Premiejager Tommy Nowak is van alle markten thuis als het erop aankomt zijn doel te bereiken. Hij ontpopt zich van geroutineerde deejay of rodeoclown, tot casinocroupier met als doel zijn prooi op het gepaste moment en liefst onverwachts in de boeien te slaan. De zaak "Lou Ann McGuinn" is dan ook een echte uitdaging voor Tommy. Lou Ann is er niet alleen vandoor met de roze Cadillac die ze van haar echtgenoot heeft "geleend", ze heeft ook hun acht maanden oude baby bij zich en een pak valse dollars die in de auto verstopt zaten en die aan een bende blanke extremisten toebehoort. Het begin van een dolle achtervolging.
Nee, helaas is Pink Cadillac nog niet beschikbaar op Netflix in Nederland.
| Writing | John Eskow | Writer |
| Editing | Joel Cox | Editor |
| Art | Edward C. Carfagno | Production Design |
| Production | Phyllis Huffman | Casting |
| Production | Michael Gruskoff | Executive Producer |
| Directing | Buddy Van Horn | Director |
| Production | David Valdes | Producer |
| Camera | Jack N. Green | Director of Photography |
| Sound | Steve Dorff | Original Music Composer |
| Crew | Steve Kelso | Stunt Driver |
| Crew | Doc Duhame | Stunts |
| Art | Judy Cammer | Set Designer |
| Sound | Marshall Winn | Sound Editor |
| Art | Thomas L. Roysden | Set Decoration |
| Editing | Michael Cipriano | Assistant Editor |
| Sound | Donald Harris | Music Editor |
| Production | David Valdes | Production Manager |
| Sound | Robert G. Henderson | Supervising Sound Editor |
| Crew | Diamond Farnsworth | Stunt Coordinator |
| Sound | Teri E. Dorman | Sound Editor |
| Sound | Neil Burrow | Sound Editor |
| Sound | Joseph A. Ippolito | Sound Editor |
| Directing | Jeffrey Wetzel | Second Second Assistant Director |
| Sound | David Horton Sr. | Sound Editor |
| Directing | Frank Capra III | Second Assistant Director |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Sound | Virginia Cook-McGowan | Sound Editor |
| Directing | Matt Earl Beesley | First Assistant Director |
| Sound | Marvin E. Lewis | Boom Operator |
| Sound | Jay Engel | ADR Editor |
| Sound | Vern Poore | Sound Re-Recording Mixer |
| Sound | Les Fresholtz | Sound Re-Recording Mixer |
| Camera | Douglas Ryan | Camera Operator |
| Sound | Rick Alexander | Sound Re-Recording Mixer |
| Sound | Willie D. Burton | Sound Mixer |
| Crew | Robert W. Harris | Cableman |
| Camera | Jim Dunford | Dolly Grip |
| Art | Larry Boyd | Set Dresser |
| Camera | Bruce D. Spellman | Best Boy Grip |
| Costume & Make-Up | Susan Germaine | Hairstylist |
| Camera | Bill Young | Key Grip |
| Production | Linda Sony Kinney | Production Secretary |
| Camera | Jerry Sidell | First Assistant Camera |
| Crew | John Frazier | Special Effects |
| Crew | Tom Roberts | Transportation Captain |
| Crew | Calvin Joe Acord | Special Effects |
| Camera | Stephen St. John | Camera Operator |
| Camera | Tony Rivetti Sr. | First Assistant Camera |
| Art | Jerry Swift | Assistant Property Master |
| Crew | Marco Barla | Unit Publicist |
| Art | Bryan Belair | Construction Foreman |
| Crew | Keith Dillin | Transportation Coordinator |
| Art | Edward Aiona | Property Master |
| Camera | Marcia Reed | Still Photographer |
| Lighting | Víctor Pérez | Chief Lighting Technician |
| Production | Michael Maurer | Production Accountant |
| Costume & Make-Up | Michael Hancock | Makeup Artist |
| Editing | Donah Bassett | Negative Cutter |
| Crew | Andy Gill | Stunts |
| Crew | Kerrie Cullen | Stunts |
