De 17-jarige Texaanse tiener Billie Jean Davy is op zoek naar gerechtigheid. Enkele lokale jongens hebben de scooter van haar broer beschadigd en wanneer ze een schadevergoeding gaat vragen aan de vader van één van de jongens weigert deze te betalen. Al gauw wordt Billie Jean en haar strijd een legende, ook al wordt ze op de hielen gezeten door de lokale autoriteiten.
Nee, helaas is The Legend of Billie Jean nog niet beschikbaar op Netflix in Nederland.
| Production | Rob Cohen | Producer |
| Directing | Matthew Robbins | Director |
| Sound | Craig Safan | Original Music Composer |
| Production | Peter Guber | Executive Producer |
| Production | Paula Herold | Casting |
| Writing | Lawrence Konner | Writer |
| Writing | Mark Rosenthal | Writer |
| Editing | Cynthia Scheider | Editor |
| Production | Jon Peters | Executive Producer |
| Art | Ted Haworth | Production Design |
| Camera | Jeffrey L. Kimball | Director of Photography |
| Production | Lawrence Konner | Co-Producer |
| Production | Mark Rosenthal | Co-Producer |
| Directing | Thomas J. Mack | First Assistant Director |
| Production | Tony Wade | Production Manager |
| Directing | Mark Radcliffe | Second Assistant Director |
| Costume & Make-Up | Donna Linson | Costume Design |
| Sound | Jolene Cherry | Music Supervisor |
| Camera | James R. Connell | Camera Operator |
| Camera | Larry Sweet | Grip |
| Camera | Dennis J. Laine | Second Assistant Camera |
| Camera | Thomas Prophet Jr. | Key Grip |
| Camera | J. Michael Popovich | Dolly Grip |
| Camera | Kristin R. Glover | First Assistant Camera |
| Lighting | Kevin Kelley | Best Boy Electric |
| Lighting | Stanley L. Gonsales | Electrician |
| Art | R. Chris Westlund | Set Decoration |
| Costume & Make-Up | Rosalie Wallace | Costumer |
| Sound | Diana Pellegrini | Foley Editor |
| Sound | Dennie Thorpe | Foley Artist |
| Art | Cheryl Carasik | Leadman |
| Art | William Maldonado | Construction Coordinator |
| Costume & Make-Up | Alan Friedman | Makeup Supervisor |
| Production | Sheila A. Warner | Production Coordinator |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Sound | Charles M. Wilborn | Sound Mixer |
| Sound | William Gocke | Boom Operator |
| Editing | David Dresher | Assistant Editor |
| Editing | Rick Derby | Assistant Editor |
| Crew | Robin Forman | Post Production Supervisor |
| Crew | Bobby Bass | Stunt Coordinator |
| Costume & Make-Up | Alfred N. Martin Jr. | Costumer |
| Art | Steven Westlund | Property Master |
| Production | John Panzarella | Location Manager |
| Art | William J. Durrell Jr. | Set Designer |
| Directing | Louise Jaffe | Script Supervisor |
| Production | George Parra | Location Assistant |
| Sound | Marilyn McCoppen | Dialogue Editor |
| Crew | Ken Pepiot | Special Effects Coordinator |
| Costume & Make-Up | Lynn Del Kail | Hairstylist |
| Crew | Michael Arbogast | Special Effects |
| Sound | John Nutt | Supervising Dialogue Editor |
| Sound | Jay Boekelheide | Supervising Sound Editor |
| Sound | Ken Johnson | Music Editor |
| Costume & Make-Up | Alan Friedman | Makeup Designer |
| Costume & Make-Up | Kim Samson | Hairstylist |
| Production | Pat Orseth | Location Casting |
| Sound | Vivien Hillgrove | ADR Editor |
| Directing | J. Tom Archuleta | Second Second Assistant Director |
| Sound | Karen Spangenberg | ADR Editor |
| Crew | Gary Hellerstein | Transportation Coordinator |
| Sound | Ken Fischer | Sound Effects Editor |
| Sound | Gary Summers | Sound Re-Recording Mixer |
| Lighting | Lee Phillips | Gaffer |
| Camera | Larry Barbier | Still Photographer |
| Directing | Rob Cohen | Second Unit Director |
| Camera | Richard Walden | Camera Operator |
