U.S. Marshal Sam Gerard opent samen met zijn ervaren team de jacht op de mysterieuze ex-geheim agent Mark Sheridan die ontsnapt is nadat het vliegtuig waarin hij met anderen overgeplaatst werd, neerstortte.
Nee, helaas is U.S. Marshals nog niet beschikbaar op Netflix in Nederland.
| Directing | Stuart Baird | Director |
| Production | Arnold Kopelson | Producer |
| Camera | Andrzej Bartkowiak | Director of Photography |
| Writing | John Pogue | Screenplay |
| Editing | Terry Rawlings | Editor |
| Production | Anne Kopelson | Producer |
| Production | Amanda Mackey | Casting |
| Production | Roy Huggins | Executive Producer |
| Production | Keith Barish | Executive Producer |
| Sound | Jerry Goldsmith | Original Music Composer |
| Production | Glenn Cote | Associate Producer |
| Production | Wolfgang Glattes | Co-Executive Producer |
| Writing | Roy Huggins | Characters |
| Production | Cathy Sandrich Gelfond | Casting |
| Production | Stephen Joel Brown | Co-Producer |
| Production | Linda Warren | Associate Producer |
| Camera | Gregory Lundsgaard | Steadicam Operator |
| Sound | Donald L. Warner Jr. | Sound Effects Editor |
| Art | Gene Serdena | Set Decoration |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Production | Jane Alderman | Casting |
| Costume & Make-Up | Joe McCloskey | Costume Supervisor |
| Directing | Dru Anne Carlson | Script Supervisor |
| Costume & Make-Up | Cydney Cornell | Hairstylist |
| Editing | Tim Grover | First Assistant Editor |
| Lighting | Terry Dee | Rigging Gaffer |
| Costume & Make-Up | Cyndi Reece-Thorne | Makeup Artist |
| Sound | Joan Rowe | Foley |
| Production | Dana Burdi | Researcher |
| Sound | Gordon Ecker | Sound Effects Editor |
| Art | Mark Worthington | Art Direction |
| Costume & Make-Up | Allan A. Apone | Makeup Artist |
| Production | Mercedes Kelso | Casting Associate |
| Sound | Anthony Milch | Sound Effects Editor |
| Camera | Michael P. Weinstein | Still Photographer |
| Art | Maher Ahmad | Production Design |
| Camera | George Kohut | Camera Operator |
| Art | Bruce Alan Miller | Art Direction |
| Production | Catherine Head | Casting Associate |
| Costume & Make-Up | Mitchell Ray Kenney | Costume Supervisor |
| Sound | Glenn Hoskinson | Sound Effects Editor |
| Camera | Michael Scott | Camera Operator |
| Visual Effects | Peter Donen | Visual Effects Supervisor |
| Sound | Kevin Bartnof | Foley |
| Camera | J. Michael Muro | Steadicam Operator |
| Crew | Michael Meinardus | Special Effects Coordinator |
| Sound | Steve Mann | Sound Effects Editor |
| Sound | Bernard Weiser | Sound Effects Editor |
| Costume & Make-Up | Monty Westmore | Makeup Artist |
| Production | Elizabeth Lang | Casting Associate |
| Crew | Tim Grover | Visual Effects Editor |
| Sound | John Leveque | Supervising Sound Editor |
| Costume & Make-Up | June Westmore | Makeup Artist |
| Crew | Ken Cabrera | Craft Service |
| Production | Lori Bridwell | Production Supervisor |
| Sound | Kenneth Hall | Music Editor |
| Crew | Tad Kranowski | Sequence Supervisor |
| Sound | Scott D. Smith | Sound Mixer |
| Art | John F. McHugh | Construction Coordinator |
| Crew | David Sosalla | Digital Effects Supervisor |
| Crew | Ernie Malik | Unit Publicist |
| Lighting | Michael J. Maurer | Electrician |
| Art | Sherman Labby | Production Illustrator |
| Production | Betsy Bottando | Location Manager |
| Sound | Alexander Courage | Orchestrator |
| Camera | Steve Adcock | Additional Camera |
| Art | Anthony Joseph Fatigato | Painter |
| Sound | Dale R. Janus | Boom Operator |
| Art | Richard Fernandez | Set Designer |
| Camera | Kurt E. Soderling | Aerial Director of Photography |
| Crew | Russ Kavanaugh | Post Production Supervisor |
| Crew | Gary Davis | Stunt Coordinator |
| Crew | George DiLeonardi | Transportation Coordinator |
