Delia, een in Bologna woonachtige striptekenares, verwacht een bezoek van haar moeder. Na een aantal cryptische telefoontjes die in het midden laten of ze al onderweg is, hoort Delia de volgende ochtend dat haar moeder dood is aangetroffen op het strand. De politie concludeert zelfmoord, maar de verdachte omstandigheden doen Delia daaraan twijfelen. Ze probeert de laatste dagen van het leven van haar moeder te reconstrueren.
Nee, helaas is L'amore molesto nog niet beschikbaar op Netflix in Nederland.
| Sound | Silvia Moraes | Sound Editor |
| Production | Bruno Memoli | Line Producer |
| Writing | Elena Ferrante | Novel |
| Production | Claudio Vecchio | Line Producer |
| Production | Luigi Boscaino | Line Producer |
| Directing | Costanza Boccardi | First Assistant Director Trainee |
| Directing | Valia Santella | Script Supervisor |
| Directing | Alessandro Dionisio | First Assistant Director |
| Camera | Pasquale Mari | Camera Operator |
| Production | Nicola Giuliano | Line Producer |
| Costume & Make-Up | Maurizio Fazzini | Makeup Artist |
| Art | Maria Izzo | Set Decoration |
| Costume & Make-Up | William Generosi | Hairdresser |
| Directing | Andrea De Rosa | Second Assistant Director |
| Directing | Pierpaolo Sepe | Second Assistant Director |
| Art | Paolo Prota | Assistant Production Design |
| Camera | Luisa Dante | Grip |
| Production | Viola Prestieri | Production Secretary |
| Costume & Make-Up | Metella Raboni | Costume Design |
| Camera | Renaud Personnaz | First Assistant Camera |
| Costume & Make-Up | Ciro De Biase | Seamstress |
| Directing | Enzo Di Terlizzi | Second Assistant Director |
| Camera | Roberto Esposti | Grip |
| Crew | Flavia Corsano | Public Relations |
| Directing | Oreste Ceraso | Second Assistant Director |
| Production | Alessandro Dionisio | Casting Director |
| Writing | Mario Martone | Screenplay |
| Sound | Daghi Rondanini | Sound |
| Editing | Tea Arfuso | Assistant Editor |
| Costume & Make-Up | Maria Grazia Peirce | Assistant Makeup Artist |
| Costume & Make-Up | Immacolata Simonetti | Assistant Costume Designer |
| Editing | Paola Fornasier | First Assistant Editor |
| Editing | Francesco Biscuso | Editorial Coordinator |
| Lighting | Ettore Abate | Gaffer |
| Production | Anna Tramontano | Production Accountant |
| Editing | Giancarlo Barbieri | Colorist |
| Camera | Alessandro Abate | Second Assistant Camera |
| Costume & Make-Up | Mario Catalano | Hairdresser |
| Lighting | Alessandro Saulini | Chief Lighting Technician |
| Lighting | Tonino Loasses | Assistant Gaffer |
| Sound | Mario Iaquone | Sound |
| Directing | Nina Di Majo | Second Assistant Director |
| Art | Alessandra D'Elia | Assistant Director of Photography |
| Crew | Crisilde Dominici | Public Relations |
| Camera | Sandro Fabbriani | Key Grip |
| Production | Anna Belmonte | Administration |
| Sound | Alberto Doni | Sound Mixer |
| Crew | Lanfranco Melia | Generator Operator |
| Crew | Ottaviano Dell'Acqua | Stunt Coordinator |
| Sound | Daghi Rondanini | Music Consultant |
| Production | Patrizia Lo Nero | Production Assistant |
| Production | Ciro Russo | Production Assistant |
| Camera | Cesare Accetta | Still Photographer |
| Sound | Federico Savina | Dolby Consultant |
| Production | Giulio Baselice | Accountant |
| Production | Lello Becchimanzi | Unit Production Manager |
| Crew | Sergio Marra | Public Relations |
| Production | Nicoletta Abate | Production Assistant |
| Directing | Mario Martone | Director |
| Camera | Luca Bigazzi | Director of Photography |
| Production | Kermit Smith | Producer |
| Art | Giancarlo Muselli | Production Design |
| Editing | Jacopo Quadri | Editor |
| Production | Andrea Occhipinti | Producer |
| Production | Angelo Curti | Producer |
| Art | Stefano Olivieri | Property Master |
