Nate Tanner, eigenaar van de Black Pelican-bar, ziet Wild Bill, een gevaarlijke drugshandelaar die de zaak wil overnemen, in zijn bar aankomen. Voormalig DEA-agent en Nate's neef, Shane Tanner, gaat zich vervolgens tegen hen verzetten om de bar te beschermen. Met de hulp van de ravissante Beau zullen ze een drugsnetwerk ontmantelen dat veel verder reikt dan de bar...
Nee, helaas is Road House 2: Last Call nog niet beschikbaar op Netflix in Nederland.
| Sound | Amotz Plessner | Original Music Composer |
| Production | Nick Stamos | Co-Producer |
| Writing | R. Lance Hill | Characters |
| Production | Malcolm Petal | Executive Producer |
| Editing | Edgar Burcksen | Editor |
| Production | Yoram Pelman | Producer |
| Camera | Thomas L. Callaway | Director of Photography |
| Production | Kimberly Calhoun Boling | Executive Producer |
| Writing | Richard Chizmar | Screenplay |
| Costume & Make-Up | Beverly Safier | Costume Designer |
| Directing | Scott Ziehl | Director |
| Writing | Johnathon Schaech | Screenplay |
| Art | Phil Dagort | Production Design |
| Camera | Michael Applebaum | "A" Camera Operator |
| Sound | Patrick M. Griffith | Supervising Sound Editor |
| Art | Jay Pelissier | Art Direction |
| Art | Gustavo Coto | Leadman |
| Crew | Sam Hargrave | Utility Stunts |
| Camera | Robert Schierer | First Assistant Camera |
| Camera | John Richie | Camera Loader |
| Crew | Patrick Moore | Utility Stunts |
| Directing | James Roque Jr. | Second Assistant Director |
| Directing | Melinda Taksen | Script Supervisor |
| Production | Nita Wilson | Production Coordinator |
| Crew | Jeff Galpin | Utility Stunts |
| Art | Mike Dares | Set Dresser |
| Art | Sam Lothridge | Set Dresser |
| Art | Leonard Marchand | Property Master |
| Camera | Lisa Lengyl | Second Assistant Camera |
| Camera | Daniel Tkaczyk | Second Assistant Camera |
| Camera | Patti Perret | Still Photographer |
| Costume & Make-Up | S. Aimee Helms | Costume Assistant |
| Costume & Make-Up | Theresa A. Fleming | Hairstylist |
| Costume & Make-Up | Myke Michaels | Key Makeup Artist |
| Art | Danny Nick | Set Dresser |
| Art | Caleb Guillotte | Art Department Coordinator |
| Costume & Make-Up | Paul Anthony Morris | Key Hair Stylist |
| Crew | Dennis Keiffer | Utility Stunts |
| Production | Yoram Pelman | Unit Production Manager |
| Crew | Chuck 'Chaz' Hosack | Utility Stunts |
| Crew | Karin Silvestri | Utility Stunts |
| Camera | Jonathan Robinson | Additional Second Assistant Camera |
| Costume & Make-Up | Lauren Thomas | Assistant Makeup Artist |
| Directing | Michael Amundson | First Assistant Director |
| Crew | Larry Ferguson Jr. | Post Production Supervisor |
| Crew | J.J. Perry | Stunt Coordinator |
| Crew | Sophia Crawford | Utility Stunts |
| Sound | Richard Schexnayder | Production Sound Mixer |
| Production | Elston Howard III | Location Manager |
| Art | Raymond Pumilia | Set Decoration |
| Art | Jon Graubarth | Assistant Property Master |
| Costume & Make-Up | Krystal Kershaw | Hairstylist |
| Costume & Make-Up | Robin Mathews | Makeup Artist |
| Production | Jason Reppert | Assistant Production Coordinator |
| Camera | Mike Bonnett | Best Boy Grip |
| Sound | Stephen Fitzmaurice | Sound Re-Recording Mixer |
| Sound | Paul Drenning | ADR Mixer |
| Sound | Cathleen Rowland | Foley Artist |
| Lighting | Chris A. Trosclair | Rigging Gaffer |
| Lighting | Steven Zieger | Rigging Gaffer |
| Crew | Matt Neel | Special Effects Assistant |
| Sound | Emmit Martin | Music Supervisor |
| Sound | Sergio Reyes | Sound Supervisor |
| Art | Pamela Green | Title Designer |
| Crew | Robert Vazquez | Special Effects Coordinator |
| Sound | Larry Stensvold | Sound Re-Recording Mixer |
| Sound | Jimmy Armstrong | Boom Operator |
| Art | Bradley Wisham | Construction Coordinator |
| Art | Danny Maes | Set Dresser |
| Camera | Kenny Smith | Dolly Grip |
| Sound | Drew DeAscentis | Music Editor |
| Costume & Make-Up | Elaine Varnes | Key Set Costumer |
| Editing | Bruce W. Cathcart | Online Editor |
| Sound | Steve McCarty | Sound Effects Editor |
| Production | Sally Allen | Local Casting |
| Crew | Pat Tantalo | Special Effects Technician |
| Sound | Galen R. Senogles | Foley Artist |
| Camera | Richard Ball | Key Grip |
| Crew | Doug Scaramuzzo | Special Effects Assistant |
| Sound | Galen L. Senogles | Foley Artist |
| Production | Ryan Glorioso | Extras Casting Assistant |
| Sound | Stephen M. Galvin | Dialogue Editor |
| Sound | Jamey Osborne | Utility Sound |
| Costume & Make-Up | Renee Dodson | Set Costumer |
| Editing | Rich Evirs | Assistant Editor |
| Art | Chris Britt | Set Dresser |
| Directing | George Bott | Second Second Assistant Director |
| Production | Elizabeth Coulon | Extras Casting |
| Production | Deven Schruff | Assistant Location Manager |
| Production | Toni Cobb Brock | Local Casting |
| Lighting | Scott Zuchowski | Best Boy Electric |
| Sound | Willy Allen | ADR Supervisor |
| Sound | Joseph Magee | Scoring Mixer |
| Art | Julio Ferrario | Title Designer |
| Editing | Andrew Drapkin | Colorist |
| Production | Karen Margiotta | Casting |
| Production | Mary Margiotta | Casting |
| Crew | Danny Cosmo | Stunts |
| Lighting | Sean Finnegan | Gaffer |
