Alice en Darlene, beste vrienden, besluiten het behalen van hun diploma te vieren met een reisje naar Thailand. Daar raken ze bevriend met de Australiër Nick Parks, die hen overhaalt om met hem mee te gaan naar Hong Kong. Op het vliegveld worden ze echter opgepakt wegens drugssmokkel. Ze worden veroordeeld tot 33 jaar cel, en in hun wanhoop nemen ze contact op met de Amerikaanse advocaat Hank.
Nee, helaas is Brokedown Palace nog niet beschikbaar op Netflix in Nederland.
| Production | A. Kitman Ho | Executive Producer |
| Directing | Jonathan Kaplan | Director |
| Production | Adam Fields | Producer |
| Sound | Susan Dawes | Dialogue Editor |
| Crew | Bobby Brown | Stunts |
| Crew | 張佐治 | Stunts |
| Crew | Robin Bonaccorsi | Stunt Double |
| Crew | Renato Morado | Stunts |
| Crew | Kerrie Cullen | Stunt Coordinator |
| Crew | Anita Hart | Stunts |
| Production | A. Kitman Ho | Production Manager |
| Crew | Tim A. Davison | Stunt Coordinator |
| Crew | Kendel McMurray | Stunts |
| Art | Peg McClellan | Storyboard Artist |
| Lighting | Joey Dinn | Electrician |
| Art | Peter Francis | Set Designer |
| Art | Daniel Fernández | Set Designer |
| Camera | William D. Wynn | Dolly Grip |
| Art | Tony Graysmark | Construction Coordinator |
| Sound | John Midgley | Sound Mixer |
| Directing | Liz Ryan | First Assistant Director |
| Camera | Bob Gorelick | Steadicam Operator |
| Sound | June Prinz | Boom Operator |
| Lighting | Anthony G. Nakonechnyj | Gaffer |
| Camera | Erik L. Brown | First Assistant Camera |
| Lighting | Julian Baltonado | Electrician |
| Camera | Bernardo Gabilo | Second Assistant "B" Camera |
| Art | Arthur Shippee | Property Master |
| Camera | Lito Moya | Grip |
| Sound | Amanda Scheer-Demme | Music Supervisor |
| Directing | Phil Hardage | Second Assistant Director |
| Camera | Jimmy E. Jensen | First Assistant "B" Camera |
| Camera | Frank Connor | Still Photographer |
| Art | Danilet Poblete | Art Department Coordinator |
| Art | Roger Bowles | Set Designer |
| Camera | Daniel Delina | Second Assistant Camera |
| Camera | Bill Summers | Best Boy Grip |
| Art | Paul J. Hayes | Construction Foreman |
| Lighting | Geoff Wing Shotz | Rigging Gaffer |
| Camera | Raldo Rey | Grip |
| Production | Thomas Hayslip | Production Supervisor |
| Camera | Bob Gorelick | "B" Camera Operator |
| Camera | David L. Merrill | Key Grip |
| Directing | Lou Ann Quast | Script Supervisor |
| Sound | Meredith Gold | Assistant Sound Editor |
| Editing | Amy E. Duddleston | First Assistant Editor |
| Editing | Jessica Landaw | Assistant Editor |
| Visual Effects | Rich Thorne | Visual Effects Supervisor |
| Sound | Daniel Goss | Sound Recordist |
| Sound | Jay Wilkinson | Sound Effects Editor |
| Sound | Ted Caplan | Foley Editor |
| Editing | Heather Hughes | Assistant Editor |
| Sound | John A. Larsen | Supervising Sound Editor |
| Costume & Make-Up | Felicity Bowring | Key Makeup Artist |
| Production | Anne C. Ford | Production Accountant |
| Production | Lauris Freeman | Casting Associate |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | Jerelyn J. Harding | ADR Supervisor |
| Sound | Greg Steele | ADR Mixer |
| Editing | Dan Zimmerman | Assistant Editor |
| Editing | Gena Bleier | First Assistant Editor |
| Costume & Make-Up | Donna Berwick | Costume Supervisor |
| Production | Dawn Murphy Riley | Production Coordinator |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Tim Gomillion | Sound Recordist |
| Sound | Mark Pappas | Foley Supervisor |
| Costume & Make-Up | Eileen McCahill | Key Costumer |
| Costume & Make-Up | Teresa Villaflor | Makeup & Hair |
| Sound | Blake R. Cornett | Assistant Sound Editor |
| Sound | Steven Gerrior | Assistant Sound Editor |
| Sound | David Betancourt | Foley Mixer |
| Visual Effects | Sharon Holly | Visual Effects Producer |
| Production | Pat Yuseco | Location Manager |
| Sound | James Bolt | Sound Re-Recording Mixer |
| Costume & Make-Up | Petra Schaumann | Hairstylist |
| Sound | Sandy Berman | Supervising Sound Editor |
| Editing | Dean Zimmerman | Assistant Editor |
| Editing | Gary Burritt | Negative Cutter |
| Sound | Donald Sylvester | ADR Editor |
| Sound | Tom Villano | Music Editor |
| Visual Effects | Erik Henry | Visual Effects Supervisor |
| Sound | Paul Apted | Assistant Sound Editor |
| Sound | David Burk | Assistant Sound Editor |
| Sound | Anna Behlmer | Sound Re-Recording Mixer |
| Sound | Alexander Janko | Orchestrator |
| Editing | Scott Hill | First Assistant Editor |
| Editing | Dale Caldwell | Color Timer |
| Costume & Make-Up | Suzanne Stokes-Munton | Key Hair Stylist |
| Costume & Make-Up | Erica Rosenast | Makeup Artist |
| Production | Joseph Santos | Assistant Location Manager |
| Sound | Chuck Michael | Sound Effects Editor |
| Sound | Dave Kulczycki | Dialogue Editor |
| Sound | Carrie Cashman | Foley Recordist |
| Editing | Glenn Farr | Additional Editing |
| Crew | Lee Alan McConnell | Special Effects Coordinator |
| Production | Lope V. Juban Jr. | Producer |
| Art | Neil Lamont | Art Direction |
| Costume & Make-Up | Felicity Bowring | Makeup Department Head |
| Sound | David Newman | Original Music Composer |
| Writing | David Arata | Screenstory |
| Writing | David Arata | Screenplay |
| Art | James William Newport | Production Design |
| Costume & Make-Up | April Ferry | Costume Design |
| Art | Roy Lachica | Art Direction |
| Production | Julie Selzer | Casting |
| Art | William Kemper Wright | Set Decoration |
| Editing | Curtiss Clayton | Editor |
| Art | Peter Walpole | Set Decoration |
| Camera | Newton Thomas Sigel | Director of Photography |
| Editing | Don Zimmerman | Editor |
| Costume & Make-Up | Jane Galli | Makeup Artist |
| Writing | Adam Fields | Screenstory |
| Sound | Jeff Carson | Supervising Music Editor |
