Premiejager Tommy Nowak is van alle markten thuis als het erop aankomt zijn doel te bereiken. Hij ontpopt zich van geroutineerde deejay of rodeoclown, tot casinocroupier met als doel zijn prooi op het gepaste moment en liefst onverwachts in de boeien te slaan. De zaak "Lou Ann McGuinn" is dan ook een echte uitdaging voor Tommy. Lou Ann is er niet alleen vandoor met de roze Cadillac die ze van haar echtgenoot heeft "geleend", ze heeft ook hun acht maanden oude baby bij zich en een pak valse dollars die in de auto verstopt zaten en die aan een bende blanke extremisten toebehoort. Het begin van een dolle achtervolging.
Nee, helaas is Pink Cadillac nog niet beschikbaar op Netflix in Nederland.
| Production | Michael Gruskoff | Executive Producer |
| Editing | Joel Cox | Editor |
| Camera | Jack N. Green | Director of Photography |
| Directing | Buddy Van Horn | Director |
| Art | Edward C. Carfagno | Production Design |
| Sound | Steve Dorff | Original Music Composer |
| Writing | John Eskow | Writer |
| Production | Phyllis Huffman | Casting |
| Production | David Valdes | Producer |
| Crew | Diamond Farnsworth | Stunt Coordinator |
| Production | David Valdes | Production Manager |
| Directing | Matt Earl Beesley | First Assistant Director |
| Directing | Frank Capra III | Second Assistant Director |
| Directing | Jeffrey Wetzel | Second Second Assistant Director |
| Art | Thomas L. Roysden | Set Decoration |
| Art | Judy Cammer | Set Designer |
| Sound | Donald Harris | Music Editor |
| Editing | Michael Cipriano | Assistant Editor |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Sound | Robert G. Henderson | Supervising Sound Editor |
| Sound | Neil Burrow | Sound Editor |
| Sound | Virginia Cook-McGowan | Sound Editor |
| Sound | Teri E. Dorman | Sound Editor |
| Sound | David M. Horton | Sound Editor |
| Sound | Joseph A. Ippolito | Sound Editor |
| Sound | Marshall Winn | Sound Editor |
| Sound | Jay Engel | ADR Editor |
| Sound | Les Fresholtz | Sound Re-Recording Mixer |
| Sound | Rick Alexander | Sound Re-Recording Mixer |
| Sound | Vern Poore | Sound Re-Recording Mixer |
| Sound | Willie D. Burton | Sound Mixer |
| Sound | Marvin E. Lewis | Boom Operator |
| Camera | Stephen St. John | Camera Operator |
| Camera | Douglas Ryan | Camera Operator |
| Camera | Tony Rivetti Sr. | First Assistant Camera |
| Camera | Jerry Sidell | First Assistant Camera |
| Camera | Marcia Reed | Still Photographer |
| Crew | Robert W. Harris | Cableman |
| Art | Edward Aiona | Property Master |
| Art | Jerry Swift | Assistant Property Master |
| Art | Larry Boyd | Set Dresser |
| Costume & Make-Up | Michael Hancock | Makeup Artist |
| Costume & Make-Up | Susan Germaine | Hairstylist |
| Lighting | Víctor Pérez | Chief Lighting Technician |
| Camera | Bill Young | Key Grip |
| Camera | Bruce D. Spellman | Best Boy Grip |
| Camera | Jim Dunford | Dolly Grip |
| Crew | John Frazier | Special Effects |
| Crew | Calvin Joe Acord | Special Effects |
| Crew | Keith Dillin | Transportation Coordinator |
| Crew | Tom Roberts | Transportation Captain |
| Production | Michael Maurer | Production Accountant |
| Production | Linda Sony Kinney | Production Secretary |
| Crew | Marco Barla | Unit Publicist |
| Art | Bryan Belair | Construction Foreman |
| Editing | Donah Bassett | Negative Cutter |
| Crew | Andy Gill | Stunts |
| Crew | Steve Kelso | Stunt Driver |
| Crew | Doc Duhame | Stunts |
