De carrière van tennisprof Chris Wilton (Jonathan Rhys-Meyers) loopt ten einde en hij gaat werken als leraar op een exclusieve Londense tennisclub. Hij raakt bevriend met één van zijn leerlingen, de rijke, knappe en verwende Tom Hewitt. Tom introduceert Chris in zijn familie en weldra krijgt Chris een relatie met Tom's zus Chloe. Hoewel er huwelijksplannen zijn met Chloe en Chris door zijn 'adoptie' door de Hewitt's financieel en zakelijk binnen is, kan hij zijn ogen echter niet afhouden van Tom's nieuwste vriendin, de Amerikaanse actrice Nola Rice (Scarlett Johansson). Chris krijgt een affaire met de onstabiele Nola. Wanneer hun passionele relatie een gevaar dreigt te worden voor Chris' nieuwe levensstijl, wordt hij voor een dramatische keuze gesteld. Hoe ver kan iemand gaan in zijn opportunisme?
Nee, helaas is Match Point nog niet beschikbaar op Netflix in Nederland.
| Art | Jim Clay | Production Design |
| Production | Nicky Kentish Barnes | Producer |
| Camera | Remi Adefarasin | Director of Photography |
| Production | Stephen Tenenbaum | Producer |
| Directing | Woody Allen | Director |
| Editing | Alisa Lepselter | Editor |
| Production | Letty Aronson | Producer |
| Production | Carrie-Ann Banner | Assistant Production Coordinator |
| Production | Lucy Foulds | Location Coordinator |
| Production | Francesca Dowd | Production Coordinator |
| Production | Michael Harm | Location Manager |
| Production | Joseph Jayawardena | Assistant Location Manager |
| Directing | Richard Goodwin | Second Assistant Director |
| Production | Lee Robertson | Assistant Location Manager |
| Production | Scott Kordish | Post Production Coordinator |
| Production | Kerry Smith | Assistant Accountant |
| Production | Louise O'Malley | Production Accountant |
| Production | Sue Quinn | Location Manager |
| Production | Pietro Lorino, Jr. | Post Production Accountant |
| Production | Aurelia Thomas | Assistant Location Manager |
| Art | Oliver Goodier | Assistant Art Director |
| Production | Finlay Bradbury | Location Assistant |
| Lighting | Robert Hooker | Standby Rigger |
| Costume & Make-Up | Ella Hastings | Wardrobe Assistant |
| Editing | Katy Skjerping | Assistant Editor |
| Production | Will Davies | Casting Assistant |
| Sound | Peter Glossop | Production Sound Mixer |
| Production | David Wheal | Casting Assistant |
| Art | Eddie Baker | Dressing Prop |
| Camera | David Cozens | Focus Puller |
| Costume & Make-Up | Sallie Jaye | Makeup Designer |
| Directing | Tom Glaisyer | Third Assistant Director |
| Art | Eamon McLoughlin | Supervising Carpenter |
| Lighting | Dennis Holliday | Electrician |
| Lighting | Tony Burns | Electrician |
| Production | Claire Saunders | Casting Associate |
| Production | Julie Schubert | Casting Assistant |
| Art | Stephen Conway | Standby Property Master |
| Costume & Make-Up | David Wootton | Wardrobe Assistant |
| Camera | John Arnold | Grip |
| Lighting | Ian Franklin | Rigging Gaffer |
| Lighting | Mark Funnell | Best Boy Electric |
| Art | Nick Pearce | Standby Painter |
| Sound | Akil Wilson | Assistant Sound Editor |
| Camera | John Adefarasin | Clapper Loader |
| Sound | Stephane Malenfant | Sound Assistant |
| Art | David Lowery | Supervising Carpenter |
| Art | Roy O'Connor | Dressing Prop |
| Costume & Make-Up | Paul Mooney | Hairstylist |
| Costume & Make-Up | Charlotte Sewell | Assistant Costume Designer |
| Art | David Williamson | Standby Carpenter |
| Art | Steve Bohan | Construction Manager |
| Art | John McGee | Supervising Carpenter |
| Costume & Make-Up | Martin Chitty | Wardrobe Master |
| Sound | Thomas Kodros | Dolby Consultant |
| Sound | Ryan Collison | Foley Recording Engineer |
| Visual Effects | Martin Hobbs | Visual Effects Supervisor |
| Crew | Ron Narduzzo | Driver |
| Crew | Simon Saunders | Driver |
| Crew | Darren Thackeray | Driver |
| Crew | Waseem Barlas | Driver |
| Crew | Nikki Inwood | Stand In |
| Production | Charles H. Joffe | Co-Executive Producer |
| Production | Gareth Wiley | Producer |
| Costume & Make-Up | Sharon Martin | Makeup Artist |
| Camera | Roger Tooley | Steadicam Operator |
| Art | Diane Dancklefsen | Art Direction |
| Art | Jan Spoczynski | Art Direction |
| Production | Gail Stevens | Casting |
| Costume & Make-Up | Sallie Jaye | Hair Designer |
| Production | Tori Parry | Unit Production Manager |
| Sound | Coll Anderson | Sound Effects Editor |
| Sound | David Wahnon | Sound Editor |
| Art | Caroline Smith | Set Decoration |
| Sound | Shaun Mills | Boom Operator |
| Production | Juliet Taylor | Casting |
| Camera | Remi Adefarasin | Camera Operator |
| Production | Patricia Kerrigan DiCerto | Casting |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Production | Jack Rollins | Co-Executive Producer |
| Costume & Make-Up | Jill Taylor | Costume Design |
| Lighting | Jimmy Wilson | Gaffer |
| Production | Helen Robin | Co-Producer |
| Costume & Make-Up | Carmel Jackson | Makeup Artist |
| Editing | Morgan Neville | First Assistant Editor |
| Crew | Steve Morphew | Stand In |
| Sound | Robert Hein | Supervising Sound Editor |
| Directing | Christopher Newman | First Assistant Director |
| Art | Philip McDonald | Property Master |
| Sound | Sylvia Menno | Dialogue Editor |
| Sound | Nancy Cabrera | Foley Artist |
| Directing | Kim Armitage | Script Supervisor |
| Camera | Clive Coote | Still Photographer |
| Writing | Woody Allen | Writer |
| Art | Les Benson | Props |
| Sound | Martin Crewes | Music Arranger |
| Sound | Martin Crewes | Music |
| Production | Martin Crewes | Musical Casting |
| Sound | Martin Crewes | Musician |
