Een groep Britse studenten probeert na een avondje stappen met behulp van een Ouija-bord geesten op te roepen. De link tussen hen wordt echter verbroken voor ze het ritueel afgerond hebben, met als resultaat dat een demon in hun wereld gevangen raakt. De enige mogelijkheid om dit ongedaan te maken is als alle personen die hem opgeroepen hebben zouden overlijden.
Nee, helaas is Long Time Dead nog niet beschikbaar op Netflix in Nederland.
| Directing | Marcus Adams | Director |
| Production | Andy Pryor | Casting |
| Editing | Lucia Zucchetti | Editor |
| Sound | Allan Jenkins | Music Editor |
| Production | Eric Fellner | Executive Producer |
| Writing | Marcus Adams | Story |
| Production | James Gay-Rees | Producer |
| Production | Jonathan Finn | Co-Producer |
| Writing | Eitan Arrusi | Screenplay |
| Writing | Andy Day | Screenplay |
| Writing | Chris Baker | Screenplay |
| Production | Natascha Wharton | Co-Producer |
| Writing | James Gay-Rees | Story |
| Production | Tim Bevan | Executive Producer |
| Writing | Daniel Bronzite | Screenstory |
| Production | Mairi Bett | Line Producer |
| Sound | Don Davis | Original Music Composer |
| Art | Alison Riva | Production Design |
| Writing | Daniel Bronzite | Story |
| Crew | Brian Best | Makeup Effects |
| Production | Benjamin Greenacre | Location Manager |
| Production | John Miles | Production Accountant |
| Costume & Make-Up | Jane Bevans | Hairstylist |
| Crew | Tom Delmar | Stunt Coordinator |
| Lighting | Norman Smith | Gaffer |
| Crew | Riky Ash | Stunts |
| Visual Effects | Douglas Larmour | Digital Compositors |
| Production | Marshall Leviten | Production Coordinator |
| Costume & Make-Up | Nigel Egerton | Assistant Costume Designer |
| Art | Jane Tomblin | Art Direction |
| Camera | Dion M. Casey | Steadicam Operator |
| Costume & Make-Up | Renata Gilbert | Makeup Artist |
| Crew | Guy Bostock | Picture Car Coordinator |
| Lighting | Eamonn Fitzgerald | Electrician |
| Costume & Make-Up | Pamela Blundell | Costume Design |
| Costume & Make-Up | Jill Conway | Key Hair Stylist |
| Sound | Simon Gershon | Supervising Sound Editor |
| Art | Carn Burton | Location Scout |
| Camera | Giles Keyte | Still Photographer |
| Directing | Elizabeth West | Script Supervisor |
| Visual Effects | Steve Wiseman | Special Effects Supervisor |
| Art | Sam Stokes | Art Direction |
| Sound | Srdjan Kurpjel | Sound Effects Editor |
| Camera | Nic Morris | Director of Photography |
| Sound | Richard Welsh | Dolby Consultant |
| Sound | Tim Alban | Sound Re-Recording Mixer |
| Editing | Pani Scott | First Assistant Editor |
| Production | Michelle Wright | Executive In Charge Of Production |
| Sound | Nick Angel | Music Supervisor |
| Sound | Erik Lundborg | Orchestrator |
| Visual Effects | Martin Hobbs | Visual Effects Producer |
| Camera | Tom Maslen | Key Grip |
| Sound | Mark Berrow | Musician |
| Production | Orlagh Collins | Assistant Production Coordinator |
| Writing | Rachael Prior | Story Editor |
| Costume & Make-Up | Jill Conway | Key Makeup Artist |
| Crew | David J. Brown | Special Effects Technician |
| Crew | George Cottle | Stunt Double |
| Camera | Shaun Cobley | Clapper Loader |
| Sound | Hilary Wyatt | Supervising Dialogue Editor |
| Art | Douglas Ingram | Storyboard Artist |
| Crew | Spencer Dodd | Floor Runner |
| Production | Michael Elson | Head of Production |
| Art | Garry Moore | Standby Carpenter |
| Directing | Joe Geary | Assistant Director |
| Sound | James Andrews | ADR Recordist |
| Production | Julie Dunne | Additional Casting |
| Costume & Make-Up | Georgina Napier | Wardrobe Assistant |
| Sound | Michael Blakey | Music Producer |
| Costume & Make-Up | Anne Lavender-Jones | Costume Standby |
