In 1949 waren alle ogen gericht op schrijfster, filosofe en inspiratiebron Ayn Rand en haar levensvisie. Vooral in haar bizarre liefdesleven kwam haar filosofie duidelijk naar voren. Ayn (Helen Murren) voelt zich sterk aangetrokken tot haar briljante, jonge en knappe protégee Nathariel (Eric Stoltz). Overtuigd van het feit dat ze ieders hart en ziel kan beheersen overtuigt ze haar man (Peter Fonda) en de vrouw van haar nieuwe liefde Barbara (Julie Delpy) ervan dat zij akkoord moeten gaan met een langdurige relatie tussen Ayn en haar protégee terwijl ze allemaal gewoon getrouwd blijven. Terwijl de geliefden zegevieren en de echtgenoten lijden houdt de relatie 15 jaar stand, totdat de protégee geïnteresseerd raakt in een jonge studente van hem... Een waargebeurd verhaal over hartstocht en bedrog, gebaseerd op het boek Barbara, de vrouw van Nathariel.
Nee, helaas is The Passion of Ayn Rand nog niet beschikbaar op Netflix in Nederland.
| Directing | Christopher Menaul | Director |
| Production | Steven Hewitt | Co-Executive Producer |
| Crew | Tim King | Post Production Supervisor |
| Crew | Karin Bechtel-Staley | Scenic Artist |
| Costume & Make-Up | Greg Chown | Dresser |
| Production | Linda Curran Wexelblatt | Producer |
| Crew | Ron Orieux | Cinematography |
| Art | Lindsey Hermer-Bell | Production Design |
| Crew | Stephen Stanley | Key Scenic Artist |
| Art | Bill Thrasher | Set Dresser |
| Art | Friday Myers | Property Master |
| Crew | Scott Thom | Carpenter |
| Art | Jesse O'Connor | Set Dresser |
| Editing | Giles Gardner | First Assistant Editor |
| Production | Derek Brady | Location Manager |
| Costume & Make-Up | Jocelyn MacDonald | Assistant Hairstylist |
| Art | David Sauder | Assistant Art Director |
| Production | Peter Crane | Producer |
| Editing | David Martin | Editor |
| Production | Carmen Arndt | Production Manager |
| Production | Martin Walters | Line Producer |
| Production | Steve Wakefield | Executive In Charge Of Production |
| Directing | Tim Singh | Third Assistant Director |
| Sound | Dan Sexton | Sound Effects Editor |
| Production | Doug Chapin | Co-Executive Producer |
| Costume & Make-Up | Resa McConaghy | Costume Design |
| Costume & Make-Up | Suzanne Benoit | Key Makeup Artist |
| Directing | Rocco Gismondi | Second Assistant Director |
| Production | Marilyn Lewis | Executive Producer |
| Art | Ken Sinclair | Set Decoration |
| Art | Brendan Smith | Set Decoration |
| Costume & Make-Up | Patricia Keighran | Assistant Makeup Artist |
| Costume & Make-Up | Regan Noble | Hair Designer |
| Directing | Michael Zenon | Assistant Director |
| Sound | Brian Avery | Sound Mixer |
| Production | Diane Kerbel | Casting |
| Production | Beth Klein | Casting |
| Art | Dave Watt | Construction Coordinator |
| Production | Irwin Meyer | Executive Producer |
| Art | Garry Honcharuk | Assistant Property Master |
| Sound | Marvyn Dennis | Dialogue Editor |
| Production | Barry Krost | Co-Executive Producer |
| Art | Edward Bonutto | Art Direction |
| Sound | Matthew C. Beville | ADR Mixer |
| Camera | Burke Goldstein | Grip |
| Crew | John Sztejnmiler | Generator Operator |
| Sound | Cathy Segal-Garcia | Vocals |
| Costume & Make-Up | Regan Noble | Key Hair Stylist |
| Costume & Make-Up | Barbara Somerville | Wardrobe Assistant |
| Art | Christopher Welch | Location Scout |
| Sound | Gavin Coford | Boom Operator |
| Editing | Robbie Broughton | Assistant Editor |
| Sound | Steve Copley | Foley Supervisor |
| Sound | Jim Eustace | Assistant Foley Artist |
| Costume & Make-Up | Erika Larner | Wardrobe Supervisor |
| Production | David Bailey | Post Production Coordinator |
| Crew | Chris Dover | Telecine Colorist |
| Sound | Susan Pilcher | Music Coordinator |
| Sound | Spencer Proffer | Music Supervisor |
| Art | Ken Sinclair | Assistant Set Decoration |
| Lighting | Terry Kelly | Electrician |
| Editing | Robert Borics | Color Timer |
| Production | Chad Tomasoski | Post Production Coordinator |
| Directing | Joanne T. Harwood | Script Supervisor |
| Crew | Diane Pitblado | Dialect Coach |
| Sound | John Sievert | Foley Artist |
| Lighting | Pierre Berube | Electrician |
| Camera | Keith Murphy | Steadicam Operator |
| Camera | Glenn Pineau | First Assistant Camera |
| Lighting | Sean Skarupa | Best Boy Electric |
| Production | Robin McConnell | Casting Associate |
| Costume & Make-Up | Koreann Ciandre | Wardrobe Master |
| Sound | Rob Hegedus | Dialogue Editor |
| Production | David Aulicino | Casting Associate |
| Production | Jane Rogers | Extras Casting |
| Sound | Ed Poty | ADR Recordist |
| Camera | James McRae | Grip |
| Production | Cynthia Nicolella | Post Production Coordinator |
| Production | Drazen Baric | Assistant Location Manager |
| Production | Malcolm McCulloch | Location Production Assistant |
| Crew | Jessica Drake | Dialect Coach |
| Camera | Raymond Brounstein | Camera Operator |
| Camera | Michael Gibson | Still Photographer |
| Costume & Make-Up | Gersha Phillips | Assistant Costume Designer |
| Camera | Neil Fraser | Best Boy Grip |
| Sound | Joe Mancuso | Dialogue Editor |
| Sound | Scott Reed | Sound Post Supervisor |
| Sound | Paul Shubat | Sound Re-Recording Mixer |
| Lighting | Ian Bibby | Gaffer |
| Sound | Cory Mandel | Sound Re-Recording Mixer |
| Camera | Brad Crosbie | Camera Trainee |
| Camera | Johnny Wersta | Dolly Grip |
| Writing | Mary Gallagher | Screenplay |
| Writing | Howard Korder | Screenplay |
| Writing | Barbara Branden | Novel |
| Sound | Gael MacGregor | Original Music Composer |
| Sound | Jeff Beal | Original Music Composer |
| Sound | Bernie Kirsch | Original Music Composer |
| Camera | Mark Silver | Key Grip |
