De carrière van tennisprof Chris Wilton (Jonathan Rhys-Meyers) loopt ten einde en hij gaat werken als leraar op een exclusieve Londense tennisclub. Hij raakt bevriend met één van zijn leerlingen, de rijke, knappe en verwende Tom Hewitt. Tom introduceert Chris in zijn familie en weldra krijgt Chris een relatie met Tom's zus Chloe. Hoewel er huwelijksplannen zijn met Chloe en Chris door zijn 'adoptie' door de Hewitt's financieel en zakelijk binnen is, kan hij zijn ogen echter niet afhouden van Tom's nieuwste vriendin, de Amerikaanse actrice Nola Rice (Scarlett Johansson). Chris krijgt een affaire met de onstabiele Nola. Wanneer hun passionele relatie een gevaar dreigt te worden voor Chris' nieuwe levensstijl, wordt hij voor een dramatische keuze gesteld. Hoe ver kan iemand gaan in zijn opportunisme?
Nee, helaas is Match Point nog niet beschikbaar op Netflix in Nederland.
| Directing | Woody Allen | Director |
| Camera | Remi Adefarasin | Director of Photography |
| Editing | Alisa Lepselter | Editor |
| Art | Jim Clay | Production Design |
| Production | Letty Aronson | Producer |
| Production | Nicky Kentish Barnes | Producer |
| Production | Stephen Tenenbaum | Producer |
| Production | Charles H. Joffe | Co-Executive Producer |
| Production | Helen Robin | Co-Producer |
| Production | Jack Rollins | Co-Executive Producer |
| Production | Gareth Wiley | Producer |
| Production | Patricia Kerrigan DiCerto | Casting |
| Production | Gail Stevens | Casting |
| Production | Juliet Taylor | Casting |
| Art | Diane Dancklefsen | Art Direction |
| Art | Jan Spoczynski | Art Direction |
| Art | Caroline Smith | Set Decoration |
| Costume & Make-Up | Jill Taylor | Costume Design |
| Costume & Make-Up | Carmel Jackson | Makeup Artist |
| Costume & Make-Up | Sallie Jaye | Hair Designer |
| Costume & Make-Up | Sharon Martin | Makeup Artist |
| Production | Tori Parry | Unit Production Manager |
| Sound | Coll Anderson | Sound Effects Editor |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Shaun Mills | Boom Operator |
| Sound | David Wahnon | Sound Editor |
| Camera | Remi Adefarasin | Camera Operator |
| Camera | Roger Tooley | Steadicam Operator |
| Lighting | Jimmy Wilson | Gaffer |
| Editing | Morgan Neville | First Assistant Editor |
| Crew | Steve Morphew | Stand In |
| Sound | Sylvia Menno | Dialogue Editor |
| Sound | Nancy Cabrera | Foley Artist |
| Art | Philip McDonald | Property Master |
| Sound | Robert Hein | Supervising Sound Editor |
| Writing | Woody Allen | Writer |
| Directing | Christopher Newman | First Assistant Director |
| Directing | Kim Armitage | Script Supervisor |
| Camera | Clive Coote | Still Photographer |
| Art | Les Benson | Props |
| Sound | Martin Crewes | Music |
| Sound | Martin Crewes | Musician |
| Sound | Martin Crewes | Music Arranger |
| Production | Martin Crewes | Musical Casting |
| Directing | Richard Goodwin | Second Assistant Director |
| Production | Francesca Dowd | Production Coordinator |
| Production | Scott Kordish | Post Production Coordinator |
| Production | Carrie-Ann Banner | Assistant Production Coordinator |
| Production | Louise O'Malley | Production Accountant |
| Production | Pietro Lorino, Jr. | Post Production Accountant |
| Production | Kerry Smith | Assistant Accountant |
| Production | Sue Quinn | Location Manager |
| Production | Michael Harm | Location Manager |
| Production | Lee Robertson | Assistant Location Manager |
| Production | Joseph Jayawardena | Assistant Location Manager |
| Production | Aurelia Thomas | Assistant Location Manager |
| Production | Lucy Foulds | Location Coordinator |
| Production | Finlay Bradbury | Location Assistant |
| Art | Oliver Goodier | Assistant Art Director |
| Art | Eddie Baker | Dressing Prop |
| Art | Roy O'Connor | Dressing Prop |
| Art | Stephen Conway | Standby Property Master |
| Art | David Williamson | Standby Carpenter |
| Art | Nick Pearce | Standby Painter |
| Lighting | Robert Hooker | Standby Rigger |
| Art | Steve Bohan | Construction Manager |
| Art | John McGee | Supervising Carpenter |
| Art | Eamon McLoughlin | Supervising Carpenter |
| Art | David Lowery | Supervising Carpenter |
| Camera | David Cozens | Focus Puller |
| Camera | John Adefarasin | Clapper Loader |
| Camera | John Arnold | Grip |
| Lighting | Ian Franklin | Rigging Gaffer |
| Lighting | Mark Funnell | Best Boy Electric |
| Lighting | Tony Burns | Electrician |
| Lighting | Dennis Holliday | Electrician |
| Costume & Make-Up | Charlotte Sewell | Assistant Costume Designer |
| Costume & Make-Up | Martin Chitty | Wardrobe Master |
| Costume & Make-Up | Ella Hastings | Wardrobe Assistant |
| Costume & Make-Up | David Wootton | Wardrobe Assistant |
| Costume & Make-Up | Sallie Jaye | Makeup Designer |
| Costume & Make-Up | Paul Mooney | Hairstylist |
| Sound | Peter Glossop | Production Sound Mixer |
| Sound | Stephane Malenfant | Sound Assistant |
| Sound | Thomas Kodros | Dolby Consultant |
| Editing | Katy Skjerping | Assistant Editor |
| Sound | Akil Wilson | Assistant Sound Editor |
| Sound | Ryan Collison | Foley Recording Engineer |
| Directing | Tom Glaisyer | Third Assistant Director |
| Production | Claire Saunders | Casting Associate |
| Production | Will Davies | Casting Assistant |
| Production | David Wheal | Casting Assistant |
| Production | Julie Schubert | Casting Assistant |
| Crew | Waseem Barlas | Driver |
| Crew | Ron Narduzzo | Driver |
| Crew | Darren Thackeray | Driver |
| Crew | Simon Saunders | Driver |
| Visual Effects | Martin Hobbs | Visual Effects Supervisor |
| Crew | Nikki Inwood | Stand In |
