De Berlijnse elektronica componist Martin (Paul Kalkbrenner), genaamd DJ Ickarus vliegt met zijn manager en vriendin naar clubs over de hele wereld. Als Ickarus na een optreden na te veel drugsgebruik in een zenuw-kliniek in Berlijn terechtkomt, verstoort dat alle grootse plannen die hij had.
Nee, helaas is Berlin Calling nog niet beschikbaar op Netflix in Nederland.
| Directing | Hannes Stöhr | Director |
| Sound | Paul Kalkbrenner | Original Music Composer |
| Camera | Andreas Doub | Director of Photography |
| Editing | Anne Fabini | Editor |
| Production | Karsten Aurich | Producer |
| Production | Hannes Stöhr | Producer |
| Production | Karen Wendland | Casting |
| Art | Sebastian Wurm | Set Decoration |
| Costume & Make-Up | Charlotte Sawatzki | Costumer |
| Costume & Make-Up | Sandy Strierath | Makeup Artist |
| Costume & Make-Up | Grobi Wendel | Makeup Artist |
| Crew | Kolos Schilling | Thanks |
| Crew | Hans Weingartner | Thanks |
| Production | Nico Bäthge | Production Driver |
| Directing | Arturo Salvador | Continuity |
| Production | Anna Brückner | Production Assistant |
| Crew | Christopher Kane | Set Runner |
| Crew | Stefan Rüll | Legal Services |
| Costume & Make-Up | Caroline Habicht | Assistant Costume Designer |
| Production | Wendy Pladeck | Trainee Production Coordinator |
| Crew | Daniela Stein | Stunt Coordinator |
| Production | Karsten Aurich | Production Manager |
| Production | Franziska Jahnke | Unit Manager |
| Production | Tobias Timme | Assistant Production Manager |
| Crew | Tobias Timme | Post Production Supervisor |
| Production | Dominik von Waldstätten | Assistant Unit Manager |
| Directing | Mirko Borscht | First Assistant Director |
| Directing | Silvia Pernegger | Second Assistant Director |
| Art | Jutta Erasin | Props |
| Art | Barbara Falkner | Assistant Production Design |
| Crew | Matthias Hein | Carpenter |
| Art | Matthias Hohm | Property Master |
| Art | Jens Klemke | Props |
| Art | Melanie Raab | Set Dresser |
| Art | Arturo Salvador | Storyboard Artist |
| Crew | Leon Schulz | Carpenter |
| Art | Michael Waschnig | Props |
| Sound | Alexej Ashkenazy | Recording Supervision |
| Sound | Hans-Jörg Bramm | Boom Operator |
| Sound | Robert Jäger | Recording Supervision |
| Sound | Hanno Klamke | Utility Sound |
| Sound | Carsten Richter | Foley Artist |
| Sound | Stefan Soltau | Sound Designer |
| Sound | Stefan Soltau | Supervising Sound Editor |
| Sound | Marcus Sujata | Foley Mixer |
| Sound | Patrick Veigel | Sound |
| Sound | Björn Wiese | Dialogue Editor |
| Sound | Björn Wiese | Sound Designer |
| Visual Effects | Matthias Albrecht | Digital Film Recording |
| Crew | Markus Bäuerle | Digital Supervisor |
| Editing | Sebastian Göhs | Digital Colorist |
| Editing | Ruth Raatz | Color Timer |
| Editing | Günter Sack | Digital Colorist |
| Editing | Sebastian Bonde | Assistant Editor |
| Editing | Nina Caspers | Assistant Editor |
| Crew | Stefan Müller | Manager of Operations |
| Camera | Jenny Barth | Camera Operator |
| Camera | Thomas Derix | Still Photographer |
| Lighting | Dirk Eichler | Gaffer |
| Camera | Holger Fey | Key Grip |
| Camera | Sebastian Fremder | Grip |
| Crew | Roland Fritzenschaft | Second Unit |
| Lighting | Hans-Ulrich Graefe | Electrician |
| Camera | Claudia Paulussen | Second Assistant Camera |
| Camera | Max Penzel | Second Unit Director of Photography |
| Camera | Sven Peukert | First Assistant Camera |
| Camera | Martin Roth | Best Boy Grip |
| Camera | Alexander Sachariew | First Assistant Camera |
| Lighting | Michael Schreiber | Electrician |
| Lighting | Jan Umpfenbach | Electrician |
| Lighting | Arian Uting | Electrician |
| Writing | Hannes Stöhr | Screenplay |
| Sound | Michael Müller | Foley Editor |
