De blonde Elle Woods gaat naar Washington om een wetsvoorstel door congres te krijgen. Elle is namelijk erg bezorgd bezorgd over het testen van make-up op dieren. Elle raakt bevriend met de oudere portier van haar hotel, die haar de weg wijst in Washington DC.
Ja! de film Legally Blonde 2: Red, White & Blonde is nu beschikbaar om te kijken op Netflix in Nederland.
| Sound | Rolfe Kent | Original Music Composer |
| Writing | Kate Kondell | Screenplay |
| Editing | Peter Teschner | Editor |
| Production | Marc Platt | Producer |
| Production | Reese Witherspoon | Executive Producer |
| Camera | Elliot Davis | Director of Photography |
| Production | David Nicksay | Producer |
| Directing | Charles Herman-Wurmfeld | Director |
| Writing | Amanda Brown | Characters |
| Costume & Make-Up | Cheri Montesanto | Makeup Artist |
| Costume & Make-Up | Sophie de Rakoff | Costume Design |
| Sound | Mike Chock | Supervising Sound Editor |
| Costume & Make-Up | Brad Wilder | Makeup Artist |
| Art | Mark Worthington | Art Direction |
| Art | K.C. Fox | Set Decoration |
| Sound | James Christopher | Sound Effects Editor |
| Costume & Make-Up | Loretta James-Demasi | Makeup Artist |
| Sound | Piero Mura | Sound Effects Editor |
| Art | Missy Stewart | Production Design |
| Sound | Richard L. Anderson | Supervising Sound Editor |
| Crew | Peter Evangelatos | Craft Service |
| Visual Effects | Mike Hardison | 3D Supervisor |
| Production | Stacie Goodman | Casting Associate |
| Visual Effects | David Behar | 3D Artist |
| Crew | Jordan Brendan Finnegan | Set Production Assistant |
| Production | Marisa Lynch | Casting Assistant |
| Costume & Make-Up | Cynthia C. Rebman | On Set Dresser |
| Production | Sam Bokobza | First Assistant Accountant |
| Art | Steven C. Voll | Construction Foreman |
| Production | Jody Felz | Production Assistant |
| Crew | Deborah Simmrin | Unit Publicist |
| Production | Sarah Spearing | Post Production Accountant |
| Art | Wendy Drapanas | Graphic Designer |
| Production | Adam Wilkins | Production Assistant |
| Crew | Phil Cory | Special Effects Coordinator |
| Crew | Meti Kusari | Craft Service |
| Crew | Rebecca Whitesell LaFond | Set Production Assistant |
| Production | Brice Potthoff | Production Assistant |
| Art | Tom Altobello | Assistant Property Master |
| Crew | Shannon Rupe | Set Production Assistant |
| Production | Jana Lundy | Production Secretary |
| Crew | Candace Wells | Transportation Captain |
| Art | Rachel Beers | Lead Set Dresser |
| Art | Darryl Henley | Storyboard Artist |
| Production | Victor Valencia | Post Production Accountant |
| Art | Brooke Sartorius | Lead Set Dresser |
| Art | Chris Ubick | Property Master |
| Art | Aya Morton | Art Department Assistant |
| Crew | Andrew Trosmans | Clearances Coordinator |
| Art | Stephanie Gilliam | Set Designer |
| Production | Brendon Fong | Production Assistant |
| Crew | Randy Peters | Transportation Coordinator |
| Costume & Make-Up | Edward Morrison | Hairstylist |
| Sound | Laura Macias | Foley Artist |
| Costume & Make-Up | Marina Ray | Assistant Costume Designer |
| Costume & Make-Up | Stephen Robinette | Hairstylist |
| Costume & Make-Up | Mary Catherine Lane | Costume Supervisor |
| Costume & Make-Up | Maya Sonrisa Vaughan | Costumer |
| Production | John Sanchez | Assistant Production Coordinator |
| Art | Lee Ross | Standby Painter |
| Art | Kristin Mccarron | Art Department Coordinator |
| Costume & Make-Up | Katherine James | Key Makeup Artist |
| Costume & Make-Up | Toni-Ann Walker | Key Hair Stylist |
| Costume & Make-Up | Beverley Woods | Costumer |
| Sound | Mychal D. Smith | Boom Operator |
| Sound | Reuben Simon | Foley Editor |
| Sound | Mark Coffey | Assistant Sound Editor |
| Sound | Dave Bach | ADR Recordist |
| Sound | Kim H. Ornitz | Production Sound Mixer |
| Sound | Ralph Stuart | Assistant Sound Editor |
| Sound | Nick South | Music Editor |
| Sound | Shawn Kennelly | Foley Mixer |
| Sound | Sean Rowe | Foley Artist |
| Sound | Marvin Walowitz | Dialogue Editor |
| Sound | Matthew C. Beville | ADR Mixer |
| Editing | Nina Kawasaki | First Assistant Editor |
| Editing | Ricky Andres | Editorial Production Assistant |
| Sound | Shannon Erbe | Music Editor |
| Camera | Mike Connors | Dolly Grip |
| Crew | Michael A. Morongell | Mixing Engineer |
| Camera | Rodney Veto | Second Company Grip |
| Production | Sue Bokobza | Accountant |
| Production | Leslie Romenesko | Assistant Location Manager |
| Directing | Susan Malerstein | Script Supervisor |
| Production | Kristi Frankenheimer | Location Manager |
| Directing | Susan E. Walter | Second Second Assistant Director |
| Sound | Thomas Jones | Supervising Dialogue Editor |
| Production | Doris Donnenberg | Production Coordinator |
| Sound | Jesse Pomeroy | Dialogue Editor |
| Production | Eva Schroeder | Assistant Location Manager |
| Camera | Gary Dagg | Key Grip |
| Lighting | Jeff Murrell | Chief Lighting Technician |
| Lighting | Roger Awad | Assistant Chief Lighting Technician |
| Crew | Jonathan Lindsay | Loader |
| Camera | David Galbraith | First Assistant Camera |
| Camera | Sam Emerson | Still Photographer |
| Camera | Duane Manwiller | Camera Operator |
| Camera | Ted Caloroso | First Assistant "B" Camera |
| Camera | Yuri Karjane | Second Assistant "B" Camera |
| Crew | Toni Basil | Choreographer |
| Art | Patricia Owen | Assistant Art Director |
| Camera | Bruce Robinson | Second Assistant Camera |
| Crew | Tom Elliott | Stunts |
| Crew | Rick Kain | Stunt Driver |
| Visual Effects | Ray McIntyre Jr. | Visual Effects Supervisor |
| Art | Lars Petersen | Construction Coordinator |
| Sound | Robert Jackson | Dialogue Editor |
| Writing | Kate Kondell | Story |
| Writing | Eve Ahlert | Story |
| Writing | Dennis Drake | Story |
