Nadat Lisa Temple op brute wijze wordt aangevallen en aan geheugenverlies lijdt, lijkt het erop dat haar bittere karakter ten goede is veranderd, waardoor haar vervreemde echtgenoot Paul twijfelt om haar te verlaten. Terwijl ze haar leven weer opbouwt, worden Lisa en Paul opnieuw verliefd. Echter; er ligt gevaar op de loer en er wacht nog een laatste boze herinnering op om naar boven te komen. Zal hun liefde overleven?
Nee, helaas is Another Woman nog niet beschikbaar op Netflix in Nederland.
| Directing | Alan Smythe | Director |
| Camera | Michael Storey | Director of Photography |
| Editing | Pia Di Ciaula | Editor |
| Production | Ian McDougall | Producer |
| Sound | David Blamires | Original Music Composer |
| Crew | Shelley Cook | Stunts |
| Directing | John Pace | First Assistant Director |
| Production | Carid Urquhart | Producer's Assistant |
| Production | Fred Kamping | Location Manager |
| Sound | Gary Daprato | Foley Recordist |
| Camera | Joe Strazzeri | Best Boy Grip |
| Sound | Tim Archer | Sound Re-Recording Mixer |
| Costume & Make-Up | Barbara Barkey | Makeup Artist |
| Costume & Make-Up | Djina Caron | Makeup Artist |
| Crew | John Stoneham Jr. | Stunts |
| Visual Effects | Gudrun Heinze | Visual Effects Director |
| Camera | Ray Brounstein | Camera Operator |
| Costume & Make-Up | Jenny Arbour | Hairstylist |
| Crew | Sue Parker | Stunts |
| Costume & Make-Up | Luis Sequeira | Costume Designer |
| Crew | John Stoneham Jr. | Stunt Coordinator |
| Production | Susan Kavesh | Production Coordinator |
| Sound | Jody Colero | Music Director |
| Crew | Frank C. Carere | Special Effects |
| Camera | David Pamplin | Key Grip |
| Sound | Alex Partridge | Dialogue Editor |
| Sound | Dan Latour | Sound Mixer |
| Lighting | Gabriele DiChiara | Gaffer |
| Production | Sheralyn McGrath | Executive Producer's Assistant |
| Sound | Clive Turner | Dialogue Editor |
| Sound | Matt Stark | Boom Operator |
| Art | Phillip Topplin | Set Decoration |
| Art | Phillip Topplin | Set Decoration Buyer |
| Art | Danny Burke | Lead Set Dresser |
| Sound | Anthony Lancett | Sound Effects Editor |
| Lighting | Kirby Azuma | Best Boy Electric |
| Editing | Charlotte Disher | Assistant Editor |
| Sound | Mark Wright | Sound Re-Recording Mixer |
| Camera | Colleen Norcross | First Assistant Camera |
| Camera | Michael Iwan | Dolly Grip |
| Art | Peter Miskimmin | Property Master |
| Visual Effects | John Gajdecki | Visual Effects |
| Crew | David Huband | Post Production Supervisor |
| Sound | Sam Feldman | Music Supervisor |
| Production | Bernie Stevenson | Production Executive |
| Crew | Eric Bryson | Stunts |
| Directing | Joanne T. Harwood | Script Supervisor |
| Production | Laurie McLarty | Production Manager |
| Writing | Lee Langley | Screenplay |
| Writing | Lyle Slack | Screenplay |
| Writing | Jim Henshaw | Screenplay |
| Writing | Margot Dalton | Novel |
| Art | David Davis | Production Design |
| Production | Susan Minas | Production Executive |
| Production | Jean Desormeaux | Executive Producer |
| Production | Jim Henshaw | Executive Producer |
| Production | Marsha Chesley | Casting |
| Directing | Annie Bradley | Second Assistant Director |
