De Chileense tieners Bianca en haar jongere broer Tomas blijven als wees achter wanneer hun ouders omkomen tijdens een auto-ongeluk in Italië. Om te overleven zijn ze van de ene op de andere dag op zichzelf en elkaar aangewezen. Op een sportschool leert Tomas twee jonge mannen kennen, die een plan bedacht hebben om de voormalige Mr. Universe te beroven. De mooie Bianca speelt in dat plan een cruciale rol.
Nee, helaas is Il futuro nog niet beschikbaar op Netflix in Nederland.
| Directing | Alicia Scherson | Director |
| Crew | Roberto Doveris | Thanks |
| Visual Effects | Felipe Gálvez | Additional Visual Effects |
| Writing | Alicia Scherson | Screenplay |
| Writing | Roberto Bolaño | Novel |
| Art | Marta Zani | Art Direction |
| Sound | David Miranda-Hardy | ADR & Dubbing |
| Camera | Ricardo DeAngelis | Director of Photography |
| Editing | Ana Álvarez-Ossorio | Editor |
| Costume & Make-Up | Jennifer Lüli | Makeup & Hair |
| Directing | Andrea Piazza | Second Assistant Director |
| Production | Álvaro Alonso | Executive Producer |
| Production | Luis Ángel Ramírez | Executive Producer |
| Sound | Miguel Hormazábal | Sound Editor |
| Sound | Eduardo Henríquez | Original Music Composer |
| Production | Bruno Bettati | Executive Producer |
| Directing | Ciro Scognamiglio | First Assistant Director |
| Directing | Marta Loza Alonso | Continuity |
| Production | Nicolas Vaporidis | Associate Producer |
| Sound | Bernd Hackmann | Production Sound Mixer |
| Art | Tim Pannen | Art Direction |
| Production | Emanuele Nespeca | Executive Producer |
| Production | Andreas Jupe | Production Manager |
| Directing | Michael Löseke | Second Assistant Director |
| Art | Claudia Gallardo | Set Decoration |
| Crew | José Luis Torres Leiva | Thanks |
| Editing | Soledad Salfate | Editor |
| Costume & Make-Up | Carolina Espina | Wardrobe Master |
| Production | Mario Mazzarotto | Executive Producer |
| Production | Jose Luis Rivas | Unit Production Manager |
| Production | Bruno Bettati | Line Producer |
| Sound | Pablo Cervantes | Original Music Composer |
| Production | Claudia Steffen | Executive Producer |
| Writing | Domenico Distilo | Other |
| Camera | Fabio Fumelli | Key Grip |
| Art | Sebastián Muñoz | Art Direction |
| Crew | Dominga Sotomayor | Thanks |
| Crew | Diego Noguera | Thanks |
| Costume & Make-Up | Pepa San Martín | Costume Assistant |
| Costume & Make-Up | Mercedes Marambio | Makeup Artist |
| Camera | Nayra Ilic | Additional Photography |
| Directing | Millaray Cortés | Second Assistant Director |
| Production | Gilda Cid | Accountant |
| Crew | Diego Noguera | Additional Music |
| Sound | Caroline Chaspoul | Original Music Composer |
| Costume & Make-Up | Juan Burgos | Hairdresser |
| Sound | Ivo Moraga | Foley Artist |
| Production | Pedro Basauri | Post Production Coordinator |
| Crew | Christopher Murray | Thanks |
| Directing | Juan Rosas | First Assistant Director |
| Camera | Michelle Bossy Nicolai | Still Photographer |
| Crew | Cristián Jiménez | Thanks |
| Crew | Andrea Chignoli | Thanks |
| Crew | Andrés Waissbluth | Thanks |
| Crew | Nayra Ilic | Thanks |
| Directing | Eloisa Whitley | Third Assistant Director |
| Sound | Ricardo Viñas | Dolby Consultant |
| Crew | Francisco Hervé | Thanks |
| Sound | Miguel Hormazábal | Sound Designer |
| Production | Christoph Friedel | Executive Producer |
| Camera | Maura Morales Bergmann | Camera Operator |
| Sound | Pablo Cervantes | Orchestrator |
| Art | Francisca Kelter | Assistant Set Decoration |
