Charmante Nick Naylor is het hoofd public relations van de Amerikaanse tabaksbranche. Hij verzint van alles om het beeld van zijn branche zo positief mogelijk te krijgen. Ook al is het tegenwoordig bijna onmogelijk om een relatie tussen roken en gezondheidsproblemen te ontkennen, Nick krijgt het voor elkaar.
Nee, helaas is Thank You for Smoking nog niet beschikbaar op Netflix in Nederland.
| Production | Alessandro Camon | Executive Producer |
| Camera | James Whitaker | Director of Photography |
| Writing | Christopher Buckley | Novel |
| Production | Max Levchin | Executive Producer |
| Production | David O. Sacks | Producer |
| Writing | Jason Reitman | Screenplay |
| Production | John Schmidt | Executive Producer |
| Production | Edward R. Pressman | Executive Producer |
| Editing | Dana E. Glauberman | Editor |
| Production | Elon Musk | Executive Producer |
| Directing | Jason Reitman | Director |
| Production | Michael Beugg | Executive Producer |
| Sound | Rolfe Kent | Original Music Composer |
| Production | Peter Thiel | Executive Producer |
| Production | Mark Woolway | Executive Producer |
| Production | Bob Dohrmann | Production Supervisor |
| Costume & Make-Up | Marsha Lewis | Hair Department Head |
| Art | Steve Saklad | Production Design |
| Art | Carl Catanese | Leadman |
| Production | Mindy Marin | Co-Producer |
| Art | Kurt Meisenbach | Set Decoration |
| Production | David Bloomfield | Co-Executive Producer |
| Costume & Make-Up | John E. Jackson | Makeup Department Head |
| Costume & Make-Up | Robin L. Neal | Makeup Artist |
| Production | Mindy Marin | Casting |
| Crew | Joe Fineman | Post Production Supervisor |
| Costume & Make-Up | Danny Glicker | Costume Design |
| Crew | Michael Toji | Post Production Supervisor |
| Production | Daniel Dubiecki | Co-Producer |
| Costume & Make-Up | Sherri Bramlett | Key Hair Stylist |
| Costume & Make-Up | Elisabeth Fry | Makeup Artist |
| Production | Michael Beugg | Unit Production Manager |
| Production | Stephen Belafonte | Associate Producer |
| Crew | Casey B. Garrett | Propmaker |
| Art | Theresa Greene | Art Department Coordinator |
| Crew | Larry Fioritto | Special Effects Coordinator |
| Art | Steven Samanen | Assistant Art Director |
| Production | Kara Lipson | Casting Associate |
| Sound | Nick South | Music Editor |
| Sound | Greg Townley | Scoring Mixer |
| Sound | Margaret Yen | Music Supervisor |
| Crew | Julie Stevens | Studio Teachers |
| Crew | Brad Bryan | Cableman |
| Crew | Alex E. Burns | Driver |
| Directing | Mary Anne Seward | Script Supervisor |
| Camera | David Presley | Camera Operator |
| Production | Ember Truesdell | Casting Associate |
| Production | John Latenser V | Location Manager |
| Production | Christopher Miller | Location Manager |
| Sound | Adam Jenkins | Sound Re-Recording Mixer |
| Sound | Scott Sanders | Sound Re-Recording Mixer |
| Sound | Craig Dollinger | Boom Operator |
| Sound | Josh Bower | Boom Operator |
| Crew | J. Armin Garza II | Driver |
| Crew | Damiano Fusca | Craft Service |
| Sound | Kevin Zimmerman | First Assistant Sound Editor |
| Crew | Terry James | Stunt Coordinator |
| Editing | Jack Lewars | Digital Intermediate |
| Camera | Daniel Nichols | Camera Operator |
| Crew | Mateo Messina | Additional Music |
| Crew | William Smallwood | Driver |
| Art | Errol Reichow | Location Scout |
| Sound | J. Stanley Johnston | Sound Re-Recording Mixer |
| Sound | Perry Robertson | Supervising Sound Editor |
| Sound | Peter Afterman | Music Supervisor |
| Visual Effects | Marco S. Paolini | Digital Compositors |
| Crew | Marc Scizak | Stunts |
| Camera | Joe Guzman | Grip |
| Crew | David Falicki | Set Medic |
| Camera | Lee Shapira | Grip |
| Editing | Stephen R. Sheridan | Color Timer |
| Production | Traceigh Scottel | Production Coordinator |
| Camera | Dale Robinette | Still Photographer |
| Sound | Richard Dwan Jr. | Sound Editor |
| Production | Gavin J. Behrman | Production Accountant |
