Begin twintigste eeuw komt de zestienjarige Riyo naar Amerika om er te trouwen met iemand die ze alleen kenden van brieven en foto's. Ze treft echter niet de leuke jongeman van de foto's aan als haar aanstaande echtgenoot. En Hawaii is niet het paradijs waar hij over had geschreven: op de suikerrietplantages moet keihard gewerkt worden en er zijn fikse raciale spanningen.
Nee, helaas is Picture Bride nog niet beschikbaar op Netflix in Nederland.
| Directing | Kayo Hatta | Director |
| Production | Nina Blake | Associate Producer |
| Editing | Robert Komatsu | First Assistant Editor |
| Crew | Archie Ahuna | Special Effects |
| Production | Paul Mayersohn | Co-Executive Producer |
| Writing | Kayo Hatta | Screenplay |
| Production | Anna Fishburn | Casting |
| Production | Yumi Takada | Casting |
| Costume & Make-Up | Cindy Stratt | Makeup Artist |
| Crew | Colin C.L. Fong | Stunt Coordinator |
| Editing | Lynzee Klingman | Editor |
| Production | Dana Satler Hankins | Line Producer |
| Directing | Janet Holman | Script Supervisor |
| Crew | Jake Eberle | Sound Design Assistant |
| Writing | Kayo Hatta | Story |
| Directing | Angela Robinson | Script Supervisor |
| Directing | Irish Barber | Script Supervisor |
| Sound | Jonathan Miller | Sound Designer |
| Production | Diane Mei Lin Mark | Executive Producer |
| Production | Marilyn Carrera Killeri | Production Coordinator |
| Camera | Irish Barber | Grip |
| Crew | Mary F. Jansen | Post Production Supervisor |
| Editing | Lois Freeman-Fox | Additional Editing |
| Editing | Gordon Antell | First Assistant Editor |
| Crew | Karen Kodner | Unit Publicist |
| Camera | Claudio Rocha | Director of Photography |
| Sound | John Reynolds | Boom Operator |
| Costume & Make-Up | Newton Koshi | Hair Department Head |
| Lighting | Bob Johnson | Gaffer |
| Production | Eleanor R. Nakama | Associate Producer |
| Crew | Yuki Sakamura | Unit Publicist |
| Costume & Make-Up | Ada Akaji | Costume Design |
| Sound | Susan Moore-Chong | Sound Mixer |
| Camera | Kolo Barber | Grip |
| Sound | Joanie Diener | Music Editor |
| Crew | Mike van Arkel | Special Effects |
| Writing | Diane Mei Lin Mark | Story |
| Editing | Ray Morfino | Color Timer |
| Art | Paul Guncheon | Production Design |
| Writing | Mari Hatta | Screenplay |
| Camera | Mike Weisbrod | First Assistant Camera |
| Crew | Bruce Westcott | Post Production Assistant |
| Writing | Mari Hatta | Story |
| Production | Lisa Onodera | Producer |
| Art | Shell Dalzell | Construction Coordinator |
| Costume & Make-Up | Michael Pacciorini | Assistant Costume Designer |
| Editing | Mallory Gottlieb | Editor |
| Directing | Summer Banner | Script Supervisor |
| Costume & Make-Up | Bryan D. Furer | Makeup Department Head |
| Costume & Make-Up | Chantal Boom'la | Hairstylist |
| Lighting | Dave Sullivan | Gaffer |
| Crew | Francis Badzey | Post Production Assistant |
| Art | Renee Confair | Location Scout |
| Sound | Mark Adler | Original Music Composer |
| Sound | Hugh Waddell | Dialogue Editor |
| Sound | Marilyn McCoppen | ADR Editor |
| Sound | Gwendolyn Yates Whittle | Dialogue Editor |
| Sound | Barbara McBane | Dialogue Editor |
| Art | Leslie Craig | Property Master |
| Art | Dan Perri | Title Designer |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
