Miles Logan is een juwelendief die net zijn grote slag geslagen heeft met het stelen van een gigantische diamant. Hij wordt echter gepakt, en verstopt zijn buit in een gebouw. Wanneer hij na twee jaar vrij komt, en zijn buit op wil gaan halen, komt hij erachter dat het gebouw veranderd is in een politiegebouw. Hij vermomt zich als agent om in de buurt van de diamant te komen.
Nee, helaas is Blue Streak nog niet beschikbaar op Netflix in Nederland.
| Editing | Michael Tronick | Editor |
| Writing | John Blumenthal | Screenplay |
| Writing | Michael Berry | Screenplay |
| Production | Toby Jaffe | Producer |
| Writing | Stephen Carpenter | Screenplay |
| Directing | Les Mayfield | Director |
| Production | Neal H. Moritz | Producer |
| Sound | Edward Shearmur | Original Music Composer |
| Camera | David Eggby | Director of Photography |
| Art | Philip Toolin | Art Direction |
| Costume & Make-Up | Denise Wingate | Costume Design |
| Art | Bill Brzeski | Production Design |
| Art | Brana Rosenfeld | Set Decoration |
| Production | Allen Shapiro | Executive Producer |
| Production | Daniel Melnick | Executive Producer |
| Sound | Melodee Sutton | Music Coordinator |
| Sound | Tom Kramer | Music Editor |
| Sound | John Morris | Supervising Sound Editor |
| Sound | Michael J. Broomberg | Foley Artist |
| Sound | Richard Burton | Sound Editor |
| Sound | John Joseph Thomas | Sound Editor |
| Editing | Heather Goodwin | Assistant Editor |
| Sound | Thom Brennan | Sound Editor |
| Sound | Richard Duarte | Foley Mixer |
| Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
| Art | Tommy Tomlinson | Property Master |
| Sound | Amanda Goodpaster | Music Editor |
| Sound | Greg Orloff | Sound Re-Recording Mixer |
| Editing | Mike Stanwick | Color Timer |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Sound | Kim H. Ornitz | Production Sound Mixer |
| Sound | Brydon Baker III | Boom Operator |
| Directing | Bruce Franklin | First Assistant Director |
| Sound | Ken Ross | Music Supervisor |
| Editing | Aaron Brock | Assistant Editor |
| Sound | Tricia Linklater | First Assistant Sound Editor |
| Sound | Mark Pappas | Foley Supervisor |
| Editing | Greg Parsons | Additional Editing |
| Sound | Michael Magill | Sound Editor |
| Production | Michael Fottrell | Unit Production Manager |
| Art | Kris Peck | Assistant Property Master |
| Editing | James Andrykowski | Assistant Editor |
| Sound | Alison Fisher | Sound Editor |
| Directing | Conte Mark Matal | Second Assistant Director |
| Costume & Make-Up | Anthony J. Scarano | Wardrobe Supervisor |
| Sound | Susan Dudeck | ADR Supervisor |
| Sound | Gary A. Hecker | Foley Artist |
| Directing | Jeanne Byrd | Script Supervisor |
| Art | A. Todd Holland | Set Designer |
| Camera | Melvin 'Butch' Von Bulow | Dolly Grip |
| Lighting | Steve Reinhardt | Assistant Chief Lighting Technician |
| Art | John H. Samson | Construction Coordinator |
| Lighting | Jeff Murrell | Chief Lighting Technician |
| Camera | Audie Aragon | Dolly Grip |
| Visual Effects | Clayton Pinney | Special Effects Supervisor |
| Art | Wayne Shepherd | Leadman |
| Art | Fanée Aaron | Set Designer |
| Crew | Richard Cody | Craft Service |
| Crew | Carol McConnaughey | Unit Publicist |
| Crew | Michael Antunez | Transportation Captain |
| Directing | David R. Ellis | Second Unit Director |
| Camera | Nicola Goode | Still Photographer |
| Crew | Mike Fenster | Transportation Co-Captain |
| Crew | Henry Kingi Jr. | Stunts |
| Crew | Tony R. Medina | Propmaker |
| Crew | Troy Robinson | Stunts |
| Crew | Freddie Hice | Stunts |
| Crew | Bob Brown | Stunts |
| Crew | John C. Meier | Stunts |
| Crew | Annie Ellis | Stunts |
| Crew | Jimmy N. Roberts | Stunts |
| Crew | Charlie Estepp | Stunt Driver |
