Calvin Cambridge, een 14-jarige wees, vindt een paar sportschoenen met de bijna weggevaagde initialen 'M.J.' erop. Op een avond gaat hij samen met enkele vrienden de schoenen opzoeken, en wordt hij geraakt door een inslaande bliksem. Calvin groeit uit tot een superster in de NBA.
Nee, helaas is Like Mike nog niet beschikbaar op Netflix in Nederland.
| Production | Jermaine Dupri | Co-Producer |
| Art | Kristen Davis | Set Designer |
| Directing | Gary Marcus | First Assistant Director |
| Production | Michael Mauldin | Co-Producer |
| Art | Colin De Rouin | Set Designer |
| Crew | Anne Fletcher | Choreographer |
| Camera | Jim Leidholdt | Dolly Grip |
| Costume & Make-Up | Lynn Barber | Makeup Department Head |
| Sound | David MacMillan | Sound Mixer |
| Sound | Harrison D. Marsh | Boom Operator |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Costume & Make-Up | Sterfon Demings | Hair Department Head |
| Production | Robert West | Production Coordinator |
| Camera | Darwin Montana Browne | Key Grip |
| Crew | Tierre Turner | Stunt Coordinator |
| Art | Richard Lambert | Leadman |
| Costume & Make-Up | Amy Elise Roberts | Costume Supervisor |
| Costume & Make-Up | Wendy M. Craig | Costume Supervisor |
| Art | Tim R. Lafferty | Construction Coordinator |
| Costume & Make-Up | Julia Bartholomew | Assistant Costume Designer |
| Crew | Paul J. Lombardi | Special Effects Coordinator |
| Production | Marc S. Fischer | Unit Production Manager |
| Directing | Donald Murphy | Second Assistant Director |
| Costume & Make-Up | Tammy Ashmore | Makeup Artist |
| Sound | Michael Herbick | Sound Re-Recording Mixer |
| Directing | Keiann Collins | Script Supervisor |
| Production | Risa Bramon Garcia | Casting |
| Crew | Michael Battaglia | Unit Publicist |
| Production | Garrett Grant | Co-Producer |
| Production | Brennan Dufresne | Casting |
| Production | Teresa Caldwell | Co-Producer |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Sound | James Bolt | Sound Re-Recording Mixer |
| Art | Tony Bonaventura | Property Master |
| Sound | R.J. Kizer | Supervising ADR Editor |
| Sound | John Morris | Sound Effects Editor |
| Sound | Daniel Allan Carlin | Supervising Music Editor |
| Sound | John Murray | Foley Supervisor |
| Sound | Ted Caplan | Dialogue Editor |
| Sound | Jim Harrison | Music Editor |
| Production | Caitlin McKenna | ADR Voice Casting |
| Sound | Donald Sylvester | ADR Editor |
| Sound | Thomas J. O'Connell | ADR Recordist |
| Sound | Tim Gomillion | Sound Recordist |
| Sound | Dennis Rogers | Sound Recordist |
| Sound | Jay Wilkinson | Sound Effects Editor |
| Editing | Gary Burritt | Negative Cutter |
| Sound | Susan Dawes | Dialogue Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Sound | John A. Larsen | Supervising Sound Editor |
| Sound | Dawn Fintor | Foley Artist |
| Sound | Daniel Yale | Foley Editor |
| Sound | Richard A. Harrison | Music Editor |
| Sound | David Betancourt | Foley Mixer |
| Sound | Billy Gottlieb | Music Supervisor |
| Editing | Jim Passon | Color Timer |
| Writing | Michael Elliot | Screenplay |
| Directing | John Schultz | Director |
| Writing | Jordan Moffet | Screenplay |
| Production | Gregg Winik | Executive Producer |
| Production | Barry Josephson | Producer |
| Production | Peter Heller | Producer |
| Art | John Zachary | Art Direction |
| Editing | John Pace | Editor |
| Art | Suzette Sheets | Set Decoration |
| Sound | Richard Gibbs | Original Music Composer |
| Editing | Peter E. Berger | Editor |
| Art | Arlan Jay Vetter | Production Design |
| Costume & Make-Up | Mary Jane Fort | Costume Design |
| Camera | Shawn Maurer | Director of Photography |
| Crew | Troy Brown | Stunts |
| Production | Adam Silver | Executive Producer |
