Arthur Bach is een erg rijke man - en meestal ook erg dronken, met een caferekening waar de overheidsschuld niets bij is. Hij riskeert ook ook een erfenis van 750 miljoen dollar mis te lopen als hij binnen een maand niet trouwt met het saaiste blondje van Long Island. Helaas blijkt Arthur net het meisje van zijn dromen te hebben ontmoet. En in zijn geval is liefde niet alleen blind, maar ook stomdronken.
Nee, helaas is Arthur nog niet beschikbaar op Netflix in Nederland.
| Directing | Steve Gordon | Director |
| Sound | Christopher Cross | Theme Song Performance |
| Art | Edward Swanson | Construction Coordinator |
| Sound | Sanford Rackow | Supervising Sound Editor |
| Crew | Edgard Mourino | Stunts |
| Directing | Robert Greenhut | First Assistant Director |
| Camera | Ricki-Ellen Brooke | Second Assistant Camera |
| Camera | Norman Buck | Key Grip |
| Directing | Thomas A. Reilly | Second Assistant Director |
| Art | James Mazzola | Property Master |
| Sound | Richard Vorisek | Sound Re-Recording Mixer |
| Camera | Sandy Brooke | Assistant Camera |
| Costume & Make-Up | Romaine Greene | Hairstylist |
| Sound | Louis Sabat | Sound Recordist |
| Crew | Ellen Levene | Unit Publicist |
| Art | Paul Eads | Assistant Art Director |
| Production | Helen Robin | Production Coordinator |
| Sound | Marjorie Deutsch | Sound Editor |
| Sound | James Sabat | Sound Mixer |
| Art | W. Steven Graham | Assistant Art Director |
| Sound | Louis Bertini | Assistant Sound Editor |
| Sound | Vito L. Ilardi | Boom Operator |
| Costume & Make-Up | Fern Buchner | Makeup Artist |
| Sound | Dan Pinsky | Music Editor |
| Production | Howard Feuer | Casting |
| Art | Stephen Hendrickson | Production Design |
| Art | Steven J. Jordan | Set Decoration |
| Production | Robert Greenhut | Producer |
| Production | Michael Peyser | Production Manager |
| Directing | Kay Chapin | Script Supervisor |
| Lighting | William Ward | Gaffer |
| Camera | Brian Hamill | Still Photographer |
| Art | Carol Joffe | Set Decoration |
| Production | Juliet Taylor | Casting |
| Camera | Dick Mingalone | Camera Operator |
| Production | Charles H. Joffe | Executive Producer |
| Production | Jeremy Ritzer | Casting |
| Sound | Burt Bacharach | Original Music Composer |
| Editing | Susan E. Morse | Editor |
| Costume & Make-Up | Jane Greenwood | Costume Design |
| Camera | Fred Schuler | Director of Photography |
| Production | Larry Brezner | Executive Producer |
| Writing | Steve Gordon | Writer |
| Production | Jack Rollins | Executive Producer |
| Sound | Peter Allen | Music |
| Sound | Christopher Cross | Main Title Theme Composer |
| Sound | Peter Allen | Main Title Theme Composer |
| Sound | Carole Bayer Sager | Main Title Theme Composer |
| Sound | Burt Bacharach | Main Title Theme Composer |
| Editing | Pamela Scott Arnold | Assistant Editor |
| Sound | Richard Hazard | Orchestrator |
| Costume & Make-Up | Helen Tarr | Wardrobe Supervisor |
| Sound | Jim Boyer | Music Sound Design and Processing |
| Editing | Jonathan Oppenheim | Assistant Editor |
| Crew | Walter Charleston | Transportation Captain |
| Sound | Artie Kaplan | Music Consultant |
| Costume & Make-Up | David Charles | Assistant Costume Designer |
| Crew | James Sorice | Scenic Artist |
| Editing | Meri Weingarten | Assistant Editor |
| Costume & Make-Up | Patricia Eiben | Wardrobe Supervisor |
| Sound | Michael Omartian | Music Producer |
| Art | Joseph Badalucco Jr. | Lead Set Dresser |
| Art | Arne Olsen | Construction Grip |
| Sound | Melissa A. Higgins | Apprentice Sound Editor |
| Costume & Make-Up | William A. Campbell | Wardrobe Supervisor |
| Production | Ezra Swerdlow | Assistant Unit Manager |
| Camera | David L. Quaid | Additional Photography |
| Production | Wendi Lazar-Pillot | Location Manager |
| Crew | Cosmo Sorice | Scenic Artist |
