Een Britse elite kostschool voor meisjes, in 1934; Miss G. is lerares en belichaamt alles wat de meisjes verlangen: ze heeft lak aan regels, rookt en is één brok sensualiteit. Ze draagt zelfs soms een broek! Miss G. is vastbesloten de meisjes wat meer te leren dan de strakke regeltjes uit hun leefomgeving. Ze wil hen laten leven en voor zichzelf laten denken, wat ze onder meer stimuleert door feestjes en een erotische vrijheid op te wekken. De meisjes zijn dolblij met hun vrijdenkende lerares. Maar er ontstaan scheurtjes in de relatie wanneer sommige meisjes zich bedreigd voelen in de machtsstructuur en er bovendien een mooie nieuwe Spaanse arriveert.
| Directing | Jordan Scott | Director |
| Writing | Caroline Ip | Screenplay |
| Writing | Ben Court | Screenplay |
| Production | Kwesi Dickson | Producer |
| Production | Andrew Lowe | Producer |
| Production | Christine Vachon | Producer |
| Writing | Jordan Scott | Screenplay |
| Production | Julie Payne | Producer |
| Production | Rosalie Swedlin | Producer |
| Sound | Peter Burgis | Foley Artist |
| Sound | Jeremy Child | Foley Editor |
| Sound | Andie Derrick | Foley Artist |
| Costume & Make-Up | Deirdre Fitzgerald | Makeup Artist |
| Costume & Make-Up | Morna Ferguson | Makeup Designer |
| Sound | Glen Gathard | Foley Mixer |
| Sound | Mark Appleby | ADR Mixer |
| Costume & Make-Up | Orla Carrol | Hairstylist |
| Costume & Make-Up | Niamh O'Loan | Makeup Artist |
| Camera | Jonathan Hession | Still Photographer |
| Directing | Jean Bourne | Script Supervisor |
| Production | Carola Ash | Associate Producer |
| Sound | Alison Wright | Music Supervisor |
| Production | Michael Costigan | Co-Producer |
| Production | Sheila Kohler | Associate Producer |
| Sound | Maggie Rodford | Music Supervisor |
| Sound | Michael Higham | Music Editor |
| Production | Ridley Scott | Executive Producer |
| Production | Malcolm Reeve | Co-Producer |
| Production | Alain Goldman | Executive Producer |
| Production | Charles Pugliese | Co-Producer |
| Production | John Wells | Executive Producer |
| Production | Catherine Morisse | Co-Producer |
| Production | Ricardo García Arrojo | Executive Producer |
| Production | Elisa Alvares | Associate Producer |
| Production | Tony Scott | Executive Producer |
| Production | Guy Collins | Executive Producer |
| Sound | Javier Navarrete | Original Music Composer |
| Camera | John Mathieson | Director of Photography |
| Editing | Valerio Bonelli | Editor |
| Costume & Make-Up | Alison Byrne | Costume Design |
| Art | Jenny Oman | Set Decoration |
| Art | Ben Scott | Production Design |
| Production | Shaheen Baig | Casting |
| Sound | Ray Cross | Sound mixer |
| Production | Paul Myler | Line Producer |
| Writing | Sheila Kohler | Novel |
| Sound | Andrew Felton | Boom Operator |
| Sound | Mike Prestwood Smith | Sound Re-Recording Mixer |
| Sound | Andrew Caller | Sound Re-Recording Mixer |
| Sound | Oliver Tarney | Supervising Sound Editor |
| Camera | Paul Edwards | Steadicam Operator |
| Editing | Peter Lambert | First Assistant Editor |
| Crew | Donal O'Farrell | Stunt Coordinator |
| Production | Naomi Jalil | Casting Associate |
| Directing | Luke Johnston | First Assistant Director |
| Camera | Keith McNamara | Focus Puller |
| Directing | Anna Harrison | Third Assistant Director |
| Art | Bill Crutcher | Art Direction |
| Art | Clyde Doyle | Assistant Art Director |
| Directing | Jill Dempsey | Second Assistant Director |
| Production | Eve Rowan | Casting Assistant |
