Het is 1943. Eugene Morris Jerome moet voor het eerst in zijn leven de voor hem vertrouwde omgeving van Brooklyn verlaten als hij naar een opleidingskamp voor mariniers in het diepe zuiden van Biloxi te Mississippi gaat. Met de verwachting donuts en vertier te vinden, wordt de jonge schrijver echter geconfronteerd met het feit dat de opleiding voor een oorlogsleger een strijd is om te overleven. Samen met een peloton van slungelige, blunderende jonge rekruten leert Eugene discipline op de harde manier van de meestal onvoorspelbare sergeantinstructeur Merwin J. Toomey. Hij moet de groentjes zo snel mogelijk klaarstomen tot keiharde vechtende mannen.
Nee, helaas is Biloxi Blues nog niet beschikbaar op Netflix in Nederland.
| Directing | Mike Nichols | Director |
| Art | Paul Sylbert | Production Design |
| Production | Joseph M. Caracciolo | Executive Producer |
| Production | Joseph M. Caracciolo | Unit Production Manager |
| Writing | Neil Simon | Screenplay |
| Production | Marykay Powell | Executive Producer |
| Camera | Bill Butler | Director of Photography |
| Editing | Sam O'Steen | Editor |
| Writing | Neil Simon | Theatre Play |
| Sound | Georges Delerue | Original Music Composer |
| Production | Ray Stark | Producer |
| Production | Juliet Taylor | Casting |
| Costume & Make-Up | Ann Roth | Costume Design |
| Directing | Michael Haley | First Assistant Director |
| Directing | James W. Skotchdopole | Second Assistant Director |
| Editing | Richard Nord | Associate Editor |
| Sound | Patrick Mullins | Music Editor |
| Costume & Make-Up | Kelvin R. Trahan | Makeup Designer |
| Sound | Stan Bochner | Supervising Sound Editor |
| Directing | Carla Corwin | Second Second Assistant Director |
| Directing | Glen Trotiner | Additional Second Assistant Director |
| Camera | Bill Coe | First Assistant Camera |
| Art | Herbert F. Mulligan | Set Dresser |
| Art | Edward C. Sexton | Head Carpenter |
| Costume & Make-Up | Frank Bianco | Hairstylist |
| Costume & Make-Up | Bruce Ericksen | Wardrobe Supervisor |
| Costume & Make-Up | Amy Roth | Wardrobe Assistant |
| Camera | Peter Gerling | Second Assistant Camera |
| Lighting | William Ward | Gaffer |
| Crew | Daniel Ottesen | Special Effects |
| Production | Wendi Haas | Production Office Coordinator |
| Camera | Don Smetzer | Still Photographer |
| Sound | Gail Showalter | Assistant Sound Editor |
| Lighting | Francis J. McBride | Rigging Gaffer |
| Costume & Make-Up | Kelvin R. Trahan | Hair Designer |
| Sound | Michael Jacobi | ADR Supervisor |
| Editing | Bruce Pearson | Color Timer |
| Sound | Allan Byer | Sound Mixer |
| Art | Alan Hicks | Set Decoration |
| Costume & Make-Up | Michael Dennison | Wardrobe Supervisor |
| Lighting | James Malone | Best Boy Electric |
| Editing | Kris Cole | Assistant Editor |
| Sound | Tony Martinez | Assistant Sound Editor |
| Camera | Ralph Gerling | Camera Operator |
| Crew | Kevin Brink | Special Effects |
| Directing | B.J. Bjorkman | Script Supervisor |
| Costume & Make-Up | Gary Jones | Assistant Costume Designer |
| Art | Carlos Quiles | Construction Coordinator |
| Crew | John Ottesen | Special Effects |
| Crew | Whitey Hughes | Stunt Coordinator |
| Crew | Joan Eisenberg | Unit Publicist |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Robert Hein | Sound Editor |
| Costume & Make-Up | Jay Cannistraci | Makeup Artist |
| Crew | Rick LeFevour | Stunt Coordinator |
| Camera | Norman Buck | Key Grip |
| Camera | Robert Ulland | Steadicam Operator |
| Camera | James McGrath | Dolly Grip |
| Lighting | Michael J. Fabiano | Rigging Grip |
| Production | Sarah Tackett | Extras Casting |
| Editing | Lori Kornspun | Assistant Editor |
