonio Somodevilla | Second Unit Director of Photography |
| Crew | Dan J. Eaton | Special Effects |
| Directing | Elaine Marie Gibson | First Assistant Director |
| Production | Anne McCarthy | Casting |
| Production | John Shriver | Executive Producer |
| Sound | Andrew Smetek | Sound Designer |
| Production | Thomas Shriver | Associate Producer |
| Art | Joshua Hargrave | Property Master |
| Camera | Kathleen Miller | Still Photographer |
| Writing | Robert D. Krzykowski | Screenplay |
| Production | Douglas Trumbull | Executive Producer |
| Crew | Jared Burke | Stunt Coordinator |
| Production | Theresa Frankel | Production Supervisor |
| Visual Effects | Richard Yuricich | Visual Effects Supervisor |
| Lighting | Chris Hill | Gaffer |
| Costume & Make-Up | Mara Schiavetti | Hair Department Head |
| Sound | Hugh Holesome | Sound Mixer |
| Lighting | Dan Peck | Gaffer |
| Sound | Jonathan Greber | Supervising Sound Editor |
| Sound | Stephen Urata | Sound Re-Recording Mixer |
| Visual Effects | John P. Nugent | Visual Effects Supervisor |
| Camera | Mike L. Germaine | Key Grip |
| Costume & Make-Up | Sarah Lawless Emmett | Makeup Department Head |
| Production | Morgan Robbins | Casting Associate |
| Crew | Sid Yost | Animal Coordinator |
| Production | Lisa Lobel | Casting |
| Camera | Brooke Melnik | Still Photographer |
| Crew | Joe Goyette | Post Production Supervisor |
| Lighting | Ben Heald | Gaffer |
| Directing | Michael Coulombe | Script Supervisor |
| Production | Katie Page | Co-Producer |
