Alessandro is een 32-jarige man die op zoek is naar een nieuwe baan. Zijn vriendin heeft hem sinds kort verlaten en dat werkt op zijn zenuwen. Totdat hij ineens op een een dag de 17-jarige Nikki tegenkomt, die zich voorbereid op haar eindexamen. Vanaf die dag zullen beiden levens veranderen. Ze worden verliefd op elkaar.
Nee, helaas is Scusa ma ti chiamo amore nog niet beschikbaar op Netflix in Nederland.
| Writing | Chiara Barzini | Screenplay |
| Directing | Federico Moccia | Director |
| Writing | Luca Infascelli | Screenplay |
| Writing | Federico Moccia | Novel |
| Writing | Federico Moccia | Story |
| Production | Remo Chiappa | Line Producer |
| Directing | Alessandra Balestra | Second Assistant Director |
| Production | Gaia Gorrini | Casting |
| Production | Ljerka Rusić | Supervising Producer |
| Production | Rita Rusić | Executive Producer |
| Production | Roberto Minervini | Production Secretary |
| Camera | Marcello Montarsi | Director of Photography |
| Camera | Cristiano Rossi | Second Assistant Camera |
| Production | Antonio Proietto | Administration |
| Art | Maurizio Marchitelli | Production Design |
| Directing | Filippo Fassetta | First Assistant Director |
| Costume & Make-Up | Grazia Materia | Costume Design |
| Editing | Patrizio Marone | Editor |
| Production | Francesco De Meo | Production Secretary |
| Camera | Andrea Doria | First Assistant Camera |
| Writing | Federico Moccia | Screenplay |
| Production | Nicola Mastrorilli | Production Manager |
| Sound | Cinzia Alchimede | Sound |
| Camera | Alessandro Bolognesi | Camera Operator |
| Costume & Make-Up | Matteo Silvi | Makeup Artist |
| Camera | Gianluca Saragò | Still Photographer |
| Editing | Stefano Quaglia | Assistant Editor |
| Visual Effects | Nicola Sganga | VFX Supervisor |
| Sound | Andrea Dallimonti | Boom Operator |
| Sound | Claudio Guidetti | Original Music Composer |
| Production | Riccardo Folgore | Unit Manager |
| Production | Marina Cerchi | Production Coordinator |
| Sound | Jacopo Anzellotti | Foley Artist |
| Sound | Antonio Pulli | Foley Artist |
| Directing | Giacomo Naso | Second Assistant Director |
| Camera | Marco D'Intino | First Assistant Camera |
| Art | Gianni Felici | Property Master |
| Sound | Marco Coppolecchia | Sound Mixer |
| Production | Aurelio Marino | Administration |
| Costume & Make-Up | Giorgio Gregorini | Hair Department Head |
| Art | Davide Anello | Set Decoration |
| Editing | Lorenzo Peluso | Assistant Editor |
| Sound | Angelo Mignona | Sound Editor |
| Art | Roberta Federico | Assistant Production Design |
| Camera | Angelo Donatone | Key Grip |
| Editing | Massimo Gubinelli | Colorist |
| Directing | Fabrizia Iacona | Script Supervisor |
| Sound | Attilio Gizzi | Foley Artist |
| Sound | Luca Anzellotti | Foley Artist |
| Sound | Stefania Anzellotti | Foley Artist |
| Costume & Make-Up | Cristiana Agostinelli | Assistant Costume Designer |
| Lighting | Valerio Cardelli | Gaffer |
| Sound | Massimo Anzellotti | Foley Artist |
| Costume & Make-Up | Luca Vannella | Hairstylist |
| Camera | Livio Montarsi | Second Assistant Camera |
| Production | Maria Vittoria Filipponi | Administration |
| Art | Federico Ciommo | Property Master |
| Sound | Dario Pasquale | Foley Artist |
| Costume & Make-Up | Federico Laurenti | Makeup Department Head |
| Costume & Make-Up | Valentina Mezzani | Assistant Costume Designer |
| Sound | Luciano Anzellotti | Foley Artist |
| Visual Effects | Rodolfo Migliari | VFX Supervisor |
