Een Britse elite kostschool voor meisjes, in 1934; Miss G. is lerares en belichaamt alles wat de meisjes verlangen: ze heeft lak aan regels, rookt en is één brok sensualiteit. Ze draagt zelfs soms een broek! Miss G. is vastbesloten de meisjes wat meer te leren dan de strakke regeltjes uit hun leefomgeving. Ze wil hen laten leven en voor zichzelf laten denken, wat ze onder meer stimuleert door feestjes en een erotische vrijheid op te wekken. De meisjes zijn dolblij met hun vrijdenkende lerares. Maar er ontstaan scheurtjes in de relatie wanneer sommige meisjes zich bedreigd voelen in de machtsstructuur en er bovendien een mooie nieuwe Spaanse arriveert.
Nee, helaas is Cracks nog niet beschikbaar op Netflix in Nederland.
| Directing | Jordan Scott | Director |
| Writing | Ben Court | Screenplay |
| Writing | Caroline Ip | Screenplay |
| Writing | Jordan Scott | Screenplay |
| Production | Rosalie Swedlin | Producer |
| Production | Kwesi Dickson | Producer |
| Production | Andrew Lowe | Producer |
| Production | Julie Payne | Producer |
| Production | Christine Vachon | Producer |
| Sound | Peter Burgis | Foley Artist |
| Sound | Andie Derrick | Foley Artist |
| Sound | Glen Gathard | Foley Mixer |
| Sound | Jeremy Child | Foley Editor |
| Sound | Mark Appleby | ADR Mixer |
| Costume & Make-Up | Orla Carrol | Hairstylist |
| Costume & Make-Up | Morna Ferguson | Makeup Designer |
| Costume & Make-Up | Deirdre Fitzgerald | Makeup Artist |
| Costume & Make-Up | Niamh O'Loan | Makeup Artist |
| Camera | Jonathan Hession | Still Photographer |
| Sound | Javier Navarrete | Original Music Composer |
| Production | Shaheen Baig | Casting |
| Camera | John Mathieson | Director of Photography |
| Editing | Valerio Bonelli | Editor |
| Costume & Make-Up | Alison Byrne | Costume Design |
| Art | Jenny Oman | Set Decoration |
| Art | Ben Scott | Production Design |
| Directing | Jean Bourne | Script Supervisor |
| Sound | Ray Cross | Sound mixer |
| Production | Ridley Scott | Executive Producer |
| Production | Tony Scott | Executive Producer |
| Production | Alain Goldman | Executive Producer |
| Production | John Wells | Executive Producer |
| Production | Ricardo García Arrojo | Executive Producer |
| Production | Guy Collins | Executive Producer |
| Production | Catherine Morisse | Co-Producer |
| Production | Charles Pugliese | Co-Producer |
| Production | Malcolm Reeve | Co-Producer |
| Production | Michael Costigan | Co-Producer |
| Production | Sheila Kohler | Associate Producer |
| Production | Elisa Alvares | Associate Producer |
| Production | Carola Ash | Associate Producer |
| Production | Paul Myler | Line Producer |
| Writing | Sheila Kohler | Novel |
| Sound | Maggie Rodford | Music Supervisor |
| Sound | Alison Wright | Music Supervisor |
| Sound | Michael Higham | Music Editor |
| Sound | Mike Prestwood Smith | Sound Re-Recording Mixer |
| Sound | Andrew Caller | Sound Re-Recording Mixer |
| Sound | Oliver Tarney | Supervising Sound Editor |
| Sound | Andrew Felton | Boom Operator |
| Editing | Peter Lambert | First Assistant Editor |
| Camera | Paul Edwards | Steadicam Operator |
| Crew | Donal O'Farrell | Stunt Coordinator |
| Camera | Keith McNamara | Focus Puller |
| Directing | Luke Johnston | First Assistant Director |
| Art | Bill Crutcher | Art Direction |
| Art | Clyde Doyle | Assistant Art Director |
| Directing | Jill Dempsey | Second Assistant Director |
| Directing | Anna Harrison | Third Assistant Director |
| Production | Naomi Jalil | Casting Associate |
| Production | Eve Rowan | Casting Assistant |