| Crew | Robert Malina | Visual Effects Editor |
| Editing | Stephen M. Rickert Jr. | Assistant Editor |
| Crew | Neil Chisholm | Driver |
| Lighting | Tim Gillis | Electrician |
| Sound | Melissa Sherwood Hofmann | Sound Re-Recording Mixer |
| Visual Effects | Cosmas Paul Bolger Jr. | Visual Effects Producer |
| Camera | Tommy Lohmann | Steadicam Operator |
| Editing | Robert Malina | First Assistant Editor |
| Crew | Geno Hart | Transportation Coordinator |
| Costume & Make-Up | Julie Glick | Costume Supervisor |
| Sound | Alison Litton | Music Coordinator |
| Sound | Patrick Cabral | Foley Artist |
| Sound | Cynthia Merrill | Foley Artist |
| Sound | Geordy Sincavage | Foley Mixer |
| Sound | Nick Neutra | Foley Supervisor |
| Sound | Stephen Coleman | Music Programmer |
| Sound | Barney Cabral | Supervising ADR Editor |
| Sound | Paul Drenning | ADR Mixer |
| Sound | Robert Sharman | Utility Sound |
| Sound | Steven Morrow | Sound Mixer |
| Directing | Jason Blumenfeld | First Assistant Director |
| Directing | Xanthus Valan | Second Assistant Director |
| Directing | Sonia Bhalla | Second Assistant Director |
| Art | Eric Hunsaker | Property Master |
| Camera | Nicole Hirsch Whitaker | Second Unit Director of Photography |
| Sound | Robert Althoff | Sound Recordist |
| Production | Eveleen Bandy | Associate Producer |
| Production | Daniel Brunt | Co-Producer |
| Production | Michael R. Newman | Co-Producer |
| Crew | Kevin Wenger | Carpenter |
| Costume & Make-Up | Maxine Morris | Key Hair Stylist |
| Art | M. Marcos Gonzalez | Set Dresser |
| Visual Effects | Edward Quirk | 3D Artist |
| Crew | Robert Lukacs | Compositor |
| Camera | Tony Ayala | Grip |
| Camera | Andy Colvin | Steadicam Operator |
| Art | Michael Crowe | Construction Coordinator |
| Editing | Natasha Leonnet | Digital Color Timer |
| Editing | Lorene Simpson | Digital Intermediate Producer |
| Crew | Dennis Janovici | Transportation Co-Captain |
| Art | Paul Arthur Hartman | Leadman |
| Crew | Carlos Rodríguez | Chef |
| Crew | Jeff Johnson | Set Medic |
| Production | Bob Weber | Post Production Accountant |
| Crew | Jeremy Walker | Unit Publicist |
| Crew | Joe Dornich | Set Production Assistant |
| Art | Eddie Lin | Storyboard Artist |
| Crew | Kevin Moll | Studio Teacher |
| Lighting | Konrad Sigurdsson | Best Boy Electric |
| Lighting | Patrick Lennon | Gaffer |
| Camera | Stuart Abramson | Key Grip |
| Camera | Tim Clarke | Camera Loader |
| Visual Effects | Heather Ignarro | Visual Effects Coordinator |
| Costume & Make-Up | Laura E. Little | Key Set Costumer |
| Costume & Make-Up | Julie Glick | Wardrobe Supervisor |
| Costume & Make-Up | Mark Brooks | On Set Dresser |
| Directing | Casey Mako | Second Second Assistant Director |
| Lighting | Patrick Brennan | Electrician |
| Art | Terry Atchison | Assistant Property Master |
| Camera | Donald Burghardt | First Assistant "A" Camera |
| Art | Jenny Lee | Title Designer |
| Costume & Make-Up | Marta Villalobos | Set Costumer |
| Sound | Richard Dwan Jr. | Supervising Dialogue Editor |
| Crew | Virgil Sanchez | Special Effects Technician |
| Crew | Rick Kain | Stunt Driver |
| Camera | Charlie Newberry | Additional Second Assistant Camera |
| Camera | Quinton Reilly | Best Boy Grip |
| Camera | Shawn Stoddard | Dolly Grip |
| Camera | Brett F. Gates | Second Assistant Camera |
| Editing | Lisa Tutunjian | Digital Intermediate Editor |
| Production | Matthew Dillon Noonan | Location Production Assistant |
| Production | Amy Smolev | Assistant Accountant |
| Production | Tara Chang | Assistant Production Coordinator |
| Production | Laura Drake Mancini | Extras Casting Assistant |
| Production | Betsy Royall | Local Casting |
| Production | Joel Tokarsky | Payroll Accountant |
| Production | John T. Maye | Production Assistant |
| Production | Mike Hazlitt | Production Consultant |
| Production | Patrick Cunningham | Key Production Assistant |