| Production | Alma Kuttruff | Unit Production Manager |
| Crew | Spitfire Brown | Utility Stunts |
| Visual Effects | Olivier Sarda | Digital Compositors |
| Art | David W. Krummel | Assistant Art Director |
| Editing | Bob Putynkowski | Color Timer |
| Lighting | Chris Freres | Best Boy Electric |
| Lighting | Bob Gomez | Rigging Grip |
| Camera | Morgan Michael Lewis | Key Grip |
| Crew | Andy-John | Stand In |
| Crew | Patrick Phillips | Technical Supervisor |
| Camera | Steven J. Winslow | Camera Technician |
| Camera | Peter Mercurio | First Assistant Camera |
| Crew | Bill Vergos | Set Production Assistant |
| Production | Cheryl A. Stone | Production Accountant |
| Crew | Mark Sheafer | Machinist |
| Costume & Make-Up | Jon Nicholson | Set Dressing Artist |
| Crew | Mickey Alzola | Stunts |
| Directing | Vincent Lascoumes | Assistant Director |
| Lighting | Mark N. Woods | Gaffer |
| Camera | Ray Conchado | Grip |
| Art | Tracy Farrington | Property Master |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Virginia Cook-McGowan | Dialogue Editor |
| Camera | Allen Baker | Second Unit Director of Photography |
| Sound | Linda Folk | ADR Editor |
| Sound | Robert Troy | Dialogue Editor |
| Sound | William C. Carruth | ADR Editor |
| Sound | Marshall Winn | ADR Editor |
| Costume & Make-Up | Craig Anthony | Costumer |
| Directing | Eric A. Pot | Additional Second Assistant Director |
| Directing | Phil Dupont | Second Assistant Director |
| Costume & Make-Up | Gretchen Gain | Key Costumer |
| Directing | Aiman A. Humaideh | Second Second Assistant Director |
| Art | Joe Bristol | Assistant Property Master |
| Directing | Gary Davis | Second Unit Director |
| Crew | Dave T. MacDonald | Special Effects Technician |
| Production | Caryn Cheever | Assistant Accountant |
| Production | Tom Dames | Production Secretary |
| Crew | Michael Cadman | Technical Advisor |
| Camera | Steven Silverstein | Camera Loader |
| Editing | Jonathan Malden | Colorist |
| Production | Cody Lassen | Extras Casting Assistant |
| Editing | Laura Krumholz | Assistant Editor |
| Art | Bill Bartelt | Concept Artist |
| Sound | Tim Tuchrello | Second Assistant Sound |
| Lighting | Richard Hartley | Assistant Chief Lighting Technician |
| Camera | Gregg Gannett | Second Assistant Camera |
| Production | Eric Yellin | Key Production Assistant |
| Editing | Mo Henry | Negative Cutter |
| Visual Effects | Kurt E. Soderling | Visual Effects Camera |
| Production | Riccardo Bertoni | Extras Casting |
| Sound | Troy Porter | ADR Mixer |
| Production | Matthew Gross | Production Executive |
| Production | Yashar Hedayat | Production Assistant |
| Sound | Brooke Henderson Ward | First Assistant Sound Editor |
| Sound | James Simcik | Supervising ADR Editor |
| Camera | Tom Kerwick | Best Boy Grip |
| Production | Anne Healy | Assistant Location Manager |
| Sound | Jerry Goldsmith | Conductor |
| Crew | Craig Hosking | Aerial Coordinator |
| Production | Steve Cainas | Assistant Production Coordinator |
| Sound | Kevin Bartnof | Foley Artist |
| Camera | Jennifer Desplinter | Additional Second Assistant Camera |
| Crew | Clay Donahue Fontenot | Stunt Double |
| Sound | Nick Vidar | Music Programmer |
| Visual Effects | Amiee Clark | Visual Effects Production Assistant |
| Crew | Linda Perlin | Stunts |
| Crew | Stacy Logan | Stunts |
| Crew | Jennifer Elizabeth | Stunts |
| Crew | Jennifer Davis | Stunts |
| Crew | Dick Ziker | Stunt Coordinator |
| Crew | Jeff Imada | Stunts |
| Crew | Gene LeBell | Stunts |
| Camera | John Hudecek | Dolly Grip |
| Crew | Henry Kingi | Stunts |
| Crew | Keith Woulard | Stunts |
| Production | Maria Norman | Executive Assistant |
| Crew | Eric Chambers | Stunts |
| Crew | Al Goto | Stunts |
| Art | P.J. Abrahams | Location Scout |
