Calvin Cambridge, een 14-jarige wees, vindt een paar sportschoenen met de bijna weggevaagde initialen 'M.J.' erop. Op een avond gaat hij samen met enkele vrienden de schoenen opzoeken, en wordt hij geraakt door een inslaande bliksem. Calvin groeit uit tot een superster in de NBA.
Nee, helaas is Like Mike nog niet beschikbaar op Netflix in Nederland.
| Writing | Jordan Moffet | Screenplay |
| Production | Peter Heller | Producer |
| Directing | John Schultz | Director |
| Production | Gregg Winik | Executive Producer |
| Production | Barry Josephson | Producer |
| Writing | Michael Elliot | Screenplay |
| Art | John Zachary | Art Direction |
| Art | Arlan Jay Vetter | Production Design |
| Costume & Make-Up | Mary Jane Fort | Costume Design |
| Art | Suzette Sheets | Set Decoration |
| Editing | John Pace | Editor |
| Editing | Peter E. Berger | Editor |
| Sound | Richard Gibbs | Original Music Composer |
| Camera | Shawn Maurer | Director of Photography |
| Production | Adam Silver | Executive Producer |
| Production | Garrett Grant | Co-Producer |
| Production | Risa Bramon Garcia | Casting |
| Production | Brennan Dufresne | Casting |
| Production | Marc S. Fischer | Unit Production Manager |
| Directing | Gary Marcus | First Assistant Director |
| Directing | Donald Murphy | Second Assistant Director |
| Crew | Anne Fletcher | Choreographer |
| Production | Teresa Caldwell | Co-Producer |
| Production | Michael Mauldin | Co-Producer |
| Production | Jermaine Dupri | Co-Producer |
| Crew | Tierre Turner | Stunt Coordinator |
| Art | Kristen Davis | Set Designer |
| Art | Colin De Rouin | Set Designer |
| Art | Richard Lambert | Leadman |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Sound | David MacMillan | Sound Mixer |
| Sound | Harrison D. Marsh | Boom Operator |
| Sound | James Bolt | Sound Re-Recording Mixer |
| Sound | Michael Herbick | Sound Re-Recording Mixer |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Art | Tony Bonaventura | Property Master |
| Directing | Keiann Collins | Script Supervisor |
| Camera | Jim Leidholdt | Dolly Grip |
| Camera | Darwin Montana Browne | Key Grip |
| Costume & Make-Up | Julia Bartholomew | Assistant Costume Designer |
| Costume & Make-Up | Amy Elise Roberts | Costume Supervisor |
| Costume & Make-Up | Wendy M. Craig | Costume Supervisor |
| Costume & Make-Up | Lynn Barber | Makeup Department Head |
| Costume & Make-Up | Tammy Ashmore | Makeup Artist |
| Costume & Make-Up | Sterfon Demings | Hair Department Head |
| Production | Robert West | Production Coordinator |
| Crew | Paul J. Lombardi | Special Effects Coordinator |
| Art | Tim R. Lafferty | Construction Coordinator |
| Crew | Michael Battaglia | Unit Publicist |
| Sound | John A. Larsen | Supervising Sound Editor |
| Sound | Susan Dawes | Dialogue Editor |
| Sound | Ted Caplan | Dialogue Editor |
| Sound | R.J. Kizer | Supervising ADR Editor |
| Sound | Donald Sylvester | ADR Editor |
| Sound | Jay Wilkinson | Sound Effects Editor |
| Sound | John Morris | Sound Effects Editor |
| Sound | John Murray | Foley Supervisor |
| Sound | Daniel Yale | Foley Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Sound | Dawn Fintor | Foley Artist |
| Sound | David Betancourt | Foley Mixer |
| Sound | Tim Gomillion | Sound Recordist |
| Sound | Dennis Rogers | Sound Recordist |
| Sound | Thomas J. O'Connell | ADR Recordist |
| Sound | Daniel Allan Carlin | Supervising Music Editor |
| Sound | Jim Harrison | Music Editor |
| Sound | Richard A. Harrison | Music Editor |
| Sound | Billy Gottlieb | Music Supervisor |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Jim Passon | Color Timer |
| Production | Caitlin McKenna | ADR Voice Casting |
| Crew | Troy Brown | Stunts |
