Pecker (Furlong) werkt in een sandwichshop in Baltimore en maakt in zijn vrije tijd foto's van zijn bizarre familie. Als een eigenaar van een kunstgallerie in Manhattan de foto's in handen krijgt, wordt Pecker de nieuwste sensatie in de New Yorkse artwereld...
Nee, helaas is Pecker nog niet beschikbaar op Netflix in Nederland.
| Directing | John Waters | Director |
| Writing | John Waters | Screenplay |
| Sound | Stewart Copeland | Original Music Composer |
| Camera | Robert M. Stevens | Director of Photography |
| Editing | Janice Hampton | Editor |
| Production | Joseph M. Caracciolo Jr. | Executive Producer |
| Production | Mark A. Baker | Producer |
| Production | Mark Ordesky | Executive Producer |
| Production | Joe Revitte | Executive Producer |
| Production | Jonathan Weisgal | Executive Producer |
| Art | Vincent Peranio | Production Design |
| Sound | Malcolm Fife | Sound Effects Editor |
| Sound | John Nutt | Sound Supervisor |
| Sound | David Parker | Sound Re-Recording Mixer |
| Art | Jennifer Basnyat | Title Designer |
| Art | Michael Ventresco | Title Designer |
| Costume & Make-Up | David Davenport | Wardrobe Supervisor |
| Production | Mark Tarlov | Producer |
| Production | Kerry Barden | Casting |
| Production | Billy Hopkins | Casting |
| Production | Suzanne Smith Crowley | Casting |
| Production | Pat Moran | Casting |
| Art | Scott T. Pina | Art Direction |
| Art | Patty Burgee | Set Decoration |
| Costume & Make-Up | Van Smith | Costume Design |
| Art | Randy Bobbitt | Art Department Coordinator |
| Art | James Kelley | Props |
| Art | Claire Sharp | Construction Foreman |
| Production | John Fiedler | Producer |
| Directing | Christine Moore | Script Supervisor |
| Costume & Make-Up | Betty Beebe | Makeup Artist |
| Costume & Make-Up | Barbara Lacy | Makeup Artist |
| Costume & Make-Up | Gina W. Bateman | Makeup Artist |
| Sound | Rick Angelella | Sound Mixer |
| Production | Vincent Peranio | Production Designer |
