Pecker (Furlong) werkt in een sandwichshop in Baltimore en maakt in zijn vrije tijd foto's van zijn bizarre familie. Als een eigenaar van een kunstgallerie in Manhattan de foto's in handen krijgt, wordt Pecker de nieuwste sensatie in de New Yorkse artwereld...
Nee, helaas is Pecker nog niet beschikbaar op Netflix in Nederland.
| Directing | John Waters | Director |
| Editing | Janice Hampton | Editor |
| Camera | Robert M. Stevens | Director of Photography |
| Sound | Stewart Copeland | Original Music Composer |
| Writing | John Waters | Screenplay |
| Art | Patty Burgee | Set Decoration |
| Costume & Make-Up | Van Smith | Costume Design |
| Production | Pat Moran | Casting |
| Production | Kerry Barden | Casting |
| Production | Suzanne Smith Crowley | Casting |
| Production | Billy Hopkins | Casting |
| Art | Randy Bobbitt | Art Department Coordinator |
| Production | Mark Tarlov | Producer |
| Art | Scott T. Pina | Art Direction |
| Production | John Fiedler | Producer |
| Directing | Christine Moore | Script Supervisor |
| Costume & Make-Up | Gina W. Bateman | Makeup Artist |
| Costume & Make-Up | Betty Beebe | Makeup Artist |
| Costume & Make-Up | Barbara Lacy | Makeup Artist |
| Sound | Rick Angelella | Sound Mixer |
| Production | Vincent Peranio | Production Designer |
| Production | Joseph M. Caracciolo Jr. | Executive Producer |
| Production | Mark A. Baker | Producer |
| Production | Mark Ordesky | Executive Producer |
| Production | Joe Revitte | Executive Producer |
| Production | Jonathan Weisgal | Executive Producer |
| Art | Vincent Peranio | Production Design |
| Sound | Malcolm Fife | Sound Effects Editor |
| Sound | John Nutt | Sound Supervisor |
| Sound | David Parker | Sound Re-Recording Mixer |
| Art | Jennifer Basnyat | Title Designer |
| Art | Michael Ventresco | Title Designer |
| Costume & Make-Up | David Davenport | Wardrobe Supervisor |
| Art | James Kelley | Props |
| Art | Claire Sharp | Construction Foreman |
