Het verhaal volgt de meedogenloze, zeer succesvolle politieke strateeg Elizabeth Sloane. Elizabeth is benaderd om campagne te voeren rondom het debat over wapenbeleid in de Verenigde Staten. Nieuwe wetgeving zou erop toe moeten zien dat er strenger gecontroleerd kan worden op wapenbezit door middel van een antecedentenonderzoek.
Nee, helaas is Miss Sloane nog niet beschikbaar op Netflix in Nederland.
| Writing | Jonathan Perera | Writer |
| Directing | John Madden | Director |
| Production | Ariel Zeitoun | Producer |
| Production | Ben Browning | Producer |
| Sound | Max Richter | Music |
| Production | Kris Thykier | Producer |
| Camera | Kerry Hayes | Still Photographer |
| Sound | Thomas Gastinel | Boom Operator |
| Production | Jonathan Oliveira | Casting Associate |
| Camera | Robert Johnson | Key Grip |
| Production | Tiffany Little Canfield | Casting |
| Lighting | Duane Gullison | Rigging Gaffer |
| Editing | Roland Duboué | Dialogue Editor |
| Sound | Bridget O'Driscoll | Supervising Dialogue Editor |
| Art | Matthew Davies | Production Design |
| Art | Mark Steel | Art Direction |
| Crew | Matt Belbin | Digital Effects Supervisor |
| Editing | Kilian Wiedemann | First Assistant Editor |
| Camera | Ron Renzetti | Dolly Grip |
| Art | Peter Nicolakakos | Set Decoration |
| Costume & Make-Up | Robyn Rosenberg | Costume Supervisor |
| Costume & Make-Up | Cliona Furey | Hair Department Head |
| Production | Bernard Telsey | Casting |
| Sound | Clémence Stoloff | ADR Supervisor |
| Sound | Jérémy Babinet | Foley Editor |
| Sound | Cécile Coutelier | Music Editor |
| Lighting | Michael L. Hall | Gaffer |
| Production | Conrad Woolfe | Casting |
| Costume & Make-Up | Georgina Yarhi | Costume Design |
| Visual Effects | Amelie Poitras | Visual Effects Producer |
| Costume & Make-Up | Lou Decampo | Assistant Costume Designer |
| Sound | François Fayard | Supervising Sound Editor |
| Editing | Alexander Berner | Editor |
| Lighting | Alex Lawrence | Lighting Technician |
| Visual Effects | Sébastien Bergeron | Visual Effects Supervisor |
| Crew | Philippe Thibault | Digital Effects Supervisor |
| Costume & Make-Up | Liz Gruszka | Makeup Department Head |
| Art | Ross Fraser | Construction Coordinator |
| Art | Natasha Peschlow | Assistant Art Director |
| Camera | Sean Sealey | Steadicam Operator |
| Visual Effects | Jeff Skochko | Special Effects Supervisor |
| Crew | Frédérique Schmidt | Visual Effects Editor |
| Sound | Fanny Weinzaepflen | Boom Operator |
| Camera | Andrew Schauer | Dolly Grip |
| Sound | Roland Duboué | ADR Editor |
| Sound | Jack Bourdon | Boom Operator |
| Camera | Sebastian Blenkov | Director of Photography |
| Directing | Susan Marucci | Script Supervisor |
| Crew | Nadine Frève | Visual Effects Editor |
| Directing | Aric Dupere | Second Assistant Director |
| Art | Clinton Guitard | Painter |
| Art | Daniel Smallegange | Set Dresser |
| Sound | Anne Le Campion | Sound Recordist |
| Crew | Jason Christpoher Kirk | Scenic Artist |
| Production | Olivier Glaas | Line Producer |
| Camera | Ari Magder | First Assistant "B" Camera |
| Production | Robin M. Reelis | Production Manager |
| Editing | Andrei Lascu | Assistant Editor |
| Production | Mary Fraser | Production Coordinator |
| Camera | Jim Holmes | Best Boy Grip |
| Crew | Amélie Dibon | Post Production Supervisor |
| Crew | Jean Frenette | Stunt Coordinator |
| Crew | Matthew James Gulbranson | Stunt Driver |
| Crew | Travis Staley | Carpenter |
| Crew | Rick Kain | Stunt Driver |
| Camera | Alan G. Kelly | Assistant Camera |
| Camera | Andrew Lounsbury | Second Assistant "A" Camera |
| Directing | Nick Lopez | Third Assistant Director |
| Crew | Jak Oliver | Scenic Artist |
| Sound | Dominique Gaborieau | Sound Re-Recording Mixer |
| Lighting | Kevin Barnes | Best Boy Electric |
| Camera | Ciarán Copelin | First Assistant "A" Camera |
| Directing | Andrew M. Robinson | First Assistant Director |
| Art | Kevin Haeberlin | Leadman |
| Art | Sonja Narizni | Set Dresser |
| Art | Dan Norton | Set Designer |
