Carlton Leach is al één van de meest gevreesde leiders van de hooligans die tribunes bij het voetbal bevolken, maar het gaat met hem van kwaad tot erger. Hij wordt lid van een criminele bende die in de late jaren '80 en begin jaren '90 heel Londen en Essex onveilig maakt. Leach groeit op die manier in de loop van de jaren uit tot een topcrimineel die niet met zich laat spotten.
Nee, helaas is Rise of the Footsoldier nog niet beschikbaar op Netflix in Nederland.
| Directing | Julian Gilbey | Director |
| Writing | Will Gilbey | Writer |
| Writing | Julian Gilbey | Writer |
| Sound | Ross Cullum | Music |
| Production | Steve Daly | Casting |
| Costume & Make-Up | Hayley Nebauer | Costume Design |
| Production | Ian McIntyre | Producer |
| Production | Mike Loveday | Producer |
| Sound | Sandy McLelland | Music |
| Production | David Shead | Producer |
| Production | Julie Dunne | Casting |
| Camera | Ali Asad | Director of Photography |
| Sound | Rada Danilovic | Sound Effects Editor |
| Camera | Michael Monteiro | Camera Operator |
| Art | Ben Green | Construction Manager |
| Sound | Ben Brazier | Sound Editor |
| Lighting | Rolf Roodhart | Best Boy Electric |
| Lighting | James Holliday | Electrician |
| Crew | Michael Button | Propmaker |
| Costume & Make-Up | Diana Wyand | Costume Supervisor |
| Editing | Richard John Taylor | Assistant Editor |
| Production | Clive Waldron | Production Accountant |
| Art | Peter Arnold | Art Direction |
| Sound | Jeff Richardson | Dialogue Editor |
| Crew | Mike Knights | Special Effects |
| Costume & Make-Up | Sarah Pasricha | Assistant Costume Designer |
| Costume & Make-Up | Melanie Szabo | Makeup Artist |
| Sound | Robert Brazier | Foley Editor |
| Editing | Kai Van Beers | Digital Colorist |
| Camera | Andy Dorwart | Key Grip |
| Production | Clive Trott | Location Manager |
| Editing | David Fayinka | Assistant Editor |
| Editing | Alan Maiden | Online Editor |
| Crew | Anya Noakes | Unit Publicist |
| Production | Claire Kendall-Price | Production Manager |
| Crew | Catherine Hart | Special Effects |
| Camera | Thomas Asad | Camera Trainee |
| Production | Julie Dunne | Casting Coordinator |
| Sound | Adam Garstone | Sound Recordist |
| Directing | Laure Bregevin | Script Supervisor |
| Art | Maeve Curtis | Art Department Coordinator |
| Art | Joshua Osei | Props |
| Sound | Lionel Strutt | ADR Coordinator |
| Sound | Ross Jarvis | Boom Operator |
| Sound | Nick Bridge-Butler | Sound Effects Editor |
| Visual Effects | Scott McIntyre | Special Effects Supervisor |
| Production | Amy Clamp | Casting Assistant |
| Crew | Greg Corke | Armorer |
| Production | Emma Maclennan | Post Production Coordinator |
| Costume & Make-Up | Christine Bateman | Makeup Designer |
| Art | Madeline Chan | Art Department Assistant |
| Art | Alexandra Toomey | Art Department Assistant |
| Costume & Make-Up | Rebecca Gore | Costume Assistant |
| Camera | Tamer Asad | Best Boy Grip |
| Production | Emma Maclennan | Production Coordinator |
| Art | Matthew Button | Production Design |
| Art | Daniela Faggio | Supervising Art Director |
| Sound | Mathew Knights | Sound Re-Recording Mixer |
| Camera | Brian Udoff | Assistant Camera |
| Lighting | Pawel Polak | Electrician |
| Production | Anna Kolber | Production Assistant |
| Sound | Blair Jollands | Sound Effects Editor |
| Lighting | Christian Hayes | Electrician |
| Lighting | Marc Roodhart | Gaffer |
| Crew | Rocky Taylor | Stunt Coordinator |
| Production | Andrew Loveday | Executive Producer |
| Directing | Scott Bates | First Assistant Director |
