Tov Matheson is een oorlogsveteraan die lijdt aan posttraumatische stressstoornis. Hij denkt dat het einde van de wereld nadert. Nadat hij een relatie heeft opgezet met een dubieuze Messias, laat hij zijn normale leven achter zich en begint met de bouw van een ondergrondse bunker. Hij traint zichzelf tot het extreme toe, waardoor hij alles en iedereen verliest en iedereen denkt dat hij gek is. Wanneer hij het zelf ook begint te geloven, gebeurt het onwaarschijnlijke.
Nee, helaas is The Last Man nog niet beschikbaar op Netflix in Nederland.
| Camera | Daniel Ortega | Camera Operator |
| Camera | Daniel Ortega | Director of Photography |
| Directing | Rodrigo H. Vila | Director |
| Crew | Gustavo Lencina | Additional Writing |
| Production | Michael Hothorn | Associate Producer |
| Production | Pablo Atkins | Line Producer |
| Production | Federico Heller | Co-Producer |
| Production | Patricio Rabuffetti | Co-Producer |
| Production | Dalila Zaritzky | Executive Producer |
| Sound | Agustín Casola | Foley Artist |
| Production | Gonzalo Vila | Producer |
| Sound | Leandro de Loredo | Sound Re-Recording Mixer |
| Sound | Andrés Gargiulli | Boom Operator |
| Sound | Julia Huberman | Foley Mixer |
| Directing | Gimena Joao | First Assistant Director |
| Directing | Luciano Pozzi | Assistant Director |
| Editing | Jordi López | Editor |
| Directing | Agustina Macri | Second Unit Director |
| Sound | José E. Caldararo | Foley Artist |
| Production | Sabina Sigler | Associate Producer |
| Editing | Luis de la Madrid | Editor |
| Art | Maximiliano Patko | Production Design |
| Production | Guillermo Rossi | Associate Producer |
| Sound | Esteban Golubicki | Sound Effects Editor |
| Crew | Pablo Margiotta | Post-Production Manager |
| Sound | Emilio Kauderer | Music |
| Production | Rodrigo H. Vila | Producer |
| Production | Dalila Zaritzky | Producer |
| Production | Michael Hothorn | Casting |
| Costume & Make-Up | Pepe Uria | Costume Design |
| Sound | Bechen de Loredo | Foley Mixer |
| Crew | Luciano Origlio | Post Production Supervisor |
| Sound | Hernán Converti | Sound Mixer |
| Sound | Bechen de Loredo | ADR Mixer |
| Sound | Jeronimo Kohn | Dialogue Editor |
| Sound | Sebastián Sonzogni | Foley Artist |
| Visual Effects | Julián Coutada | Digital Compositor |
| Crew | Nahuel Lozano | Stunts |
| Camera | Valeria Fiorini | Still Photographer |
| Camera | Jorge Coki Tristán | Key Grip |
| Visual Effects | Nacho Arevalo | Digital Compositor |
| Sound | Rafael Millán | Foley Recordist |
| Visual Effects | Gonzalo Arenas Norton | Digital Compositor |
| Production | Natalia Smirnoff | Casting |
| Editing | Jorgina Elias | Assistant Editor |
| Visual Effects | Virginia Vallés | Visual Effects Coordinator |
| Camera | Gabriel Quevedo | Steadicam Operator |
| Lighting | Juan Manuel Tizón | Gaffer |
| Production | Desireé Lehner | Location Assistant |
| Visual Effects | Federico Heller | Visual Effects Supervisor |
| Visual Effects | Majo Tabares | Visual Effects Producer |
| Editing | Camila Musteikis | Assistant Editor |
| Crew | Clara Ripoll | Video Assist Operator |
| Sound | Sébastien Lipszyc | Boom Operator |
| Visual Effects | Guido Ferraro | Visual Effects Designer |
| Crew | Riley Barnes | Stunt Double |
| Crew | Irving Victoria | Additional Music |
| Writing | Dan Bush | Script Consultant |
| Writing | Rodrigo H. Vila | Writer |
