Mac Mckussic is een drugdealer die het rechte pad op wil. Zijn oude vriend Nick Frescia is nu een agent die als job heeft op Mckussic op te pakken. Mac voelt zich aangetrokken tot Jo Ann, een eigenaresse van een restaurant. Nick probeert haar te benaderen om zo meer over Mac's drugdeal-praktijken te weten te komen. Ook Nick valt voor de charmes van Jo Ann.
Nee, helaas is Tequila Sunrise nog niet beschikbaar op Netflix in Nederland.
| Sound | Dave Grusin | Original Music Composer |
| Production | Thom Mount | Producer |
| Directing | Robert Towne | Director |
| Camera | Conrad L. Hall | Director of Photography |
| Editing | Claire Simpson | Editor |
| Writing | Robert Towne | Screenplay |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Production | Bonnie Timmermann | Casting |
| Costume & Make-Up | Ronald I. Caplan | Costume Supervisor |
| Art | Richard Sylbert | Production Design |
| Art | Peter Landsdown Smith | Art Direction |
| Costume & Make-Up | Dorothy J. Pearl | Makeup Artist |
| Art | Rick Simpson | Set Decoration |
| Crew | Ron Frazier | Carpenter |
| Directing | Mary A. Kelly | Script Supervisor |
| Art | Judy Cammer | Set Designer |
| Art | Roger Irvin | Construction Coordinator |
| Costume & Make-Up | Toni-Ann Walker | Hairstylist |
| Costume & Make-Up | Peter V. Saldutti | Costume Supervisor |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | William C. Carruth | Supervising ADR Editor |
| Sound | Richard Oswald | Sound Editor |
| Production | Sharmagne Leland-St. John | Researcher |
| Sound | Ellen Heuer | Foley |
| Sound | Butch Wolf | Foley Editor |
| Sound | Solange S. Schwalbe | Foley Editor |
| Sound | Danny Bramson | Music Supervisor |
| Camera | Lee Nakahara | Camera Operator |
| Camera | Tom May | Key Grip |
| Sound | Randall L. Johnson | Boom Operator |
| Lighting | Larry Gilhooly | Chief Lighting Technician |
| Camera | Randy Nolen | Steadicam Operator |
| Sound | Victoria Rose Sampson | Sound Editor |
| Sound | James Flamberg | Music Editor |
| Sound | James Simcik | ADR Editor |
| Camera | Jamie Anderson | Camera Operator |
| Camera | Danny Jimenez | Dolly Grip |
| Sound | John Roesch | Foley |
| Sound | Greg P. Russell | Sound Re-Recording Mixer |
| Sound | Chester Slomka | Sound Editor |
| Sound | Jayme S. Parker | Sound Editor |
| Sound | Jack Schrader | Foley Editor |
| Camera | Robert Seaman | Second Unit Director of Photography |
| Sound | James J. Isaacs | Sound Editor |
| Camera | John Toll | Second Unit Director of Photography |
| Sound | Kay Rose | Supervising Sound Editor |
| Camera | François Duhamel | Still Photographer |
| Sound | Gordon Davidson | Sound Editor |
| Lighting | Patrick Marshall | Rigging Gaffer |
| Crew | David S. Cass Sr. | Stunt Coordinator |
| Crew | Bobby Bass | Stunt Coordinator |
| Crew | Jerry D. Williams | Special Effects |
| Sound | Dan O'Connell | ADR Mixer |
| Production | Tom Shaw | Executive Producer |
| Production | Tom Shaw | Unit Production Manager |
| Crew | Jay Cassidy | Post Production Supervisor |
| Art | Dan Perri | Title Designer |
| Crew | Dick Ziker | Stunts |
| Crew | Tim Gilbert | Stunts |
| Crew | Freddie Hice | Stunts |
| Crew | Andy Gill | Stunts |
| Crew | Jack Gill | Stunts |
| Crew | Gregory J. Barnett | Stunts |
| Crew | Mic Rodgers | Stunt Double |
| Camera | Robert Samuels | Second Assistant Camera |
| Crew | Dick Warlock | Stunt Double |
| Crew | Michael McDonnell | Stand In |
