Tijdens de Tweede Wereldoorlog in 1945 was Iwo Jima gedurende twee maanden het toneel van bloederige gevechten tussen Japanse en Amerikaanse soldaten. Generaal Tadamichi Kuribayashi vocht gedurende 40 dagen voor zijn Japan tegen de Amerikaanse troepen. Al snel komen de generaal en zijn troepen erachter dat ze aan een zelfmoordmissie bezig zijn.
Nee, helaas is Letters from Iwo Jima nog niet beschikbaar op Netflix in Nederland.
| Production | Steven Spielberg | Producer |
| Writing | Iris Yamashita | Screenplay |
| Camera | Tom Stern | Director of Photography |
| Production | Clint Eastwood | Producer |
| Art | Henry Bumstead | Production Design |
| Directing | Clint Eastwood | Director |
| Production | Robert Lorenz | Producer |
| Sound | Michael Stevens | Original Music Composer |
| Production | Paul Haggis | Producer |
| Sound | Kyle Eastwood | Original Music Composer |
| Editing | Joel Cox | Editor |
| Art | James J. Murakami | Production Design |
| Production | Phyllis Huffman | Casting |
| Costume & Make-Up | Deborah Hopper | Costume Design |
| Camera | Liz Radley | Camera Operator |
| Crew | Domiciano Rodriquez | Transportation Co-Captain |
| Production | Steve Beimler | Location Manager |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Sound | Flash Deros | Boom Operator |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Art | Pam Cartmel | Art Department Coordinator |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Art | Adrian Gorton | Set Designer |
| Camera | David Luckenbach | Camera Operator |
| Costume & Make-Up | Mitchell Ray Kenney | Costume Supervisor |
| Editing | Bruce Lomet | Digital Intermediate |
| Art | James 'JD' Deal | Greensman |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Visual Effects | Julian Levi | Visual Effects Producer |
| Camera | Stephen S. Campanelli | Camera Operator |
| Editing | Kurt Smith | Color Timer |
| Crew | Larry Stelling | Transportation Coordinator |
| Crew | Alana Stelling | Transportation Captain |
| Costume & Make-Up | Tania McComas | Makeup Department Head |
| Sound | Sarah Monat | Foley |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Visual Effects | Matthew E. Butler | Visual Effects Supervisor |
| Visual Effects | Michael Owens | Visual Effects Supervisor |
| Directing | Mable Lawson-McCrary | Script Supervisor |
| Art | Gary A. Lee | Set Designer |
| Sound | Robin Harlan | Foley |
| Lighting | Ross Dunkerley | Gaffer |
| Costume & Make-Up | John M. 'Jack' Wright | Costume Supervisor |
| Visual Effects | Hugo Dominguez | Visual Effects |
| Sound | Charles Maynes | Sound Designer |
| Sound | Bub Asman | Sound Editor |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Sound | Karen Spangenberg | Dialogue Editor |
| Sound | David A. Arnold | Supervising Dialogue Editor |
| Sound | Walt Martin | Sound Mixer |
| Art | Michael Sexton | Property Master |
| Sound | Nicholas Korda | ADR Editor |
| Editing | Blu Murray | First Assistant Editor |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Sound | Lucy Coldsnow-Smith | Dialogue Editor |
| Sound | Juno J. Ellis | ADR Supervisor |
| Directing | Peter Dress | Second Second Assistant Director |
| Writing | Paul Haggis | Story |
| Writing | Iris Yamashita | Story |
| Visual Effects | Eric Deinzer | Visual Effects |
| Crew | Al Goto | Stunts |
| Visual Effects | Lou Pecora | Digital Compositor |
