In de jaren '30 tracht toneelschrijfster Lilian Hellman een carrière op te bouwen met hulp van haar geliefde, Dashiell Hammett. Haar goede vriendin Julia strijdt tegen het Nazi-regime. Lilian gaat bij haar vriendin op bezoek en ziet wat haar idealen haar hebben aangedaan. Julia's vriend vraagt Lilian om een grote som geld te smokkelen, zodat de Nazi's beter bestreden kunnen worden.
Nee, helaas is Julia nog niet beschikbaar op Netflix in Nederland.
| Production | Julien Derode | Executive Producer |
| Production | Tom Pevsner | Associate Producer |
| Costume & Make-Up | Ramon Gow | Hairstylist |
| Directing | Alain Bonnot | Assistant Director |
| Directing | Anthony Waye | Assistant Director |
| Sound | Derek Ball | Sound Mixer |
| Sound | Leslie Hodgson | Sound Editor |
| Camera | Chic Waterson | Camera Operator |
| Costume & Make-Up | John Wilson-Apperson | Costume Supervisor |
| Directing | Pamela Davies | Continuity |
| Production | Stanley Burridge | Production Accountant |
| Directing | Fred Zinnemann | Director |
| Writing | Lillian Hellman | Book |
| Writing | Alvin Sargent | Screenplay |
| Sound | Georges Delerue | Original Music Composer |
| Camera | Douglas Slocombe | Director of Photography |
| Production | Margot Capelier | Casting |
| Production | Jenia Reissar | Casting |
| Production | Juliet Taylor | Casting |
| Production | Richard A. Roth | Producer |
| Costume & Make-Up | Anthea Sylbert | Costume Design |
| Art | Gene Callahan | Production Design |
| Art | Carmen Dillon | Production Design |
| Art | Willy Holt | Production Design |
| Costume & Make-Up | Bernadine M. Anderson | Makeup Artist |
| Costume & Make-Up | George Frost | Makeup Artist |
| Art | Reg Bream | Draughtsman |
| Production | Bill Kirby | Production Manager |
| Editing | Walter Murch | Editor |
| Editing | Marcel Durham | Editor |
