Het huwelijk van rechter Fiona Maye met haar man staat op losse schroeven. Ze stort zich op een ingewikkelde zaak waarbij een doodzieke 17-jarige jongen, gediagnosticeerd met kanker, behandeling weigert op grond van de religieuze overtuigingen van zijn familie.
Nee, helaas is The Children Act nog niet beschikbaar op Netflix in Nederland.
| Production | Arron Cuthbertson | Extras Casting |
| Directing | Richard Eyre | Director |
| Writing | Ian McEwan | Writer |
| Production | Duncan Kenworthy | Producer |
| Production | Glen Basner | Executive Producer |
| Production | Ben Browning | Executive Producer |
| Production | Charles Moore | Executive Producer |
| Production | Joe Oppenheimer | Executive Producer |
| Production | Beth Pattinson | Executive Producer |
| Sound | Stephen Warbeck | Original Music Composer |
| Camera | Andrew Dunn | Director of Photography |
| Art | Peter Francis | Production Design |
| Costume & Make-Up | Fotini Dimou | Costume Design |
| Art | Sara Wan | Set Decoration |
| Art | Darren Tubby | Art Direction |
| Art | Sue Whitaker | Art Direction |
| Editing | Dan Farrell | Editor |
| Production | Annabelle Hood | Production Assistant |
| Production | Celia Duval | Co-Producer |
| Production | Nina Gold | Casting |
| Art | Astrid Sieben | Supervising Art Director |
| Costume & Make-Up | Naomi Donne | Makeup & Hair |
| Costume & Make-Up | Rebecca Cole | Makeup & Hair |
| Costume & Make-Up | Doone Forsyth | Makeup & Hair |
| Crew | Gisela Evert | Post Production Supervisor |
| Production | Monique Mussell | Production Manager |
| Directing | George Batchelor | Third Assistant Director |
| Camera | Helen Fraser | Second Assistant Camera |
| Directing | Nic Pringle | Third Assistant Director |
| Directing | Neil Wallace | First Assistant Director |
| Art | Frances Bennett | Graphic Designer |
| Art | Noel Cowell | Property Master |
| Art | Roya Fraser | Assistant Set Decoration |
| Art | Jono Moles | Construction Manager |
| Art | Lucy Moles | Construction Coordinator |
| Sound | Adam Bourne | Foley Editor |
| Sound | Peter Burgis | Foley Artist |
| Sound | Andrew Caller | Sound Re-Recording Mixer |
| Sound | Gillian Dodders | Dialogue Editor |
| Sound | Nick Freemantle | Sound Effects Editor |
| Sound | Glen Gathard | Foley Mixer |
| Sound | Mark Heslop | Sound Effects Editor |
| Sound | Brendan Nicholson | Sound Re-Recording Mixer |
| Sound | Emilie O'Connor | ADR & Dubbing |
| Sound | Jemma Riley-Tolch | Foley Editor |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Visual Effects | Steve Street | Visual Effects Supervisor |
| Camera | Peter Ayriss | Drone Pilot |
| Camera | Sebastian Barraclough | First Assistant "B" Camera |
| Camera | Andrew Dunn | Camera Operator |
| Camera | Ossie McLean | Steadicam Operator |
| Camera | Elliot Purvis | Second Assistant "A" Camera |
| Lighting | David Tyler | Gaffer |
| Camera | Nick Wall | Still Photographer |
| Production | Martin Ware | Casting Associate |
| Costume & Make-Up | Tessa Phillips | Costume Supervisor |
| Costume & Make-Up | Ann Taylor | Assistant Costume Designer |
| Editing | Helena Evans | First Assistant Editor |
| Production | Paul Tomlinson | Location Manager |
| Sound | Terry Davies | Conductor |
| Sound | Andrew Glen | Music Editor |
| Sound | Stephen Warbeck | Orchestrator |
| Directing | Susanna Lenton | Script Supervisor |
| Art | Matt Curtis | Title Designer |
| Crew | Emma Davie | Unit Publicist |
| Production | Jannika Öberg | Production Coordinator |
