Na zeven jaar keren twee broers terug naar hun geboortestad in de Midlands. Ze installeren zich in een huis bovenop een heuvel. Al snel wordt duidelijk dat de oudste broer, Richard, niet voor het weidse landschap is teruggekomen. Hij wil zich wreken op de groepjes dealers en losers die na zeven jaar nog steeds door de stad zwerven. Eén voor één zoekt hij ze op om ze te vermoorden. De macabere en allegorische moordscènes zaaien paniek en paranoia. Wat is de reden voor al dit bloedvergieten?
Nee, helaas is Dead Man's Shoes nog niet beschikbaar op Netflix in Nederland.
| Production | Mark Herbert | Producer |
| Editing | Chris Wyatt | Editor |
| Editing | Lucas Roche | Editor |
| Editing | Celia Haining | Editor |
| Directing | Shane Meadows | Director |
| Writing | Paddy Considine | Writer |
| Camera | Danny Cohen | Director of Photography |
| Sound | Aphex Twin | Original Music Composer |
| Production | Carol Crane | Casting |
| Writing | Shane Meadows | Writer |
| Directing | Lisa Butler | Second Assistant Director |
| Sound | Mark Hackett | Foley Mixer |
| Sound | Paul Hanks | Foley Artist |
| Directing | Griffin | First Assistant Director |
| Costume & Make-Up | Tristan Versluis | Special Effects Makeup Artist |
| Camera | Mike Parker | Aerial Camera |
| Visual Effects | Bumble Davis | Visual Effects Producer |
| Art | Anjan Sarkar | Storyboard Artist |
| Sound | Ian Waggott | Foley Artist |
| Production | Mary Burke | Production Assistant |
| Camera | Lucie Seymour | Focus Puller |
| Camera | Andy Hill | Clapper Loader |
| Sound | Dave Heels | Sound Assistant |
| Sound | Stevie Haywood | Sound Recordist |
| Production | Steve Beckett | Executive Producer |
| Lighting | Dave Ainley | Gaffer |
| Production | Peter Carlton | Executive Producer |
| Production | Will Clarke | Executive Producer |
| Directing | Louise Knight | Continuity |
| Production | Rachel Robey | Production Coordinator |
| Lighting | Michael Bail | Electrician |
| Production | Tessa Ross | Executive Producer |
| Visual Effects | Bronwyn Edwards | 2D Artist |
| Camera | Matt Shaw | Focus Puller |
| Lighting | Mark Clayton | Gaffer |
| Costume & Make-Up | Theresa Hughes | Costume Supervisor |
| Crew | Rod Woodruff | Stunt Coordinator |
| Sound | James Feltham | Sound Re-Recording Mixer |
| Camera | Dean Rogers | Still Photographer |
| Camera | Zac Nicholson | Additional Photography |
| Sound | Nigel Heath | Sound Re-Recording Mixer |
| Visual Effects | Tim Caplan | Visual Effects Supervisor |
| Crew | Al Ford | Visual Effects Editor |
| Art | Adam Tomlinson | Production Design |
| Art | Rosie Jones | Assistant Art Director |
| Sound | Greg Marshall | Sound Effects Editor |
| Crew | Keeley Naylor | Unit Publicist |
| Production | Richard Knight | Location Manager |
| Directing | Daemian Greaves | Third Assistant Director |
| Art | Adam Tomlinson | Set Designer |
| Directing | Steve Watson | Third Assistant Director |
| Production | Pat Mee | Production Accountant |
| Production | Barry Ryan | Line Producer |
| Crew | Paul Fraser | Additional Writing |
| Production | Louise Knight | Co-Producer |
| Camera | Zac Nicholson | Second Unit Director of Photography |
| Costume & Make-Up | Lizzie Broadley | Key Makeup Artist |
| Costume & Make-Up | Polly Jensen | Makeup Artist |
| Crew | Mike Sherbert | Dialect Coach |
| Art | Adam Tomlinson | Art Direction |
| Sound | Greg Marshall | Foley Editor |
| Sound | Lewis James | Sound Re-Recording Assistant |
| Costume & Make-Up | Allisa Davies | Makeup Artist |
| Editing | Paul Harrison | Colorist |
| Editing | Leyton Rooney | Additional Editing |
| Sound | Greg Marshall | Sound Effects Designer |
| Sound | Arvo Pärt | Additional Soundtrack |
| Sound | Matt Hall | ADR Editor |
| Sound | Matt Hall | Dialogue Editor |
