In een afgelegen laboratorium bevindt zich een kunstmatig gecreëerde levensvorm die zich snel lijkt te ontwikkelen. Een bedrijfsadviseuse wordt ingeschakeld om het wezen te evalueren. Het is aan haar om te bepalen of deze moet worden vernietigd.
Nee, helaas is Morgan nog niet beschikbaar op Netflix in Nederland.
| Production | Elishia Holmes | Executive Producer |
| Directing | Tom Mulberge | Second Assistant Director |
| Costume & Make-Up | Deborah McCarthy | Makeup Supervisor |
| Production | Aidan Elliott | Executive Producer |
| Production | George F. Heller | Executive Producer |
| Sound | Derek Hehir | Production Sound Mixer |
| Sound | Mark Taylor | Supervising Sound Editor |
| Production | James Smith | Unit Production Manager |
| Costume & Make-Up | Lisa McConville | Makeup Artist |
| Sound | Markus Stemler | Sound Designer |
| Crew | Paul Herbert | Stunt Coordinator |
| Directing | William Dodds | First Assistant Director |
| Sound | Matt Collinge | Supervising Sound Editor |
| Visual Effects | Lorna Carmichael | Visual Effects Coordinator |
| Sound | Matt Collinge | Sound Re-Recording Mixer |
| Directing | Luke Scott | Director |
| Writing | Seth W. Owen | Writer |
| Editing | Laura Jennings | Editor |
| Art | Fiona Gavin | Supervising Art Director |
| Editing | Rob Farris | Digital Intermediate |
| Directing | Marie Clare Cushinan | Script Supervisor |
| Production | Michael Schaefer | Producer |
| Sound | Mike Dowson | Sound Re-Recording Mixer |
| Camera | Andy Gardner | First Assistant Camera |
| Camera | Imanol Nabea | Camera Operator |
| Camera | Eric Greenberg | First Assistant Camera |
| Crew | Gary Campbell | Armorer |
| Production | Charley Medigovich | Casting Associate |
| Art | Tom McCullagh | Production Design |
| Editing | Patrick Malone | Digital Intermediate |
| Camera | Aidan Monaghan | Still Photographer |
| Visual Effects | Simon Cockren | Special Effects Supervisor |
| Production | Ridley Scott | Producer |
| Costume & Make-Up | Sarah Robinson | Costume Supervisor |
| Sound | Hugo Adams | Foley |
| Crew | Ryan McNeill | Armorer |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Sound | Michael Connell | Music Editor |
| Sound | Tony Lewis | Music Editor |
| Production | Carmen Cuba | Casting |
| Art | John Merry | Art Direction |
| Art | Daniel Swingler | Assistant Art Director |
| Lighting | Vinny Madden Jr. | Gaffer |
| Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
| Costume & Make-Up | Aidan Bradley | Hairstylist |
| Costume & Make-Up | Maurizio Torti | Set Costumer |
| Costume & Make-Up | Stefano De Nardis | Costume Design |
| Costume & Make-Up | Geri Doherty | Set Costumer |
| Art | Elaine McLenachan | Set Decoration |
| Visual Effects | Rupert Davies | Visual Effects Supervisor |
| Sound | Becki Ponting | ADR & Dubbing |
| Directing | Andrea Bamford | Script Supervisor |
| Camera | Mark Patten | Director of Photography |
| Production | Mark Huffam | Producer |
| Costume & Make-Up | Jordan Samuel | Makeup Designer |
| Sound | Max Richter | Original Music Composer |
| Costume & Make-Up | Davide Losi | Prosthetics |
| Art | Peter N. Brown | Construction Manager |
| Production | Alex Boyd | Production Manager |
| Sound | Jack Stew | Foley Artist |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Andrea King | Foley Artist |
| Sound | Glen Gathard | Foley Mixer |
| Sound | Jemma Riley-Tolch | Assistant Foley Artist |
