Empire Records is een heerlijk ouderwetse platenzaak, en de verzamelplaats van een bonte verzameling jong grut. Allemaal kampen ze met hun eigen problemen, dromen en romances, maar wanneer een grote muziekketen de zaak wil overnemen, schieten ze eensgezind in actie. Draai de volumeknop nog wat meer naar rechts en laat je van je sokken blazen door deze Special Fan Edition van Empire Records, met 16 minuten nooit eerder vertoonde fragmenten en één van de swingendste soundtracks ooit, met nummers van Gin Blossoms, The Cranberries, Toad the Wet Sprocket, Cracker, Evan Dando, Better Than Ezra en vele anderen.
Nee, helaas is Empire Records nog niet beschikbaar op Netflix in Nederland.
| Directing | Allan Moyle | Director |
| Writing | Carol Heikkinen | Screenplay |
| Directing | Paul Kurta | Second Unit Director |
| Camera | John Verardi | First Assistant Camera |
| Directing | Philip A. Patterson | Second Assistant Director |
| Camera | Rick Raphael | Steadicam Operator |
| Camera | Mitchell Amundsen | Camera Operator |
| Production | Paul Kurta | Unit Production Manager |
| Directing | Joel Segal | First Assistant Director |
| Camera | Jim Bridges | Still Photographer |
| Camera | Ken Hudson | Second Assistant Camera |
| Camera | Jeff Moore | "B" Camera Operator |
| Camera | Carolyn Chen | Second Unit Director of Photography |
| Camera | Walt Lloyd | Director of Photography |
| Editing | Bob Putynkowski | Color Timer |
| Sound | Dean Drabin | ADR Mixer |
| Sound | Gary Alexander | Sound Re-Recording Mixer |
| Sound | Douglas Greenfield | Dolby Consultant |
| Production | Gail Levin | Casting |
| Sound | Mitchell Leib | Music Supervisor |
| Production | Paul Kurta | Co-Producer |
| Sound | Christina Tucker | ADR Mixer |
| Sound | David Horton Sr. | Sound Effects Editor |
| Sound | Randle Akerson | Supervising Sound Editor |
| Sound | Sally Boldt | Music Editor |
| Sound | Adam Sawelson | Dialogue Editor |
| Sound | Bill Ward | Assistant Sound Editor |
| Sound | Robin Harlan | Foley Artist |
| Sound | Scott Ganary | Sound Re-Recording Mixer |
| Sound | Benjamin Beardwood | Dialogue Editor |
| Editing | Mo Henry | Negative Cutter |
| Sound | Joe Earle | Sound Effects Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Paul Zydel | ADR Mixer |
| Sound | Brian Ruberg | Foley Mixer |
| Sound | Jonathan Phillips | Assistant Sound Editor |
| Sound | David Horton Jr. | Foley Supervisor |
| Sound | Linda Keim | Sound Effects Editor |
| Sound | Sarah Monat | Foley Artist |
| Sound | Don Digirolamo | Sound Re-Recording Mixer |
| Sound | Karen Glauber | Music Consultant |
| Sound | Sukey Fontelieu | ADR Editor |
| Sound | Linda Folk | ADR Supervisor |
| Sound | Douglas Axtell | Sound Mixer |
| Crew | Naomi Joy Todd | Dialogue Coach |
| Art | Jeffrey Schlatter | Construction Coordinator |
| Production | Mary Weisgerber Meyer | Location Manager |
| Crew | Jery Hewitt | Stunt Coordinator |
| Costume & Make-Up | Sevilla Granger | Costumer |
| Crew | Greg Hull | Special Effects Coordinator |
| Costume & Make-Up | Rick Pour | First Assistant Makeup Artist |
| Crew | William 'Bill' Pitts | Transportation Coordinator |
| Production | Tricia Tomey | Casting Associate |
| Camera | Clarence Brown | Dolly Grip |
| Production | Karen Eisenstadt | Production Accountant |
| Editing | Pamela J. Yuen | Assistant Editor |
| Art | Ralph Woollaston | Construction Foreman |
| Costume & Make-Up | Jeff Goodwin | Key Makeup Artist |
| Costume & Make-Up | Aaron F. Quarles | Key Hair Stylist |
| Art | Alan Hook | Set Designer |
| Art | Colleen Broderick | Set Dresser |
| Sound | Robert Maxfield | Boom Operator |
| Crew | Theresa Honeycutt | Craft Service |
| Production | Molly Allen | Location Manager |
| Costume & Make-Up | Lizz Scalice | First Assistant Hairstylist |
| Crew | Jeff Long | Transportation Captain |
| Costume & Make-Up | Carolyn Greco | Costume Supervisor |
| Art | Tim Eckel | Set Designer |
| Camera | Randy Tambling | Key Grip |
| Art | Susan Agnoff | Art Department Coordinator |
| Editing | Thomas J. Nordberg | First Assistant Editor |
| Lighting | George Ball | Gaffer |
| Camera | Joe D'Alessandro | First Assistant "B" Camera |
| Production | Cynthia Streit | Production Coordinator |
| Art | John Frick | Assistant Art Director |
| Art | Evelyne Barbier | Set Designer |
| Directing | Stefania Girolami Goodwin | Second Second Assistant Director |
| Production | Rick Baer | Assistant Accountant |
| Art | Beth Giles | Assistant Property Master |
| Camera | Rufus Granger Jr. | Dolly Grip |
| Art | Robert Beck | Property Master |
| Lighting | Scott Graves | Rigging Gaffer |
| Production | Amy Chance | Assistant Production Coordinator |
| Directing | Annie Welles | Script Supervisor |
| Camera | Dennis Zoppe | Best Boy Grip |
| Crew | Alex L. Worman | Unit Publicist |
| Art | John Huke | Art Direction |
| Costume & Make-Up | Susan Lyall | Costume Design |
| Production | Tony Ludwig | Producer |
| Production | Michael G. Nathanson | Producer |
| Art | Peter Jamison | Production Design |
| Production | Alan Riche | Producer |
| Editing | Michael Chandler | Editor |
| Art | Linda Spheeris | Set Decoration |
| Production | Arnon Milchan | Producer |
