Cabot is de ongeschreven meester in het organiseren van overvallen op juweliers. Zijn zoon 'Nice Guy' Eddie brengt een bende criminelen bij elkaar om een belangrijke diamantair te beroven. De zes weten niets van elkaar af en kennen slechts elkaars codenamen.
Nee, helaas is Reservoir Dogs nog niet beschikbaar op Netflix in Nederland.
| Production | Ronna B. Wallace | Executive Producer |
| Production | Paul Hellerman | Production Manager |
| Editing | Sally Menke | Editor |
| Art | Sandy Reynolds-Wasco | Set Decoration |
| Crew | Stephen DeLollis | Special Effects |
| Crew | Larry Fioritto | Special Effects Coordinator |
| Camera | Andrzej Sekuła | Director of Photography |
| Production | Ronnie Yeskel | Casting |
| Writing | Quentin Tarantino | Writer |
| Costume & Make-Up | Betsy Heimann | Costume Design |
| Production | Richard N. Gladstein | Executive Producer |
| Production | Lawrence Bender | Producer |
| Art | David Wasco | Production Design |
| Crew | Rick Yale | Special Effects |
| Production | Monte Hellman | Executive Producer |
| Production | Harvey Keitel | Co-Producer |
| Sound | Karyn Rachtman | Music Supervisor |
| Crew | Jennifer Pyken | Post Production Assistant |
| Art | Jonathan R. Hodges | Property Master |
| Crew | Bruce Comtois | Security |
| Costume & Make-Up | Rachel Tanner | Hairstylist |
| Crew | David Coffee | Driver |
| Crew | Melanie Molyneux | Set Medic |
| Crew | Ken Lesco | Stunt Coordinator |
| Directing | Martin Kitrosser | Script Supervisor |
| Camera | Ross Katz | Grip |
| Crew | Marian Green | Stunts |
| Production | Enid L. Kantor | Production Coordinator |
| Art | Brett C. Smith | Leadman |
| Crew | Warren Betts | Public Relations |
| Editing | Chuck Winston | Color Timer |
| Editing | Kelley Dixon | First Assistant Editor |
| Crew | Wayne Alexander | Legal Services |
| Crew | Ben C. Giller | Transportation Captain |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Camera | Mark Emery Moore | Steadicam Operator |
| Crew | James Lowder | Transportation Coordinator |
| Camera | Ziad Doueiri | First Assistant Camera |
| Lighting | Greg R. McCullough | Gaffer |
| Sound | Ken Segal | Production Sound Mixer |
| Crew | Roger Avary | Creator |
| Production | Peggy Kennedy | Casting Associate |
| Production | Billy A. Fox | Location Manager |
| Sound | Steve F.B. Smith | Dolby Consultant |
| Costume & Make-Up | Mary Claire Hannan | Costume Supervisor |
| Sound | John Hulsman | Assistant Sound Editor |
| Costume & Make-Up | Jacqueline Aronson | Set Costumer |
| Crew | Marina Bailey | Unit Publicist |
| Sound | Dwayne S. Henkel | Boom Operator |
| Sound | Curt Schulkey | Sound Editor |
| Art | Marino Pascal | Location Scout |
| Costume & Make-Up | Michelle Bühler | Makeup Artist |
| Camera | Ric Urbauer | Key Grip |
| Costume & Make-Up | Iain Jones | Hair Designer |
| Directing | Jamie Beardsley | First Assistant Director |
| Production | R. Blaine Currier | Production Accountant |
| Crew | John Lieberman | Thanks |
| Crew | Jeannie H. Kelly | Craft Service |
| Crew | Suzanne Celeste | Dialect Coach |
| Lighting | Jay Dahlquist | Best Boy Electric |
| Lighting | Joey D. Brown | Electrician |
| Directing | Francis R. Mahony III | First Assistant Director |
| Directing | Steven K. Thomas | Second Second Assistant Director |
| Writing | Roger Avary | Writer |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Sound | Charles Ewing Smith | Sound Editor |
| Sound | Geoffrey G. Rubay | Supervising Sound Editor |
| Sound | David E. Stone | Sound Editor |
| Directing | Kelly Kiernan | Second Assistant Director |
| Production | Judith E. Goldman | Assistant Location Manager |
| Sound | Cecilia Perna | Foley Mixer |
| Camera | Randall Guth | Second Assistant Camera |
| Editing | Mark Lass | Negative Cutter |
| Camera | Dennis K. Wilson | Dolly Grip |
| Crew | Pat Domenico | Key Special Effects |
| Directing | Andy Spilkoman | Second Second Assistant Director |
| Sound | Nancy Lynn Hurlbut | Assistant Music Supervisor |
| Camera | Dink Adams | Best Boy Grip |
| Production | Mary Santiago | Extras Casting |
| Art | Jonathan Bobbitt | Swing |
| Production | Debra Grieco | Assistant Accountant |
| Sound | Mary Louise Rodgers | Foley Artist |
| Production | Wendy Baker | Production Assistant |
| Crew | Robert John Speer | Generator Operator |
| Directing | Quentin Tarantino | Director |
| Art | Ken Kaufman | Production Design |
| Costume & Make-Up | Wayne Toth | Special Effects Makeup Artist |
| Costume & Make-Up | Howard Berger | Special Effects Makeup Artist |
| Art | Edward J. Protiva | Swing |
| Art | Greg Wilkinson | Assistant Property Master |
| Sound | Michael Salvetta | Foley Artist |
| Sound | Donald Ortiz | Assistant Sound Editor |
| Crew | Moose Enright | Special Effects Technician |
| Visual Effects | Dave Gregory | Visual Effects Supervisor |
| Crew | Marcia Holley | Stunts |
| Crew | Ken Lesco | Stunts |
| Crew | Pat McGroarty | Stunts |
| Lighting | Katie Nilson | Best Boy Electric |
| Camera | Chris J. Rossi | Grip |
| Camera | Alan Sherrod | Second Unit Director of Photography |
| Camera | Miles Thomas | Best Boy Grip |
| Lighting | Frank H. Woodward | Electrician |
| Production | Cheryl Faye | Extras Casting |
| Costume & Make-Up | Melinda Eshelman | Wardrobe Assistant |
| Editing | Carrie Elizabeth Foresman | First Assistant Editor |
| Editing | Boyd Steer | Negative Cutter |
| Editing | William W. Williams | First Assistant Editor |
| Editing | Nancy Perry | First Assistant Editor |
| Sound | Kathy Nelson | Music Supervisor |
| Crew | Robert John Speer | Driver |
| Crew | Roger Avary | Additional Dialogue |
| Crew | Quentin Tarantino | Additional Dialogue |
