De aanval op Pearl Harbor is zes dagen geleden. In California,vermoedelijk het volgende doelwit van Japan, grijpt paniek om zich heen. Overal in California staan de zenuwen gespannen. Chaos daalt neer over de hele staat. Een kapitein van de Army Air Corps, een burger met een gestoord gevoel van nationalisme, een burgerwacht en een motorbende openen allemaal de jacht op een Japanse onderzeeboot die van plan is om LA aan te vallen.
Nee, helaas is 1941 nog niet beschikbaar op Netflix in Nederland.
| Directing | Steven Spielberg | Director |
| Camera | William A. Fraker | Director of Photography |
| Editing | Michael Kahn | Editor |
| Sound | John Williams | Original Music Composer |
| Crew | Tony Epper | Stunts |
| Art | John P. Austin | Set Decoration |
| Costume & Make-Up | Bob Westmoreland | Makeup Supervisor |
| Costume & Make-Up | Jack Obringer | Assistant Makeup Artist |
| Costume & Make-Up | Dorothy J. Pearl | Assistant Makeup Artist |
| Costume & Make-Up | Susan Germaine | Hairstylist |
| Costume & Make-Up | Ellen Powell | Assistant Hairstylist |
| Directing | Steve Perry | First Assistant Director |
| Directing | Chris Soldo | Second Assistant Director |
| Directing | Jerry Ziesmer | First Assistant Director |
| Sound | Fred J. Brown | Supervising Sound Effects Editor |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Sound | Raul A. Bruce | Boom Operator |
| Sound | Gene S. Cantamessa | Production Sound Mixer |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
| Sound | Don MacDougall | Sound Re-Recording Mixer |
| Sound | Ed Golya | ADR Mixer |
| Sound | Brian L. McCarty | Boom Operator |
| Sound | Jim Moore | ADR Recordist |
| Sound | Lee Strosnider | Sound Mixer |
| Crew | Arthur Arp | Special Effects Technician |
| Crew | Thomas Arp | Special Effects Technician |
| Crew | Wilbur Arp | Special Effects Technician |
| Crew | Eugene Crum | Special Effects Technician |
| Crew | Ken Estes | Special Effects Technician |
| Crew | Logan Frazee | Special Effects Technician |
| Crew | Terry D. Frazee | Special Effects Technician |
| Crew | Steve Galich | Special Effects Technician |
| Crew | Marlin Jones | Special Effects Technician |
| Crew | Steve Lombardi | Special Effects Technician |
| Crew | Gary Monak | Special Effects Technician |
| Crew | Billy Myatt | Special Effects Technician |
| Crew | Donald Myers | Special Effects Technician |
| Crew | Joe Zomar | Special Effects Technician |
| Crew | Ted Koerner | Special Effects |
| Crew | Kevin Pike | Special Effects Technician |
| Visual Effects | Larry Robinson | Visual Effects Supervisor |
| Visual Effects | Matthew Yuricich | Matte Painter |
| Camera | Dick Colean | Camera Operator |
| Camera | Gary R. Dodd | Key Grip |
| Lighting | Doug Pentek | Gaffer |
| Camera | Frank Stanley | Additional Director of Photography |
| Camera | Robert D. McBride | Camera Operator |
| Camera | Robert Seaman | Camera Operator |
| Costume & Make-Up | Adrienne Childers | Costumer |
| Costume & Make-Up | Daniel Grant North | Costumer |
| Production | John Milius | Executive Producer |
| Production | Buzz Feitshans | Producer |
| Production | Sally Dennison | Casting |
| Art | William F. O'Brien | Art Direction |
| Art | James Hassinger | Additional Set Dresser |
| Art | Dean Mitzner | Production Design |
| Costume & Make-Up | Deborah Nadoolman Landis | Costume Design |
| Crew | Terry Leonard | Stunt Coordinator |
| Crew | Jeannie Epper | Stunts |
| Crew | Loren Janes | Stunts |
| Crew | Eurlyne Epper | Stunts |
| Crew | Larry Holt | Stunts |
| Writing | Bob Gale | Screenplay |
| Crew | Gary McLarty | Stunts |
| Crew | Jack Gill | Stunts |
| Crew | Debbie Evans | Stunts |
| Crew | Bob Herron | Stunts |
| Writing | Robert Zemeckis | Story |
| Writing | Robert Zemeckis | Screenplay |
| Writing | John Milius | Story |
| Writing | Bob Gale | Story |
| Crew | Mary Peters | Stunts |
