The Acid House is een stadssprookje in drie delen. Het eerste deel, getiteld 'The Granton Star Cause', is een zwarte komedie over wraak, voetbal en religie. De redelijk zelfingenomen Boab Coyle verliest in korte tijd de volledige basis van zijn bestaan: hij wordt uit zijn voetbalteam gesmeten, zijn vader wil dat hij nu eindelijk eens op zichzelf gaat wonen en zijn verloofde maakt het uit.Het tweede verhaal, 'A Soft Touch', is een satirische sociale schets: softie Johnny trouwt met de hoogzwangere Catriona, ook al is het zeer de vraag of hij de vader van het kind is. Deel drie, 'The Acid House', is komisch-surrealistisch: Coco houdt van raves en van de bijbehorende pillen. Tijdens zijn net iets te heftige trip wordt zijn bewustzijn verplaatst naar een pasgeboren baby en vice versa.
Nee, helaas is The Acid House nog niet beschikbaar op Netflix in Nederland.
| Writing | Irvine Welsh | Screenplay |
| Editing | Andrew Hulme | Editor |
| Writing | Irvine Welsh | Novel |
| Directing | Paul McGuigan | Director |
| Sound | Dan Mudford | Original Music Composer |
| Production | Alex Usborne | Producer |
| Camera | Alasdair Walker | Director of Photography |
| Production | David Muir | Producer |
| Sound | Alan MacNicol | Boom Operator |
| Lighting | Frank McConologue | Lighting Technician |
| Directing | Neil Calder | First Assistant Director |
| Art | Niki Longmuir | Assistant Art Director |
| Sound | Brian Howell | Sound Recordist |
| Sound | Andrew Hulme | Sound Designer |
| Lighting | Mick Toher | Lighting Technician |
| Art | Chris Cull | Property Master |
| Art | Rob McCallum | Storyboard Artist |
| Lighting | Stuart Farmer | Gaffer |
| Directing | Dorothy Connolley | Script Supervisor |
| Art | Jean Kerr | Art Direction |
| Production | Sara Barr | Production Manager |
| Directing | Karen McConnell | Second Assistant Director |
| Directing | Alison Goring | Second Assistant Director |
| Crew | Kelvin Guy | Scenic Artist |
| Visual Effects | Simon Giles | Visual Effects Supervisor |
| Art | Rohan Banyard | Art Direction |
| Costume & Make-Up | Pam Tait | Costume Design |
| Costume & Make-Up | Sarah Fidelo | Makeup Designer |
| Directing | Janis Watt | Script Supervisor |
| Costume & Make-Up | Ruth Kirton | Assistant Costume Designer |
| Costume & Make-Up | Nikki Brannan | Assistant Makeup Artist |
| Costume & Make-Up | Marilyn MacDonald | Makeup Designer |
| Directing | Kathleen Wishart | Second Assistant Director |
| Art | Tony Sheridan | Property Master |
| Camera | Alick Fraser | Clapper Loader |
| Production | Fiona Winning | Location Manager |
| Crew | Katie McCorkindale | Floor Runner |
| Art | Mike Gunn | Production Design |
| Sound | Allan Brereton | Sound Recordist |
| Camera | Jamie Coulter | Key Grip |
| Production | Laura Cochrane | Production Coordinator |
| Production | Nic Muirson | Production Coordinator |
| Costume & Make-Up | Marie Rodgers | Assistant Makeup Artist |
| Camera | Alan McSheehy | Focus Puller |
| Sound | Gerard Roche | Assistant Sound Editor |
| Camera | Al Rae | Steadicam Operator |
| Directing | Ian Madden | First Assistant Director |
| Camera | Derek Guyer | Clapper Loader |
| Camera | Howard Smith | Steadicam Operator |
| Art | Richard Bridgland | Production Design |
| Art | Jamie Baxter | Construction Manager |
| Sound | Becky Thomson | Boom Operator |
| Crew | Michael Scott-Law | Stunt Coordinator |
| Camera | Terry Pate | Key Grip |
| Editing | Gavin McCarron | Negative Cutter |
| Crew | Donald MacKinnon | Floor Runner |
| Costume & Make-Up | Susan Howard | Special Effects Makeup Artist |
| Art | Cliona Harkin | Assistant Art Director |
| Camera | Simon Bray | Steadicam Operator |
| Camera | Neil Davidson | Clapper Loader |
| Costume & Make-Up | Lynn Aitken | Costume Design |
| Sound | Tony Cook | Boom Operator |
| Editing | Mike Fraser | Negative Cutter |
