Boston, 1978. Justine heeft een bijeenkomst opgezet in een verlaten pakhuis tussen twee Ieren en een bende onder leiding van Vernon en Ord, die hen een voorraad wapens wil verkopen. Maar wanneer er schoten vallen tijdens de overdracht ontstaat er een bloedstollend spel om te overleven.
Nee, helaas is Free Fire nog niet beschikbaar op Netflix in Nederland.
| Editing | Jason Rayton | Assistant Editor |
| Directing | Ben Wheatley | Director |
| Editing | Ben Wheatley | Editor |
| Camera | Laurie Rose | Director of Photography |
| Editing | Amy Jump | Editor |
| Production | Andrew Starke | Producer |
| Art | Craig Price | Property Master |
| Costume & Make-Up | Emma Scott | Hair Designer |
| Costume & Make-Up | Emma Scott | Makeup Designer |
| Crew | Phillip Stone | Armorer |
| Sound | Simon Trundle | Foley |
| Sound | Martin Pavey | Sound Designer |
| Art | Paki Smith | Production Design |
| Costume & Make-Up | Sian Evans | Costume Supervisor |
| Production | Shaheen Baig | Casting |
| Art | Nigel Pollock | Supervising Art Director |
| Directing | Anita Christy | Script Supervisor |
| Crew | Simon Edwards | Armorer |
| Art | Paul Frost | Art Direction |
| Costume & Make-Up | Nicky Barron | Key Costumer |
| Costume & Make-Up | Ray Marston | Wigmaker |
| Crew | Jade Poole | Special Effects Coordinator |
| Crew | Mark Shelley | Armorer |
| Camera | John Hembrough | Steadicam Operator |
| Costume & Make-Up | Sarah Nuth | Makeup Artist |
| Costume & Make-Up | Peta Dunstall | Hair Department Head |
| Costume & Make-Up | Philip Goldsworthy | Key Costumer |
| Camera | Alf Tramontin | Steadicam Operator |
| Camera | Kerry Brown | Still Photographer |
| Visual Effects | Danny Hargreaves | Special Effects Supervisor |
| Sound | Mark Henry | ADR & Dubbing |
| Art | Liz Griffiths | Set Decoration |
| Camera | Nick Gillespie | Camera Operator |
| Visual Effects | Natalie Reid | Visual Effects Producer |
| Lighting | Barry Conroy | Gaffer |
| Camera | Kevin Foy | Key Grip |
| Costume & Make-Up | Emma J. Slater | Prosthetic Makeup Artist |
| Crew | James Smith | Special Effects Coordinator |
| Editing | Rob Farris | Digital Intermediate |
| Editing | Patrick Malone | Digital Intermediate |
| Editing | Nikki Ruck | Dialogue Editor |
| Costume & Make-Up | Jemma Carballo | Makeup Artist |
| Camera | Karim Hussain | Aerial Director of Photography |
| Visual Effects | Murray Barber | VFX Supervisor |
| Writing | Amy Jump | Screenplay |
| Writing | Ben Wheatley | Screenplay |
| Sound | Ben Salisbury | Original Music Composer |
| Sound | Geoff Barrow | Original Music Composer |
| Costume & Make-Up | Dan Martin | Prosthetics |
| Crew | Craig Miller | Stunt Double |
| Crew | Reg Wayment | Stunt Double |
| Crew | Robert Racki | Stunt Coordinator |
| Crew | Ian Pead | Stunt Double |
| Crew | Freddie Mason | Stunt Double |
| Crew | Neil Chapelhow | Stunt Double |
| Crew | James O'Daly | Stunt Double |
| Crew | Peter Pedrero | Stunt Coordinator |
| Crew | Jude Poyer | Stunt Double |
| Crew | John Sharpe | Stunt Double |
| Crew | Ryan Oliva | Stunts |
| Crew | Jean-Paul Jesstiece | Stunt Double |
| Crew | Russell MacLeod | Stunt Double |
| Crew | Joseph Racki | Stunts |
| Crew | Moody Shwales | Stunt Driver |
| Crew | Roy Taylor | Stunt Double |
| Sound | Rob Entwistle | Production Sound Mixer |
| Production | Martin Scorsese | Executive Producer |
| Crew | Daniel Rogers | Health and Safety |
| Art | Michael Eaton | Graphic Designer |
| Directing | Ian Hughes | Second Unit First Assistant Director |
| Directing | Scott Bunce | Second Assistant Director |
